Pax Americana
immersive ambient electro-techno Braindancers from Norway’s André Brattan, pairing 3 gems released on 12” in 2018, along with a trio of exclusive new cuts
Working in a filigree minimalist icefield somewhere between Finland’s Aleksi Perälä, Iceland’s Bjarki, and the feathered synths of Kettel, the album presents Brattan at full wingspan, exhibiting a classy feel for uniquely tuned, emotive harmonic arrangement galvanised by razor sharp drum programming.
From his run of 12”s in 2018, we find standout bits such as the Drexciyan electro of ‘HS’, the beautifully thizzing skitter and and soothing pads of ‘Pax Americana’, and the Detroit-meets-UK styled pneumatics of ‘Recreation 26B’ (which are all cut a track per side on the 12”s), while the exclusives variously tilt between Bjarki-esque electro in ‘426’, to vintage Skam-sounding downbeats on ‘Commonwealth’, and a rush of Rephlexian jungle breaks with ‘Ranx’, all with that absorbing sound design.
View more
immersive ambient electro-techno Braindancers from Norway’s André Brattan, pairing 3 gems released on 12” in 2018, along with a trio of exclusive new cuts
Working in a filigree minimalist icefield somewhere between Finland’s Aleksi Perälä, Iceland’s Bjarki, and the feathered synths of Kettel, the album presents Brattan at full wingspan, exhibiting a classy feel for uniquely tuned, emotive harmonic arrangement galvanised by razor sharp drum programming.
From his run of 12”s in 2018, we find standout bits such as the Drexciyan electro of ‘HS’, the beautifully thizzing skitter and and soothing pads of ‘Pax Americana’, and the Detroit-meets-UK styled pneumatics of ‘Recreation 26B’ (which are all cut a track per side on the 12”s), while the exclusives variously tilt between Bjarki-esque electro in ‘426’, to vintage Skam-sounding downbeats on ‘Commonwealth’, and a rush of Rephlexian jungle breaks with ‘Ranx’, all with that absorbing sound design.
immersive ambient electro-techno Braindancers from Norway’s André Brattan, pairing 3 gems released on 12” in 2018, along with a trio of exclusive new cuts
Working in a filigree minimalist icefield somewhere between Finland’s Aleksi Perälä, Iceland’s Bjarki, and the feathered synths of Kettel, the album presents Brattan at full wingspan, exhibiting a classy feel for uniquely tuned, emotive harmonic arrangement galvanised by razor sharp drum programming.
From his run of 12”s in 2018, we find standout bits such as the Drexciyan electro of ‘HS’, the beautifully thizzing skitter and and soothing pads of ‘Pax Americana’, and the Detroit-meets-UK styled pneumatics of ‘Recreation 26B’ (which are all cut a track per side on the 12”s), while the exclusives variously tilt between Bjarki-esque electro in ‘426’, to vintage Skam-sounding downbeats on ‘Commonwealth’, and a rush of Rephlexian jungle breaks with ‘Ranx’, all with that absorbing sound design.
immersive ambient electro-techno Braindancers from Norway’s André Brattan, pairing 3 gems released on 12” in 2018, along with a trio of exclusive new cuts
Working in a filigree minimalist icefield somewhere between Finland’s Aleksi Perälä, Iceland’s Bjarki, and the feathered synths of Kettel, the album presents Brattan at full wingspan, exhibiting a classy feel for uniquely tuned, emotive harmonic arrangement galvanised by razor sharp drum programming.
From his run of 12”s in 2018, we find standout bits such as the Drexciyan electro of ‘HS’, the beautifully thizzing skitter and and soothing pads of ‘Pax Americana’, and the Detroit-meets-UK styled pneumatics of ‘Recreation 26B’ (which are all cut a track per side on the 12”s), while the exclusives variously tilt between Bjarki-esque electro in ‘426’, to vintage Skam-sounding downbeats on ‘Commonwealth’, and a rush of Rephlexian jungle breaks with ‘Ranx’, all with that absorbing sound design.
Out of Stock
immersive ambient electro-techno Braindancers from Norway’s André Brattan, pairing 3 gems released on 12” in 2018, along with a trio of exclusive new cuts
Working in a filigree minimalist icefield somewhere between Finland’s Aleksi Perälä, Iceland’s Bjarki, and the feathered synths of Kettel, the album presents Brattan at full wingspan, exhibiting a classy feel for uniquely tuned, emotive harmonic arrangement galvanised by razor sharp drum programming.
From his run of 12”s in 2018, we find standout bits such as the Drexciyan electro of ‘HS’, the beautifully thizzing skitter and and soothing pads of ‘Pax Americana’, and the Detroit-meets-UK styled pneumatics of ‘Recreation 26B’ (which are all cut a track per side on the 12”s), while the exclusives variously tilt between Bjarki-esque electro in ‘426’, to vintage Skam-sounding downbeats on ‘Commonwealth’, and a rush of Rephlexian jungle breaks with ‘Ranx’, all with that absorbing sound design.