French free party shotter and producer Kaval exerts ruggedly personalised twists on UKF templates for Sneaker Social Club.
Riding on a staunch reputation built thru his slew of work for Egregore Collective and Riddims Supplies, and put into practice at countless DIY free parties in abandoned building, underpasses and “anywhere they can sneak a genny” around Toulouse, Kaval brings proper dance floor wisdom to the ‘Pistolaser’ EP. The seismic shifts of grime producers tired of gun finger rowdiness made music to make girls dance in the late ’00s endures in four tightly coiled, offbeat permutations, all kept spare and dub wise to best cut across on a big rig and slip in-the-mix.
His title tune recalls vintage Roska in its sloshing parry of woodblocks, subs and vocal stabs, next to a killer ‘Combo II’ flush with tropical percussion and sounds like Apple playing Mortal Kombat. He takes it one step tuffer with the cyber-dubbed swivel of ‘Kingda Ka’ scaling to mind classic Fis-T in its bass wobble, whilst ‘Enchanter’ locks it off in-the-pocket like something we’d expect to hear in Marcus Nasty set, or even by Nick León, who is purported to be rinsing these tunes recently.
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French free party shotter and producer Kaval exerts ruggedly personalised twists on UKF templates for Sneaker Social Club.
Riding on a staunch reputation built thru his slew of work for Egregore Collective and Riddims Supplies, and put into practice at countless DIY free parties in abandoned building, underpasses and “anywhere they can sneak a genny” around Toulouse, Kaval brings proper dance floor wisdom to the ‘Pistolaser’ EP. The seismic shifts of grime producers tired of gun finger rowdiness made music to make girls dance in the late ’00s endures in four tightly coiled, offbeat permutations, all kept spare and dub wise to best cut across on a big rig and slip in-the-mix.
His title tune recalls vintage Roska in its sloshing parry of woodblocks, subs and vocal stabs, next to a killer ‘Combo II’ flush with tropical percussion and sounds like Apple playing Mortal Kombat. He takes it one step tuffer with the cyber-dubbed swivel of ‘Kingda Ka’ scaling to mind classic Fis-T in its bass wobble, whilst ‘Enchanter’ locks it off in-the-pocket like something we’d expect to hear in Marcus Nasty set, or even by Nick León, who is purported to be rinsing these tunes recently.
French free party shotter and producer Kaval exerts ruggedly personalised twists on UKF templates for Sneaker Social Club.
Riding on a staunch reputation built thru his slew of work for Egregore Collective and Riddims Supplies, and put into practice at countless DIY free parties in abandoned building, underpasses and “anywhere they can sneak a genny” around Toulouse, Kaval brings proper dance floor wisdom to the ‘Pistolaser’ EP. The seismic shifts of grime producers tired of gun finger rowdiness made music to make girls dance in the late ’00s endures in four tightly coiled, offbeat permutations, all kept spare and dub wise to best cut across on a big rig and slip in-the-mix.
His title tune recalls vintage Roska in its sloshing parry of woodblocks, subs and vocal stabs, next to a killer ‘Combo II’ flush with tropical percussion and sounds like Apple playing Mortal Kombat. He takes it one step tuffer with the cyber-dubbed swivel of ‘Kingda Ka’ scaling to mind classic Fis-T in its bass wobble, whilst ‘Enchanter’ locks it off in-the-pocket like something we’d expect to hear in Marcus Nasty set, or even by Nick León, who is purported to be rinsing these tunes recently.
French free party shotter and producer Kaval exerts ruggedly personalised twists on UKF templates for Sneaker Social Club.
Riding on a staunch reputation built thru his slew of work for Egregore Collective and Riddims Supplies, and put into practice at countless DIY free parties in abandoned building, underpasses and “anywhere they can sneak a genny” around Toulouse, Kaval brings proper dance floor wisdom to the ‘Pistolaser’ EP. The seismic shifts of grime producers tired of gun finger rowdiness made music to make girls dance in the late ’00s endures in four tightly coiled, offbeat permutations, all kept spare and dub wise to best cut across on a big rig and slip in-the-mix.
His title tune recalls vintage Roska in its sloshing parry of woodblocks, subs and vocal stabs, next to a killer ‘Combo II’ flush with tropical percussion and sounds like Apple playing Mortal Kombat. He takes it one step tuffer with the cyber-dubbed swivel of ‘Kingda Ka’ scaling to mind classic Fis-T in its bass wobble, whilst ‘Enchanter’ locks it off in-the-pocket like something we’d expect to hear in Marcus Nasty set, or even by Nick León, who is purported to be rinsing these tunes recently.