The Death of Rave is buzzing to present Rian Treanor’s 2nd EP of pointillist footwork and hyperchaotic garage deviations nearly a year since his nerve-sparking debut.
Pattern Damage demonstrates an increased spatial awareness whilst revealing a skizzy taste for hi-tech noise torsion as much as lush, raving, modernist hooks in four crisply diffracted derangements.
The EP’s four cuts pursue angular mutations of 2.1-step and and early Warp techno into faster BPMs and colourfully chromatic, sidewinding structures, all driven with a breathlessly forward, quicksilver style that’s entirely Rian’s own and with few comparisons in the current field.
Operating exclusively at a signature 150bpm temporality, the Pattern Damage EP finds Rian both opening out and refining his sound, greeting you with the brutalist, grimy n0!se of Pattern_A1, which sounds closest to SND or Errorsmith’s most oblique twisters, before the dub chords and skittish rhythms of Pattern_A2 recall Autechre getting off at Niche Club (R.I.P.) and Damage_B1 comes off like a giddier, footworking answer to Hyph Mngo before Damage_B2 unfolds a super cute and tricksy origami syncopation.
By splicing the syncopated swing ’n parry of Sheffield’s speed garage sound at +8 with the whirlwind flux of Chicago footwork, Detroit jit and the dizzying dynamics of Max/MSP software, his sound dances in a double refraction of ideas and influence between US, Afro-Caribbean and UK dancefloors in various stages of integration and mutation; following a line along Black-rooted dance music and the sharpest edge of experimental electronics in a way that’s informed the best, open-minded UK music since the mid 20th century and is now inseparable from our shared culture in 2016.
BIG tip!
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The Death of Rave is buzzing to present Rian Treanor’s 2nd EP of pointillist footwork and hyperchaotic garage deviations nearly a year since his nerve-sparking debut.
Pattern Damage demonstrates an increased spatial awareness whilst revealing a skizzy taste for hi-tech noise torsion as much as lush, raving, modernist hooks in four crisply diffracted derangements.
The EP’s four cuts pursue angular mutations of 2.1-step and and early Warp techno into faster BPMs and colourfully chromatic, sidewinding structures, all driven with a breathlessly forward, quicksilver style that’s entirely Rian’s own and with few comparisons in the current field.
Operating exclusively at a signature 150bpm temporality, the Pattern Damage EP finds Rian both opening out and refining his sound, greeting you with the brutalist, grimy n0!se of Pattern_A1, which sounds closest to SND or Errorsmith’s most oblique twisters, before the dub chords and skittish rhythms of Pattern_A2 recall Autechre getting off at Niche Club (R.I.P.) and Damage_B1 comes off like a giddier, footworking answer to Hyph Mngo before Damage_B2 unfolds a super cute and tricksy origami syncopation.
By splicing the syncopated swing ’n parry of Sheffield’s speed garage sound at +8 with the whirlwind flux of Chicago footwork, Detroit jit and the dizzying dynamics of Max/MSP software, his sound dances in a double refraction of ideas and influence between US, Afro-Caribbean and UK dancefloors in various stages of integration and mutation; following a line along Black-rooted dance music and the sharpest edge of experimental electronics in a way that’s informed the best, open-minded UK music since the mid 20th century and is now inseparable from our shared culture in 2016.
BIG tip!
The Death of Rave is buzzing to present Rian Treanor’s 2nd EP of pointillist footwork and hyperchaotic garage deviations nearly a year since his nerve-sparking debut.
Pattern Damage demonstrates an increased spatial awareness whilst revealing a skizzy taste for hi-tech noise torsion as much as lush, raving, modernist hooks in four crisply diffracted derangements.
The EP’s four cuts pursue angular mutations of 2.1-step and and early Warp techno into faster BPMs and colourfully chromatic, sidewinding structures, all driven with a breathlessly forward, quicksilver style that’s entirely Rian’s own and with few comparisons in the current field.
Operating exclusively at a signature 150bpm temporality, the Pattern Damage EP finds Rian both opening out and refining his sound, greeting you with the brutalist, grimy n0!se of Pattern_A1, which sounds closest to SND or Errorsmith’s most oblique twisters, before the dub chords and skittish rhythms of Pattern_A2 recall Autechre getting off at Niche Club (R.I.P.) and Damage_B1 comes off like a giddier, footworking answer to Hyph Mngo before Damage_B2 unfolds a super cute and tricksy origami syncopation.
By splicing the syncopated swing ’n parry of Sheffield’s speed garage sound at +8 with the whirlwind flux of Chicago footwork, Detroit jit and the dizzying dynamics of Max/MSP software, his sound dances in a double refraction of ideas and influence between US, Afro-Caribbean and UK dancefloors in various stages of integration and mutation; following a line along Black-rooted dance music and the sharpest edge of experimental electronics in a way that’s informed the best, open-minded UK music since the mid 20th century and is now inseparable from our shared culture in 2016.
BIG tip!
The Death of Rave is buzzing to present Rian Treanor’s 2nd EP of pointillist footwork and hyperchaotic garage deviations nearly a year since his nerve-sparking debut.
Pattern Damage demonstrates an increased spatial awareness whilst revealing a skizzy taste for hi-tech noise torsion as much as lush, raving, modernist hooks in four crisply diffracted derangements.
The EP’s four cuts pursue angular mutations of 2.1-step and and early Warp techno into faster BPMs and colourfully chromatic, sidewinding structures, all driven with a breathlessly forward, quicksilver style that’s entirely Rian’s own and with few comparisons in the current field.
Operating exclusively at a signature 150bpm temporality, the Pattern Damage EP finds Rian both opening out and refining his sound, greeting you with the brutalist, grimy n0!se of Pattern_A1, which sounds closest to SND or Errorsmith’s most oblique twisters, before the dub chords and skittish rhythms of Pattern_A2 recall Autechre getting off at Niche Club (R.I.P.) and Damage_B1 comes off like a giddier, footworking answer to Hyph Mngo before Damage_B2 unfolds a super cute and tricksy origami syncopation.
By splicing the syncopated swing ’n parry of Sheffield’s speed garage sound at +8 with the whirlwind flux of Chicago footwork, Detroit jit and the dizzying dynamics of Max/MSP software, his sound dances in a double refraction of ideas and influence between US, Afro-Caribbean and UK dancefloors in various stages of integration and mutation; following a line along Black-rooted dance music and the sharpest edge of experimental electronics in a way that’s informed the best, open-minded UK music since the mid 20th century and is now inseparable from our shared culture in 2016.
BIG tip!