Boomkat Product Review:
Gorgeous and essential archive material from master of ‘The Tokyo Sound’ and environmental music pioneer, Hiroshi Yoshimura, the latest unearthing on Chee Shimizu's 17853 - previously only available on a very limited Japanese cassette back early 80s.
Conceived for the eponymous exhibition of new wave, international fashion held by the Seibu department store at the Suzue corporation’s loft on Takeshita Pier, Tokyo on 18th September, 1983, the perfectly mannered 7-song instrumental suite of Pier & Loft was subsequently issued on cassette thru Fukusei Gijutsu Kohboh later that year.
The record sweetly captures a debonaire, technologically-enhanced style that we’d perceive as specific to the Japanese capital in early ‘80s: an economical and precise synthetic sound, with brightly cute motifs rendered to the rafters in soft reverbs and layered with an elegant simplicity that masks the measured intricacy of construction.
And while the insert notes ask us allow for some slight background noise and distortion form the original master tapes, it’s barely perceptible, and probably would have gone unnoticed if, like the music itself, it weren’t so fastidious in its precision and construction.
Six of the seven tracks are feather light and beatless, ranging from heart-melting romantic themes such as Horizon I’ve Ever Seen Before to the moon beam of Tokyo Bay Area - which are both long enough to let you really float away - whereas Wavy Patterned Icecream gives it a deft dab of beatless synth funk that melts into air, and Kamome Dayori continues that rhythmic theme on the downstroke into the album’s sole appearance of drum machines in the gently swinging budge of The Sea In My Palm, which warmly recalls something from Alain Pierre’s Jan Zonder Vrees soundtrack.