Boomkat Product Review:
Emergent Canadian musician/weaver Kelly Ruth makes a fine attempt to grasp and model the metaverse in sound on her 40 minute offering to the Longform Editions series.
From a complex input of activated textiles (cloth woven with micro controllers), contact mic’s, effects pedals, light controlled oscillators and homebuilt sound machines, Kelly Ruth generates an immersive environment that perfectly falls into the deeper listening categories explored and encouraged by LE. However intricate the input, the results are totally cohesive and play through an uncanny valley of sound, blurring the boundaries of virtual and real worlds to knit us an exceptionally strange and eerie space that conveys her thoughts quite clearly, if abstractly, with lots of room for interpretation.
“Throughout the year of the global pandemic I realized what I missed most as I became more and more isolated was the experience of going to live shows and the random meetups between acquaintances new and old. I enjoy being a part of the fabric of a society or culture and similarly the joy of exploring and discovering new spaces, cities, communities etc. One way that I have been able to satisfy this during the past year has been to revisit my on again off again interest in virtual worlds. This time around on my journey, I am thinking more about the human’s experience within the metaverse since as societies we are deeply entrenched in the metaverse whether we consider ourselves to be exploring a virtual world or not. I have witnessed people blurring the lines between reality and fantasy in the virtual world, and I witness this as well in how people process media as we are continually tossed around in the waters of knowledge and information. Truth appears to be subjective. I also believe that virtual worlds are coming to take us away and I am not sure we are prepared for this. In the future I wonder what happens to a society should it slip entirely into a post reality? How can humans remain objective and avoid becoming islands within themselves as their worlds dissolve into many fractured visions of one’s own projections?
Persistence Beyond All Truth is for me the soundtrack to my journey through the lands within the virtual world as I think through all the philosophical challenges that have come up for me during this time. I spend a lot of time in as much silence as the world will afford me. As a result when I listen to music I do it intentionally, and after an extended period of relative silence the music I get attracted to seems to blow my mind. I enjoy this sensation, that the world is repeatedly new and I think it keeps me curious and invigorated. When I take the time to not rush through my environments I notice the sounds around me and particularly how each place has a unique set of sounds.”