Belgian/Iraqi trio Use Knife hand off stems from 2022's 'The Shedding of Skin' to Muqata'a, Rabih Beaini and Zoë Mc Pherson on 'Peace Carnival', who reform the hallucinatory melting pot of Arabic instrumentation and modular electronics into three percussive, forward-thinking club experiments.
Morphine boss Beaini is up first, and his dense, drum-heavy version of 'To Feed the Gentry' should be enough reason to cop this one alone. The original track stretched out for almost 15 minutes, taking its time to introduce a thudding kick drum, but Beaini gets started quickly, complicating the rhythm with ornate hand drum flushes that dance around Radwan Ghazi Moumneh's buzzing buzuk lead and Saif Al-Qaissy's vocals. Beaini's electronic treatments are deceptively subtle: cautious loops and freeform edits that breathe along with the original parts. This is how you handle a remix.
Mc Pherson takes a sharper razor to 'Ptolemaic'; Use Knife's original was the album's heaviest track, and Mc Pherson increases the bass weight with thick subs that enlarge Use Knife's electro-acoustic instrumentation. Heralded by a looping vocal chant from Saif Al-Qaissy, gravelly breaks lift the mix into the next dimension - it's a slow, tense groover that's nowhere near as fast and chaotic as Mc Pherson's usual fare. And Muqata'a finishes things off with a brilliantly granulated version of Use Knife's housey 'The Shedding of Skin', interrupting his fluid beatwork with pregnant pauses and furious live fills. All killer, no filler.
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Belgian/Iraqi trio Use Knife hand off stems from 2022's 'The Shedding of Skin' to Muqata'a, Rabih Beaini and Zoë Mc Pherson on 'Peace Carnival', who reform the hallucinatory melting pot of Arabic instrumentation and modular electronics into three percussive, forward-thinking club experiments.
Morphine boss Beaini is up first, and his dense, drum-heavy version of 'To Feed the Gentry' should be enough reason to cop this one alone. The original track stretched out for almost 15 minutes, taking its time to introduce a thudding kick drum, but Beaini gets started quickly, complicating the rhythm with ornate hand drum flushes that dance around Radwan Ghazi Moumneh's buzzing buzuk lead and Saif Al-Qaissy's vocals. Beaini's electronic treatments are deceptively subtle: cautious loops and freeform edits that breathe along with the original parts. This is how you handle a remix.
Mc Pherson takes a sharper razor to 'Ptolemaic'; Use Knife's original was the album's heaviest track, and Mc Pherson increases the bass weight with thick subs that enlarge Use Knife's electro-acoustic instrumentation. Heralded by a looping vocal chant from Saif Al-Qaissy, gravelly breaks lift the mix into the next dimension - it's a slow, tense groover that's nowhere near as fast and chaotic as Mc Pherson's usual fare. And Muqata'a finishes things off with a brilliantly granulated version of Use Knife's housey 'The Shedding of Skin', interrupting his fluid beatwork with pregnant pauses and furious live fills. All killer, no filler.
Belgian/Iraqi trio Use Knife hand off stems from 2022's 'The Shedding of Skin' to Muqata'a, Rabih Beaini and Zoë Mc Pherson on 'Peace Carnival', who reform the hallucinatory melting pot of Arabic instrumentation and modular electronics into three percussive, forward-thinking club experiments.
Morphine boss Beaini is up first, and his dense, drum-heavy version of 'To Feed the Gentry' should be enough reason to cop this one alone. The original track stretched out for almost 15 minutes, taking its time to introduce a thudding kick drum, but Beaini gets started quickly, complicating the rhythm with ornate hand drum flushes that dance around Radwan Ghazi Moumneh's buzzing buzuk lead and Saif Al-Qaissy's vocals. Beaini's electronic treatments are deceptively subtle: cautious loops and freeform edits that breathe along with the original parts. This is how you handle a remix.
Mc Pherson takes a sharper razor to 'Ptolemaic'; Use Knife's original was the album's heaviest track, and Mc Pherson increases the bass weight with thick subs that enlarge Use Knife's electro-acoustic instrumentation. Heralded by a looping vocal chant from Saif Al-Qaissy, gravelly breaks lift the mix into the next dimension - it's a slow, tense groover that's nowhere near as fast and chaotic as Mc Pherson's usual fare. And Muqata'a finishes things off with a brilliantly granulated version of Use Knife's housey 'The Shedding of Skin', interrupting his fluid beatwork with pregnant pauses and furious live fills. All killer, no filler.
Belgian/Iraqi trio Use Knife hand off stems from 2022's 'The Shedding of Skin' to Muqata'a, Rabih Beaini and Zoë Mc Pherson on 'Peace Carnival', who reform the hallucinatory melting pot of Arabic instrumentation and modular electronics into three percussive, forward-thinking club experiments.
Morphine boss Beaini is up first, and his dense, drum-heavy version of 'To Feed the Gentry' should be enough reason to cop this one alone. The original track stretched out for almost 15 minutes, taking its time to introduce a thudding kick drum, but Beaini gets started quickly, complicating the rhythm with ornate hand drum flushes that dance around Radwan Ghazi Moumneh's buzzing buzuk lead and Saif Al-Qaissy's vocals. Beaini's electronic treatments are deceptively subtle: cautious loops and freeform edits that breathe along with the original parts. This is how you handle a remix.
Mc Pherson takes a sharper razor to 'Ptolemaic'; Use Knife's original was the album's heaviest track, and Mc Pherson increases the bass weight with thick subs that enlarge Use Knife's electro-acoustic instrumentation. Heralded by a looping vocal chant from Saif Al-Qaissy, gravelly breaks lift the mix into the next dimension - it's a slow, tense groover that's nowhere near as fast and chaotic as Mc Pherson's usual fare. And Muqata'a finishes things off with a brilliantly granulated version of Use Knife's housey 'The Shedding of Skin', interrupting his fluid beatwork with pregnant pauses and furious live fills. All killer, no filler.
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Belgian/Iraqi trio Use Knife hand off stems from 2022's 'The Shedding of Skin' to Muqata'a, Rabih Beaini and Zoë Mc Pherson on 'Peace Carnival', who reform the hallucinatory melting pot of Arabic instrumentation and modular electronics into three percussive, forward-thinking club experiments.
Morphine boss Beaini is up first, and his dense, drum-heavy version of 'To Feed the Gentry' should be enough reason to cop this one alone. The original track stretched out for almost 15 minutes, taking its time to introduce a thudding kick drum, but Beaini gets started quickly, complicating the rhythm with ornate hand drum flushes that dance around Radwan Ghazi Moumneh's buzzing buzuk lead and Saif Al-Qaissy's vocals. Beaini's electronic treatments are deceptively subtle: cautious loops and freeform edits that breathe along with the original parts. This is how you handle a remix.
Mc Pherson takes a sharper razor to 'Ptolemaic'; Use Knife's original was the album's heaviest track, and Mc Pherson increases the bass weight with thick subs that enlarge Use Knife's electro-acoustic instrumentation. Heralded by a looping vocal chant from Saif Al-Qaissy, gravelly breaks lift the mix into the next dimension - it's a slow, tense groover that's nowhere near as fast and chaotic as Mc Pherson's usual fare. And Muqata'a finishes things off with a brilliantly granulated version of Use Knife's housey 'The Shedding of Skin', interrupting his fluid beatwork with pregnant pauses and furious live fills. All killer, no filler.