Phosphenes
Jessica Moss
Phosphenes
Boomkat Product Review:
Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss paints another evocative nighttime scene on her fourth album "Phosphenes". Using violin, vocals and electronics, she creates visceral, ghostly soundtracks that are certain to appeal to fans of Deaf Center, Stars of the Lid or Marcus Fjellström.
Jessica Moss has added her signature sound to so many essential artists it's almost pointless listing them all. Most memorably, she toured with Vic Chestnutt's band, co-founded Black Ox Orkestar, performed alongside Carla Bozulich, and experimented with electronics with Growing's Kevin Doria as Total Life, but that's only the half of it. On 'Phosphenes', however, the most striking aspect is Moss's ability to harness the power of restraint, allowing minuscule strokes and small touches do the heavy lifting.
Epic three-part composition 'Contemplation' makes up the bulk of the album's first half, showing off Moss's instrumental skill without any kind of fanfare. Her playing is the central focus, but her knowledge of production and electronics infuses her productions with subtle elements that never detract from the instrumental sounds. On 'Let Down' and 'Distortion Harbour', these elements begin to strangle the strings as if a transition is taking place; by the end of 'Distortion Harbour', light starts to crack through the fog. A child's voice burbles up from the silence: "don't be sad, I love you."
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Boomkat Product Review:
Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss paints another evocative nighttime scene on her fourth album "Phosphenes". Using violin, vocals and electronics, she creates visceral, ghostly soundtracks that are certain to appeal to fans of Deaf Center, Stars of the Lid or Marcus Fjellström.
Jessica Moss has added her signature sound to so many essential artists it's almost pointless listing them all. Most memorably, she toured with Vic Chestnutt's band, co-founded Black Ox Orkestar, performed alongside Carla Bozulich, and experimented with electronics with Growing's Kevin Doria as Total Life, but that's only the half of it. On 'Phosphenes', however, the most striking aspect is Moss's ability to harness the power of restraint, allowing minuscule strokes and small touches do the heavy lifting.
Epic three-part composition 'Contemplation' makes up the bulk of the album's first half, showing off Moss's instrumental skill without any kind of fanfare. Her playing is the central focus, but her knowledge of production and electronics infuses her productions with subtle elements that never detract from the instrumental sounds. On 'Let Down' and 'Distortion Harbour', these elements begin to strangle the strings as if a transition is taking place; by the end of 'Distortion Harbour', light starts to crack through the fog. A child's voice burbles up from the silence: "don't be sad, I love you."
Boomkat Product Review:
Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss paints another evocative nighttime scene on her fourth album "Phosphenes". Using violin, vocals and electronics, she creates visceral, ghostly soundtracks that are certain to appeal to fans of Deaf Center, Stars of the Lid or Marcus Fjellström.
Jessica Moss has added her signature sound to so many essential artists it's almost pointless listing them all. Most memorably, she toured with Vic Chestnutt's band, co-founded Black Ox Orkestar, performed alongside Carla Bozulich, and experimented with electronics with Growing's Kevin Doria as Total Life, but that's only the half of it. On 'Phosphenes', however, the most striking aspect is Moss's ability to harness the power of restraint, allowing minuscule strokes and small touches do the heavy lifting.
Epic three-part composition 'Contemplation' makes up the bulk of the album's first half, showing off Moss's instrumental skill without any kind of fanfare. Her playing is the central focus, but her knowledge of production and electronics infuses her productions with subtle elements that never detract from the instrumental sounds. On 'Let Down' and 'Distortion Harbour', these elements begin to strangle the strings as if a transition is taking place; by the end of 'Distortion Harbour', light starts to crack through the fog. A child's voice burbles up from the silence: "don't be sad, I love you."
Boomkat Product Review:
Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss paints another evocative nighttime scene on her fourth album "Phosphenes". Using violin, vocals and electronics, she creates visceral, ghostly soundtracks that are certain to appeal to fans of Deaf Center, Stars of the Lid or Marcus Fjellström.
Jessica Moss has added her signature sound to so many essential artists it's almost pointless listing them all. Most memorably, she toured with Vic Chestnutt's band, co-founded Black Ox Orkestar, performed alongside Carla Bozulich, and experimented with electronics with Growing's Kevin Doria as Total Life, but that's only the half of it. On 'Phosphenes', however, the most striking aspect is Moss's ability to harness the power of restraint, allowing minuscule strokes and small touches do the heavy lifting.
Epic three-part composition 'Contemplation' makes up the bulk of the album's first half, showing off Moss's instrumental skill without any kind of fanfare. Her playing is the central focus, but her knowledge of production and electronics infuses her productions with subtle elements that never detract from the instrumental sounds. On 'Let Down' and 'Distortion Harbour', these elements begin to strangle the strings as if a transition is taking place; by the end of 'Distortion Harbour', light starts to crack through the fog. A child's voice burbles up from the silence: "don't be sad, I love you."
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss paints another evocative nighttime scene on her fourth album "Phosphenes". Using violin, vocals and electronics, she creates visceral, ghostly soundtracks that are certain to appeal to fans of Deaf Center, Stars of the Lid or Marcus Fjellström.
Jessica Moss has added her signature sound to so many essential artists it's almost pointless listing them all. Most memorably, she toured with Vic Chestnutt's band, co-founded Black Ox Orkestar, performed alongside Carla Bozulich, and experimented with electronics with Growing's Kevin Doria as Total Life, but that's only the half of it. On 'Phosphenes', however, the most striking aspect is Moss's ability to harness the power of restraint, allowing minuscule strokes and small touches do the heavy lifting.
Epic three-part composition 'Contemplation' makes up the bulk of the album's first half, showing off Moss's instrumental skill without any kind of fanfare. Her playing is the central focus, but her knowledge of production and electronics infuses her productions with subtle elements that never detract from the instrumental sounds. On 'Let Down' and 'Distortion Harbour', these elements begin to strangle the strings as if a transition is taking place; by the end of 'Distortion Harbour', light starts to crack through the fog. A child's voice burbles up from the silence: "don't be sad, I love you."
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Thee Silver Mt. Zion Memorial Orchestra's Jessica Moss paints another evocative nighttime scene on her fourth album "Phosphenes". Using violin, vocals and electronics, she creates visceral, ghostly soundtracks that are certain to appeal to fans of Deaf Center, Stars of the Lid or Marcus Fjellström.
Jessica Moss has added her signature sound to so many essential artists it's almost pointless listing them all. Most memorably, she toured with Vic Chestnutt's band, co-founded Black Ox Orkestar, performed alongside Carla Bozulich, and experimented with electronics with Growing's Kevin Doria as Total Life, but that's only the half of it. On 'Phosphenes', however, the most striking aspect is Moss's ability to harness the power of restraint, allowing minuscule strokes and small touches do the heavy lifting.
Epic three-part composition 'Contemplation' makes up the bulk of the album's first half, showing off Moss's instrumental skill without any kind of fanfare. Her playing is the central focus, but her knowledge of production and electronics infuses her productions with subtle elements that never detract from the instrumental sounds. On 'Let Down' and 'Distortion Harbour', these elements begin to strangle the strings as if a transition is taking place; by the end of 'Distortion Harbour', light starts to crack through the fog. A child's voice burbles up from the silence: "don't be sad, I love you."
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