OG PC Music alum, Hannah Diamond keeps her youthful sound cryogenically preserved on an airbrushed 2nd album of hyper-pop jewellery.
‘Picture Perfect’ follows 2019’s ‘Reflections’ with the sort of hyper-pop that we can get down with, as in it’s not 2-bit ironic trash, but rooted in proper synth-pop and bursting at the seams with stacked melody and actually danceable electro and R&B grooves. Of course there’s an inherent soupçon of ironic perversity at play in Hannah Diamond’s sheer, wipe-clean productions and pop purism, however it's far more tasteful than you might be expecting.
For anyone who realises that this shit didn’t simply emerge fully formed, naked and glistening from some dark ages pre-2010, it’s not hard to hear aspects of the sort of latin freestyle and ebullient ‘80s synth-funk that inspired SOPHIE, or the super-articulated arrangements of Max Tundra, riddling these songs. It’s there from the majestic pomp of the title tune, thru the gleaming FM synthesis and chorus of ‘Poster Girl’, in the Italo-into-Happy hardcore and timeless romantic themes distilled in ‘Flashback’, and turned up Rebecca Black style on ‘Lip Sync’, with classy but ludicrous bouts of ‘Staring at the Ceiling’, and affective pop pathos of ‘Divisible by Two’ recalling the ingenuity of aya, or the sign off ballad ‘Unbreakable’.
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OG PC Music alum, Hannah Diamond keeps her youthful sound cryogenically preserved on an airbrushed 2nd album of hyper-pop jewellery.
‘Picture Perfect’ follows 2019’s ‘Reflections’ with the sort of hyper-pop that we can get down with, as in it’s not 2-bit ironic trash, but rooted in proper synth-pop and bursting at the seams with stacked melody and actually danceable electro and R&B grooves. Of course there’s an inherent soupçon of ironic perversity at play in Hannah Diamond’s sheer, wipe-clean productions and pop purism, however it's far more tasteful than you might be expecting.
For anyone who realises that this shit didn’t simply emerge fully formed, naked and glistening from some dark ages pre-2010, it’s not hard to hear aspects of the sort of latin freestyle and ebullient ‘80s synth-funk that inspired SOPHIE, or the super-articulated arrangements of Max Tundra, riddling these songs. It’s there from the majestic pomp of the title tune, thru the gleaming FM synthesis and chorus of ‘Poster Girl’, in the Italo-into-Happy hardcore and timeless romantic themes distilled in ‘Flashback’, and turned up Rebecca Black style on ‘Lip Sync’, with classy but ludicrous bouts of ‘Staring at the Ceiling’, and affective pop pathos of ‘Divisible by Two’ recalling the ingenuity of aya, or the sign off ballad ‘Unbreakable’.
OG PC Music alum, Hannah Diamond keeps her youthful sound cryogenically preserved on an airbrushed 2nd album of hyper-pop jewellery.
‘Picture Perfect’ follows 2019’s ‘Reflections’ with the sort of hyper-pop that we can get down with, as in it’s not 2-bit ironic trash, but rooted in proper synth-pop and bursting at the seams with stacked melody and actually danceable electro and R&B grooves. Of course there’s an inherent soupçon of ironic perversity at play in Hannah Diamond’s sheer, wipe-clean productions and pop purism, however it's far more tasteful than you might be expecting.
For anyone who realises that this shit didn’t simply emerge fully formed, naked and glistening from some dark ages pre-2010, it’s not hard to hear aspects of the sort of latin freestyle and ebullient ‘80s synth-funk that inspired SOPHIE, or the super-articulated arrangements of Max Tundra, riddling these songs. It’s there from the majestic pomp of the title tune, thru the gleaming FM synthesis and chorus of ‘Poster Girl’, in the Italo-into-Happy hardcore and timeless romantic themes distilled in ‘Flashback’, and turned up Rebecca Black style on ‘Lip Sync’, with classy but ludicrous bouts of ‘Staring at the Ceiling’, and affective pop pathos of ‘Divisible by Two’ recalling the ingenuity of aya, or the sign off ballad ‘Unbreakable’.
OG PC Music alum, Hannah Diamond keeps her youthful sound cryogenically preserved on an airbrushed 2nd album of hyper-pop jewellery.
‘Picture Perfect’ follows 2019’s ‘Reflections’ with the sort of hyper-pop that we can get down with, as in it’s not 2-bit ironic trash, but rooted in proper synth-pop and bursting at the seams with stacked melody and actually danceable electro and R&B grooves. Of course there’s an inherent soupçon of ironic perversity at play in Hannah Diamond’s sheer, wipe-clean productions and pop purism, however it's far more tasteful than you might be expecting.
For anyone who realises that this shit didn’t simply emerge fully formed, naked and glistening from some dark ages pre-2010, it’s not hard to hear aspects of the sort of latin freestyle and ebullient ‘80s synth-funk that inspired SOPHIE, or the super-articulated arrangements of Max Tundra, riddling these songs. It’s there from the majestic pomp of the title tune, thru the gleaming FM synthesis and chorus of ‘Poster Girl’, in the Italo-into-Happy hardcore and timeless romantic themes distilled in ‘Flashback’, and turned up Rebecca Black style on ‘Lip Sync’, with classy but ludicrous bouts of ‘Staring at the Ceiling’, and affective pop pathos of ‘Divisible by Two’ recalling the ingenuity of aya, or the sign off ballad ‘Unbreakable’.
Limited edition 140g black LP with double-sided 18x24 poster insert.
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OG PC Music alum, Hannah Diamond keeps her youthful sound cryogenically preserved on an airbrushed 2nd album of hyper-pop jewellery.
‘Picture Perfect’ follows 2019’s ‘Reflections’ with the sort of hyper-pop that we can get down with, as in it’s not 2-bit ironic trash, but rooted in proper synth-pop and bursting at the seams with stacked melody and actually danceable electro and R&B grooves. Of course there’s an inherent soupçon of ironic perversity at play in Hannah Diamond’s sheer, wipe-clean productions and pop purism, however it's far more tasteful than you might be expecting.
For anyone who realises that this shit didn’t simply emerge fully formed, naked and glistening from some dark ages pre-2010, it’s not hard to hear aspects of the sort of latin freestyle and ebullient ‘80s synth-funk that inspired SOPHIE, or the super-articulated arrangements of Max Tundra, riddling these songs. It’s there from the majestic pomp of the title tune, thru the gleaming FM synthesis and chorus of ‘Poster Girl’, in the Italo-into-Happy hardcore and timeless romantic themes distilled in ‘Flashback’, and turned up Rebecca Black style on ‘Lip Sync’, with classy but ludicrous bouts of ‘Staring at the Ceiling’, and affective pop pathos of ‘Divisible by Two’ recalling the ingenuity of aya, or the sign off ballad ‘Unbreakable’.