"Automat is: Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag, Philipp Boa), Georg Zeitblom (Sovetskoe Foto). The Berlin-based trio has recorded an exceptional album. Denser and yet even more unflinching than the debut they released one year ago, PLUSMINUS recalls the mysterious monolith in Stanley Kubrick’s '2001'. There’s nothing here that one could hold onto, and yet so much of it that the listener is transported into a kind of trance. While its predecessor was still characterized by prominent guest vocalists like Lydia Lunch, Blixa Bargeld and Genesis P-Orridge, here it is the studio that speaks. It is the 1950s analog technology of Candy Bomber Studios in Berlin-Tempelhof. Automat recorded all the tracks on the album within three days in January. Without much rehearsal, the first take was final - limitation as strength. Almost all the tracks on the album are named after the sonic devices and effects units that were the focus during production: 'EMT 140' is a two meter long reverb plate, 'H 910' is a harmonizer that defined the sound of David Bowie’s 'Low'. The Automat musician Zeitblom had been searching for this unit for ten years. His perseverance paid off..."
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"Automat is: Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag, Philipp Boa), Georg Zeitblom (Sovetskoe Foto). The Berlin-based trio has recorded an exceptional album. Denser and yet even more unflinching than the debut they released one year ago, PLUSMINUS recalls the mysterious monolith in Stanley Kubrick’s '2001'. There’s nothing here that one could hold onto, and yet so much of it that the listener is transported into a kind of trance. While its predecessor was still characterized by prominent guest vocalists like Lydia Lunch, Blixa Bargeld and Genesis P-Orridge, here it is the studio that speaks. It is the 1950s analog technology of Candy Bomber Studios in Berlin-Tempelhof. Automat recorded all the tracks on the album within three days in January. Without much rehearsal, the first take was final - limitation as strength. Almost all the tracks on the album are named after the sonic devices and effects units that were the focus during production: 'EMT 140' is a two meter long reverb plate, 'H 910' is a harmonizer that defined the sound of David Bowie’s 'Low'. The Automat musician Zeitblom had been searching for this unit for ten years. His perseverance paid off..."
"Automat is: Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag, Philipp Boa), Georg Zeitblom (Sovetskoe Foto). The Berlin-based trio has recorded an exceptional album. Denser and yet even more unflinching than the debut they released one year ago, PLUSMINUS recalls the mysterious monolith in Stanley Kubrick’s '2001'. There’s nothing here that one could hold onto, and yet so much of it that the listener is transported into a kind of trance. While its predecessor was still characterized by prominent guest vocalists like Lydia Lunch, Blixa Bargeld and Genesis P-Orridge, here it is the studio that speaks. It is the 1950s analog technology of Candy Bomber Studios in Berlin-Tempelhof. Automat recorded all the tracks on the album within three days in January. Without much rehearsal, the first take was final - limitation as strength. Almost all the tracks on the album are named after the sonic devices and effects units that were the focus during production: 'EMT 140' is a two meter long reverb plate, 'H 910' is a harmonizer that defined the sound of David Bowie’s 'Low'. The Automat musician Zeitblom had been searching for this unit for ten years. His perseverance paid off..."
"Automat is: Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag, Philipp Boa), Georg Zeitblom (Sovetskoe Foto). The Berlin-based trio has recorded an exceptional album. Denser and yet even more unflinching than the debut they released one year ago, PLUSMINUS recalls the mysterious monolith in Stanley Kubrick’s '2001'. There’s nothing here that one could hold onto, and yet so much of it that the listener is transported into a kind of trance. While its predecessor was still characterized by prominent guest vocalists like Lydia Lunch, Blixa Bargeld and Genesis P-Orridge, here it is the studio that speaks. It is the 1950s analog technology of Candy Bomber Studios in Berlin-Tempelhof. Automat recorded all the tracks on the album within three days in January. Without much rehearsal, the first take was final - limitation as strength. Almost all the tracks on the album are named after the sonic devices and effects units that were the focus during production: 'EMT 140' is a two meter long reverb plate, 'H 910' is a harmonizer that defined the sound of David Bowie’s 'Low'. The Automat musician Zeitblom had been searching for this unit for ten years. His perseverance paid off..."
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
"Automat is: Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag, Philipp Boa), Georg Zeitblom (Sovetskoe Foto). The Berlin-based trio has recorded an exceptional album. Denser and yet even more unflinching than the debut they released one year ago, PLUSMINUS recalls the mysterious monolith in Stanley Kubrick’s '2001'. There’s nothing here that one could hold onto, and yet so much of it that the listener is transported into a kind of trance. While its predecessor was still characterized by prominent guest vocalists like Lydia Lunch, Blixa Bargeld and Genesis P-Orridge, here it is the studio that speaks. It is the 1950s analog technology of Candy Bomber Studios in Berlin-Tempelhof. Automat recorded all the tracks on the album within three days in January. Without much rehearsal, the first take was final - limitation as strength. Almost all the tracks on the album are named after the sonic devices and effects units that were the focus during production: 'EMT 140' is a two meter long reverb plate, 'H 910' is a harmonizer that defined the sound of David Bowie’s 'Low'. The Automat musician Zeitblom had been searching for this unit for ten years. His perseverance paid off..."
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
"Automat is: Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Project Pitchfork, Prag, Philipp Boa), Georg Zeitblom (Sovetskoe Foto). The Berlin-based trio has recorded an exceptional album. Denser and yet even more unflinching than the debut they released one year ago, PLUSMINUS recalls the mysterious monolith in Stanley Kubrick’s '2001'. There’s nothing here that one could hold onto, and yet so much of it that the listener is transported into a kind of trance. While its predecessor was still characterized by prominent guest vocalists like Lydia Lunch, Blixa Bargeld and Genesis P-Orridge, here it is the studio that speaks. It is the 1950s analog technology of Candy Bomber Studios in Berlin-Tempelhof. Automat recorded all the tracks on the album within three days in January. Without much rehearsal, the first take was final - limitation as strength. Almost all the tracks on the album are named after the sonic devices and effects units that were the focus during production: 'EMT 140' is a two meter long reverb plate, 'H 910' is a harmonizer that defined the sound of David Bowie’s 'Low'. The Automat musician Zeitblom had been searching for this unit for ten years. His perseverance paid off..."