Minimalist Düsseldorf dance traction in full effect from Harmonious Thelonious, the rhythm tripping alias of Salon Des Amateurs affiliate Stefan Schwander.
Now following his nose for a mix of perpetual African rhythm motions, American minimalism and tight German engineering for over a decade under this alias, Schwander continues to get ever deeper into his groove with the viscous hydraulics of ‘Plong’, his first long one for stewards of classic German synth music, Bureau B after turns with the likes of TTT and Disk.
The churn is hard to resist on this, his first album in 3 years, showing off some real arp muscle and motorik drums in ‘Young Kong’, and slaying us with the swingeing grind of ‘The Roller’ on a scrambled Ed Rush & Optical tip, while he serves killer wonky sidespin on Kurdish Dabke in ‘Original Member Of a Wedding Band’, and the plong of the title is felt heaviest in the relentless bent of ‘Höhlenmenschenmuziek’ and ‘Totentanz’, his tribute to formative gigs witnessing “Liquid Liquid, Gun Club, Jonathan Richman, and a very young Aztec Camera”.
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Minimalist Düsseldorf dance traction in full effect from Harmonious Thelonious, the rhythm tripping alias of Salon Des Amateurs affiliate Stefan Schwander.
Now following his nose for a mix of perpetual African rhythm motions, American minimalism and tight German engineering for over a decade under this alias, Schwander continues to get ever deeper into his groove with the viscous hydraulics of ‘Plong’, his first long one for stewards of classic German synth music, Bureau B after turns with the likes of TTT and Disk.
The churn is hard to resist on this, his first album in 3 years, showing off some real arp muscle and motorik drums in ‘Young Kong’, and slaying us with the swingeing grind of ‘The Roller’ on a scrambled Ed Rush & Optical tip, while he serves killer wonky sidespin on Kurdish Dabke in ‘Original Member Of a Wedding Band’, and the plong of the title is felt heaviest in the relentless bent of ‘Höhlenmenschenmuziek’ and ‘Totentanz’, his tribute to formative gigs witnessing “Liquid Liquid, Gun Club, Jonathan Richman, and a very young Aztec Camera”.
Minimalist Düsseldorf dance traction in full effect from Harmonious Thelonious, the rhythm tripping alias of Salon Des Amateurs affiliate Stefan Schwander.
Now following his nose for a mix of perpetual African rhythm motions, American minimalism and tight German engineering for over a decade under this alias, Schwander continues to get ever deeper into his groove with the viscous hydraulics of ‘Plong’, his first long one for stewards of classic German synth music, Bureau B after turns with the likes of TTT and Disk.
The churn is hard to resist on this, his first album in 3 years, showing off some real arp muscle and motorik drums in ‘Young Kong’, and slaying us with the swingeing grind of ‘The Roller’ on a scrambled Ed Rush & Optical tip, while he serves killer wonky sidespin on Kurdish Dabke in ‘Original Member Of a Wedding Band’, and the plong of the title is felt heaviest in the relentless bent of ‘Höhlenmenschenmuziek’ and ‘Totentanz’, his tribute to formative gigs witnessing “Liquid Liquid, Gun Club, Jonathan Richman, and a very young Aztec Camera”.
Minimalist Düsseldorf dance traction in full effect from Harmonious Thelonious, the rhythm tripping alias of Salon Des Amateurs affiliate Stefan Schwander.
Now following his nose for a mix of perpetual African rhythm motions, American minimalism and tight German engineering for over a decade under this alias, Schwander continues to get ever deeper into his groove with the viscous hydraulics of ‘Plong’, his first long one for stewards of classic German synth music, Bureau B after turns with the likes of TTT and Disk.
The churn is hard to resist on this, his first album in 3 years, showing off some real arp muscle and motorik drums in ‘Young Kong’, and slaying us with the swingeing grind of ‘The Roller’ on a scrambled Ed Rush & Optical tip, while he serves killer wonky sidespin on Kurdish Dabke in ‘Original Member Of a Wedding Band’, and the plong of the title is felt heaviest in the relentless bent of ‘Höhlenmenschenmuziek’ and ‘Totentanz’, his tribute to formative gigs witnessing “Liquid Liquid, Gun Club, Jonathan Richman, and a very young Aztec Camera”.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Minimalist Düsseldorf dance traction in full effect from Harmonious Thelonious, the rhythm tripping alias of Salon Des Amateurs affiliate Stefan Schwander.
Now following his nose for a mix of perpetual African rhythm motions, American minimalism and tight German engineering for over a decade under this alias, Schwander continues to get ever deeper into his groove with the viscous hydraulics of ‘Plong’, his first long one for stewards of classic German synth music, Bureau B after turns with the likes of TTT and Disk.
The churn is hard to resist on this, his first album in 3 years, showing off some real arp muscle and motorik drums in ‘Young Kong’, and slaying us with the swingeing grind of ‘The Roller’ on a scrambled Ed Rush & Optical tip, while he serves killer wonky sidespin on Kurdish Dabke in ‘Original Member Of a Wedding Band’, and the plong of the title is felt heaviest in the relentless bent of ‘Höhlenmenschenmuziek’ and ‘Totentanz’, his tribute to formative gigs witnessing “Liquid Liquid, Gun Club, Jonathan Richman, and a very young Aztec Camera”.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Minimalist Düsseldorf dance traction in full effect from Harmonious Thelonious, the rhythm tripping alias of Salon Des Amateurs affiliate Stefan Schwander.
Now following his nose for a mix of perpetual African rhythm motions, American minimalism and tight German engineering for over a decade under this alias, Schwander continues to get ever deeper into his groove with the viscous hydraulics of ‘Plong’, his first long one for stewards of classic German synth music, Bureau B after turns with the likes of TTT and Disk.
The churn is hard to resist on this, his first album in 3 years, showing off some real arp muscle and motorik drums in ‘Young Kong’, and slaying us with the swingeing grind of ‘The Roller’ on a scrambled Ed Rush & Optical tip, while he serves killer wonky sidespin on Kurdish Dabke in ‘Original Member Of a Wedding Band’, and the plong of the title is felt heaviest in the relentless bent of ‘Höhlenmenschenmuziek’ and ‘Totentanz’, his tribute to formative gigs witnessing “Liquid Liquid, Gun Club, Jonathan Richman, and a very young Aztec Camera”.