Boomkat Product Review:
Next in the 1st ever American reissues of early Battiato LPs, Pollution  renders the Italian answer to Brian Eno taking prescient inspiration from climate change for a 2nd solo LP of kosmiche flights helmed by folk-rock instrumentation and gilded with VCS3 synthesiser. An unparalleled pop star and famed experimentalist in his homeland, Battiato is beloved by everyone from Nico Vascellari (Ninos Du Brasil) to Lorenzo Senni and prog fans worldwide. These reissues should spread that love farther.
Pollution is more baroque, steepled than its breezier predecessor, Fetus. It finds Battiato getting better to grasps with his favoured synthesiser, meshed with his plaintive, unsentimental vocals in a brace of intricately woven arrangements ranging from portentous to ecstatic examples of his famous and widely admired sound, even including some delicious downstrokes of esoteric psych-soul vibes along with the usual folk inflections.
“Pollution from 1972 is the captivating follow-up to Fetus. Like its predecessor, the album features Baroque textures, motorik rhythms, weird tape effects and Battiato's perfectly oblique vocals. Upon hearing Pollution, Frank Zappa joyfully proclaimed it "genius."
While Battiato's core group of collaborators remains largely the same as on his debut, this phenomenal band (joined by an eighteen-year-old Roberto Cacciapaglia on keys) appears even more in the foreground on Pollution. Out of the Ash Ra Tempel-like riffs and urgent guitar strumming emerge hypnotic grooves and cinematic flourishes, suggesting a futuristic meeting point between Stereolab and Ennio Morricone.
Dedicated to the Centro Internazionale Studi Magnetici, Pollution touches on themes of environmental catastrophe. Futurist allusions seep in through eccentric lyrics (at times sung backwards) about hydraulics, magnetic fields, etc., yet listeners don't need to speak the artist's language to grasp his melancholy vision. With Pollution, Battiato solidifies not only his cult figure status, but also many of his forward-thinking ideas on rock 'n' roll.”