Jordan’s Toumba exerts a Levantine slant on UKF and hard drum-compatible templates with ear-tweaking microtonal melody and whirring rhythms for a standout Hessle Audio 12”
Smoothing off the ruggeder edges of electro-chaabi and mahraganat to suit Hessle Audio’s posh boy bassbin styles, Jordan’s Toubma keeps enough flavour to pique our interests on the four tracks of ‘Petals’. Working out of Amman, where he helms a residency and curates events at MNFA and the MMAG Foundation, Toubma chases killer debut chops on 2022’s ‘Rosefinch’ 12” for Hypnic Jerks with an even more serpentine slink on these new ones, working sloshing polyrhythms and keyboard vamps into a reticulated mutation of wedding music on ‘Istibtan’, and pivoting around pendulous dembow-dancehall rhythms on its title tune, while ‘Hazzeh’ trots to a craftier, mesmerising sort of breakstep like a thizzing DJ Plead, and ‘Identity Crisis’ slip off on an electro dancehall tip recalling bits of Miami IDM from 20 years ago.
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Jordan’s Toumba exerts a Levantine slant on UKF and hard drum-compatible templates with ear-tweaking microtonal melody and whirring rhythms for a standout Hessle Audio 12”
Smoothing off the ruggeder edges of electro-chaabi and mahraganat to suit Hessle Audio’s posh boy bassbin styles, Jordan’s Toubma keeps enough flavour to pique our interests on the four tracks of ‘Petals’. Working out of Amman, where he helms a residency and curates events at MNFA and the MMAG Foundation, Toubma chases killer debut chops on 2022’s ‘Rosefinch’ 12” for Hypnic Jerks with an even more serpentine slink on these new ones, working sloshing polyrhythms and keyboard vamps into a reticulated mutation of wedding music on ‘Istibtan’, and pivoting around pendulous dembow-dancehall rhythms on its title tune, while ‘Hazzeh’ trots to a craftier, mesmerising sort of breakstep like a thizzing DJ Plead, and ‘Identity Crisis’ slip off on an electro dancehall tip recalling bits of Miami IDM from 20 years ago.
Jordan’s Toumba exerts a Levantine slant on UKF and hard drum-compatible templates with ear-tweaking microtonal melody and whirring rhythms for a standout Hessle Audio 12”
Smoothing off the ruggeder edges of electro-chaabi and mahraganat to suit Hessle Audio’s posh boy bassbin styles, Jordan’s Toubma keeps enough flavour to pique our interests on the four tracks of ‘Petals’. Working out of Amman, where he helms a residency and curates events at MNFA and the MMAG Foundation, Toubma chases killer debut chops on 2022’s ‘Rosefinch’ 12” for Hypnic Jerks with an even more serpentine slink on these new ones, working sloshing polyrhythms and keyboard vamps into a reticulated mutation of wedding music on ‘Istibtan’, and pivoting around pendulous dembow-dancehall rhythms on its title tune, while ‘Hazzeh’ trots to a craftier, mesmerising sort of breakstep like a thizzing DJ Plead, and ‘Identity Crisis’ slip off on an electro dancehall tip recalling bits of Miami IDM from 20 years ago.
Jordan’s Toumba exerts a Levantine slant on UKF and hard drum-compatible templates with ear-tweaking microtonal melody and whirring rhythms for a standout Hessle Audio 12”
Smoothing off the ruggeder edges of electro-chaabi and mahraganat to suit Hessle Audio’s posh boy bassbin styles, Jordan’s Toubma keeps enough flavour to pique our interests on the four tracks of ‘Petals’. Working out of Amman, where he helms a residency and curates events at MNFA and the MMAG Foundation, Toubma chases killer debut chops on 2022’s ‘Rosefinch’ 12” for Hypnic Jerks with an even more serpentine slink on these new ones, working sloshing polyrhythms and keyboard vamps into a reticulated mutation of wedding music on ‘Istibtan’, and pivoting around pendulous dembow-dancehall rhythms on its title tune, while ‘Hazzeh’ trots to a craftier, mesmerising sort of breakstep like a thizzing DJ Plead, and ‘Identity Crisis’ slip off on an electro dancehall tip recalling bits of Miami IDM from 20 years ago.
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Jordan’s Toumba exerts a Levantine slant on UKF and hard drum-compatible templates with ear-tweaking microtonal melody and whirring rhythms for a standout Hessle Audio 12”
Smoothing off the ruggeder edges of electro-chaabi and mahraganat to suit Hessle Audio’s posh boy bassbin styles, Jordan’s Toubma keeps enough flavour to pique our interests on the four tracks of ‘Petals’. Working out of Amman, where he helms a residency and curates events at MNFA and the MMAG Foundation, Toubma chases killer debut chops on 2022’s ‘Rosefinch’ 12” for Hypnic Jerks with an even more serpentine slink on these new ones, working sloshing polyrhythms and keyboard vamps into a reticulated mutation of wedding music on ‘Istibtan’, and pivoting around pendulous dembow-dancehall rhythms on its title tune, while ‘Hazzeh’ trots to a craftier, mesmerising sort of breakstep like a thizzing DJ Plead, and ‘Identity Crisis’ slip off on an electro dancehall tip recalling bits of Miami IDM from 20 years ago.