The refractive hyaline ambient dimensions of Ceramic TL’s Perfect Lung form the 3rd and final LP to be released in 2017 by David Psutka (Egyptrixx) in various configurations via his Halocline Trance label.
Working remotely from his Toronto base with Istanbul-based composer Ipek Gorgun, Psutka follows his Egyptrixx LP Pure, Beyond Reproach, and his ANAMAI collaboration with Anna Mayberry, What Mountain to pursue a more esoteric and elusive electronic muse throughout the crystal clear yet somehow disorienting spaces of Perfect Lung.
With its clash of bi-continental sonorities and signifiers rent in tessellating, refractive designs, the effect of the music emulates or at least recalls to us time spent on the bus at night travelling thru the realest ends of a large city, with streetlights, headlamps and neon signage playing out surreal refractions in myriad sheets of glass.
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The refractive hyaline ambient dimensions of Ceramic TL’s Perfect Lung form the 3rd and final LP to be released in 2017 by David Psutka (Egyptrixx) in various configurations via his Halocline Trance label.
Working remotely from his Toronto base with Istanbul-based composer Ipek Gorgun, Psutka follows his Egyptrixx LP Pure, Beyond Reproach, and his ANAMAI collaboration with Anna Mayberry, What Mountain to pursue a more esoteric and elusive electronic muse throughout the crystal clear yet somehow disorienting spaces of Perfect Lung.
With its clash of bi-continental sonorities and signifiers rent in tessellating, refractive designs, the effect of the music emulates or at least recalls to us time spent on the bus at night travelling thru the realest ends of a large city, with streetlights, headlamps and neon signage playing out surreal refractions in myriad sheets of glass.
The refractive hyaline ambient dimensions of Ceramic TL’s Perfect Lung form the 3rd and final LP to be released in 2017 by David Psutka (Egyptrixx) in various configurations via his Halocline Trance label.
Working remotely from his Toronto base with Istanbul-based composer Ipek Gorgun, Psutka follows his Egyptrixx LP Pure, Beyond Reproach, and his ANAMAI collaboration with Anna Mayberry, What Mountain to pursue a more esoteric and elusive electronic muse throughout the crystal clear yet somehow disorienting spaces of Perfect Lung.
With its clash of bi-continental sonorities and signifiers rent in tessellating, refractive designs, the effect of the music emulates or at least recalls to us time spent on the bus at night travelling thru the realest ends of a large city, with streetlights, headlamps and neon signage playing out surreal refractions in myriad sheets of glass.
The refractive hyaline ambient dimensions of Ceramic TL’s Perfect Lung form the 3rd and final LP to be released in 2017 by David Psutka (Egyptrixx) in various configurations via his Halocline Trance label.
Working remotely from his Toronto base with Istanbul-based composer Ipek Gorgun, Psutka follows his Egyptrixx LP Pure, Beyond Reproach, and his ANAMAI collaboration with Anna Mayberry, What Mountain to pursue a more esoteric and elusive electronic muse throughout the crystal clear yet somehow disorienting spaces of Perfect Lung.
With its clash of bi-continental sonorities and signifiers rent in tessellating, refractive designs, the effect of the music emulates or at least recalls to us time spent on the bus at night travelling thru the realest ends of a large city, with streetlights, headlamps and neon signage playing out surreal refractions in myriad sheets of glass.
White vinyl. Mastered by James Plotkin. Features original artwork by Marlen Keller and design by Olenka Szymonski
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The refractive hyaline ambient dimensions of Ceramic TL’s Perfect Lung form the 3rd and final LP to be released in 2017 by David Psutka (Egyptrixx) in various configurations via his Halocline Trance label.
Working remotely from his Toronto base with Istanbul-based composer Ipek Gorgun, Psutka follows his Egyptrixx LP Pure, Beyond Reproach, and his ANAMAI collaboration with Anna Mayberry, What Mountain to pursue a more esoteric and elusive electronic muse throughout the crystal clear yet somehow disorienting spaces of Perfect Lung.
With its clash of bi-continental sonorities and signifiers rent in tessellating, refractive designs, the effect of the music emulates or at least recalls to us time spent on the bus at night travelling thru the realest ends of a large city, with streetlights, headlamps and neon signage playing out surreal refractions in myriad sheets of glass.