Jossy Mitsu follows up 2021's 'Planet J' with a floor-ready sequel, aerating garage, breaks and jungle with contemporary fizz.
Brummie DJ and producer Mitsu is a notorious crate digger who was a crucial part of the sorely missed 6 Figure Gang alongside Sherelle, Yazzus, Dobbs, Fauzia and LCY. A Rinse FM resident for years, she released her first track in 2020 on Astral Black's 'Frass FM 5' compilation, and has been hard at work advancing her craft ever since. 'Planet J II' is her most confident set to date, and precisely maps out her musical fingerprint, distilling the essence of various strains of bass music into six lithe dancefloor weapons.
The EP leads off with 'Bet', Mitsu's most broken production but also her most satisfying. Layering breaks-y flesh over a Grime skeleton, she creates a late-nite atmosphere that harks back to the early days of jungle, with wistful pads reminding us of fellow Midlander Goldie. 'Worlds End' is an upfront Berghain-gone-dubstep banger that harmonizes with Berlin's recent interest in low end, and 'Catch Me If U Can' is amphetamine-fuelled liquid dnb, but Mitsu saves the best for last. On 'Zeta' she lifts her textures from scifi-addled early jungle, but marries them with unstable halfstep bumps, sounding as if she's ready to give a tower of subs a workout.
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Jossy Mitsu follows up 2021's 'Planet J' with a floor-ready sequel, aerating garage, breaks and jungle with contemporary fizz.
Brummie DJ and producer Mitsu is a notorious crate digger who was a crucial part of the sorely missed 6 Figure Gang alongside Sherelle, Yazzus, Dobbs, Fauzia and LCY. A Rinse FM resident for years, she released her first track in 2020 on Astral Black's 'Frass FM 5' compilation, and has been hard at work advancing her craft ever since. 'Planet J II' is her most confident set to date, and precisely maps out her musical fingerprint, distilling the essence of various strains of bass music into six lithe dancefloor weapons.
The EP leads off with 'Bet', Mitsu's most broken production but also her most satisfying. Layering breaks-y flesh over a Grime skeleton, she creates a late-nite atmosphere that harks back to the early days of jungle, with wistful pads reminding us of fellow Midlander Goldie. 'Worlds End' is an upfront Berghain-gone-dubstep banger that harmonizes with Berlin's recent interest in low end, and 'Catch Me If U Can' is amphetamine-fuelled liquid dnb, but Mitsu saves the best for last. On 'Zeta' she lifts her textures from scifi-addled early jungle, but marries them with unstable halfstep bumps, sounding as if she's ready to give a tower of subs a workout.
Jossy Mitsu follows up 2021's 'Planet J' with a floor-ready sequel, aerating garage, breaks and jungle with contemporary fizz.
Brummie DJ and producer Mitsu is a notorious crate digger who was a crucial part of the sorely missed 6 Figure Gang alongside Sherelle, Yazzus, Dobbs, Fauzia and LCY. A Rinse FM resident for years, she released her first track in 2020 on Astral Black's 'Frass FM 5' compilation, and has been hard at work advancing her craft ever since. 'Planet J II' is her most confident set to date, and precisely maps out her musical fingerprint, distilling the essence of various strains of bass music into six lithe dancefloor weapons.
The EP leads off with 'Bet', Mitsu's most broken production but also her most satisfying. Layering breaks-y flesh over a Grime skeleton, she creates a late-nite atmosphere that harks back to the early days of jungle, with wistful pads reminding us of fellow Midlander Goldie. 'Worlds End' is an upfront Berghain-gone-dubstep banger that harmonizes with Berlin's recent interest in low end, and 'Catch Me If U Can' is amphetamine-fuelled liquid dnb, but Mitsu saves the best for last. On 'Zeta' she lifts her textures from scifi-addled early jungle, but marries them with unstable halfstep bumps, sounding as if she's ready to give a tower of subs a workout.
Jossy Mitsu follows up 2021's 'Planet J' with a floor-ready sequel, aerating garage, breaks and jungle with contemporary fizz.
Brummie DJ and producer Mitsu is a notorious crate digger who was a crucial part of the sorely missed 6 Figure Gang alongside Sherelle, Yazzus, Dobbs, Fauzia and LCY. A Rinse FM resident for years, she released her first track in 2020 on Astral Black's 'Frass FM 5' compilation, and has been hard at work advancing her craft ever since. 'Planet J II' is her most confident set to date, and precisely maps out her musical fingerprint, distilling the essence of various strains of bass music into six lithe dancefloor weapons.
The EP leads off with 'Bet', Mitsu's most broken production but also her most satisfying. Layering breaks-y flesh over a Grime skeleton, she creates a late-nite atmosphere that harks back to the early days of jungle, with wistful pads reminding us of fellow Midlander Goldie. 'Worlds End' is an upfront Berghain-gone-dubstep banger that harmonizes with Berlin's recent interest in low end, and 'Catch Me If U Can' is amphetamine-fuelled liquid dnb, but Mitsu saves the best for last. On 'Zeta' she lifts her textures from scifi-addled early jungle, but marries them with unstable halfstep bumps, sounding as if she's ready to give a tower of subs a workout.
12" with picture sleeve.
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Jossy Mitsu follows up 2021's 'Planet J' with a floor-ready sequel, aerating garage, breaks and jungle with contemporary fizz.
Brummie DJ and producer Mitsu is a notorious crate digger who was a crucial part of the sorely missed 6 Figure Gang alongside Sherelle, Yazzus, Dobbs, Fauzia and LCY. A Rinse FM resident for years, she released her first track in 2020 on Astral Black's 'Frass FM 5' compilation, and has been hard at work advancing her craft ever since. 'Planet J II' is her most confident set to date, and precisely maps out her musical fingerprint, distilling the essence of various strains of bass music into six lithe dancefloor weapons.
The EP leads off with 'Bet', Mitsu's most broken production but also her most satisfying. Layering breaks-y flesh over a Grime skeleton, she creates a late-nite atmosphere that harks back to the early days of jungle, with wistful pads reminding us of fellow Midlander Goldie. 'Worlds End' is an upfront Berghain-gone-dubstep banger that harmonizes with Berlin's recent interest in low end, and 'Catch Me If U Can' is amphetamine-fuelled liquid dnb, but Mitsu saves the best for last. On 'Zeta' she lifts her textures from scifi-addled early jungle, but marries them with unstable halfstep bumps, sounding as if she's ready to give a tower of subs a workout.