A burst of trance arps and nervous electronics from Russia’s Regular Citizen on Lorenzo Senni’s Presto!? label.
Refracting shards of Senni’s sound and more cinematic cues a la 0PN, plus the post-rave experiments of The Automatics Group and Russian formulas of Gost Zvuk, Ivan Olegovich treads around the icy, treacherous edges of computer music and post-club composition where sharply puckered, hard-bitten EDM sounds give way to a curious and jagged range of emotions.
Drily delirious dance trax like ‘Hoggish Trot’ and the warbling Todd Edwards-on-FFWD vignette ‘Sparkling Ultramarine’ tile in a mazy mosaic with clear nods to Senni at his most effervescent in ‘Next Gen Barocco’, whereas ‘Beyond Indigo’ recalls Keith Fullerton Whitman’s recent-ish modular escapades, and also shares a certain piquant lushness with the 0PNisms of ‘Noble Cops Siren’ which sounds like it spiralled off the ‘Good Times’ score. ‘Think Less’ scoots off at more blunted angles of uon and Moscow’s noisy ambient dance sound into 22 minutes of bittersweet digital bubble-bathing with ’Nostalgic Melancholy, Pt. 2’.
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A burst of trance arps and nervous electronics from Russia’s Regular Citizen on Lorenzo Senni’s Presto!? label.
Refracting shards of Senni’s sound and more cinematic cues a la 0PN, plus the post-rave experiments of The Automatics Group and Russian formulas of Gost Zvuk, Ivan Olegovich treads around the icy, treacherous edges of computer music and post-club composition where sharply puckered, hard-bitten EDM sounds give way to a curious and jagged range of emotions.
Drily delirious dance trax like ‘Hoggish Trot’ and the warbling Todd Edwards-on-FFWD vignette ‘Sparkling Ultramarine’ tile in a mazy mosaic with clear nods to Senni at his most effervescent in ‘Next Gen Barocco’, whereas ‘Beyond Indigo’ recalls Keith Fullerton Whitman’s recent-ish modular escapades, and also shares a certain piquant lushness with the 0PNisms of ‘Noble Cops Siren’ which sounds like it spiralled off the ‘Good Times’ score. ‘Think Less’ scoots off at more blunted angles of uon and Moscow’s noisy ambient dance sound into 22 minutes of bittersweet digital bubble-bathing with ’Nostalgic Melancholy, Pt. 2’.
A burst of trance arps and nervous electronics from Russia’s Regular Citizen on Lorenzo Senni’s Presto!? label.
Refracting shards of Senni’s sound and more cinematic cues a la 0PN, plus the post-rave experiments of The Automatics Group and Russian formulas of Gost Zvuk, Ivan Olegovich treads around the icy, treacherous edges of computer music and post-club composition where sharply puckered, hard-bitten EDM sounds give way to a curious and jagged range of emotions.
Drily delirious dance trax like ‘Hoggish Trot’ and the warbling Todd Edwards-on-FFWD vignette ‘Sparkling Ultramarine’ tile in a mazy mosaic with clear nods to Senni at his most effervescent in ‘Next Gen Barocco’, whereas ‘Beyond Indigo’ recalls Keith Fullerton Whitman’s recent-ish modular escapades, and also shares a certain piquant lushness with the 0PNisms of ‘Noble Cops Siren’ which sounds like it spiralled off the ‘Good Times’ score. ‘Think Less’ scoots off at more blunted angles of uon and Moscow’s noisy ambient dance sound into 22 minutes of bittersweet digital bubble-bathing with ’Nostalgic Melancholy, Pt. 2’.
A burst of trance arps and nervous electronics from Russia’s Regular Citizen on Lorenzo Senni’s Presto!? label.
Refracting shards of Senni’s sound and more cinematic cues a la 0PN, plus the post-rave experiments of The Automatics Group and Russian formulas of Gost Zvuk, Ivan Olegovich treads around the icy, treacherous edges of computer music and post-club composition where sharply puckered, hard-bitten EDM sounds give way to a curious and jagged range of emotions.
Drily delirious dance trax like ‘Hoggish Trot’ and the warbling Todd Edwards-on-FFWD vignette ‘Sparkling Ultramarine’ tile in a mazy mosaic with clear nods to Senni at his most effervescent in ‘Next Gen Barocco’, whereas ‘Beyond Indigo’ recalls Keith Fullerton Whitman’s recent-ish modular escapades, and also shares a certain piquant lushness with the 0PNisms of ‘Noble Cops Siren’ which sounds like it spiralled off the ‘Good Times’ score. ‘Think Less’ scoots off at more blunted angles of uon and Moscow’s noisy ambient dance sound into 22 minutes of bittersweet digital bubble-bathing with ’Nostalgic Melancholy, Pt. 2’.
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A burst of trance arps and nervous electronics from Russia’s Regular Citizen on Lorenzo Senni’s Presto!? label.
Refracting shards of Senni’s sound and more cinematic cues a la 0PN, plus the post-rave experiments of The Automatics Group and Russian formulas of Gost Zvuk, Ivan Olegovich treads around the icy, treacherous edges of computer music and post-club composition where sharply puckered, hard-bitten EDM sounds give way to a curious and jagged range of emotions.
Drily delirious dance trax like ‘Hoggish Trot’ and the warbling Todd Edwards-on-FFWD vignette ‘Sparkling Ultramarine’ tile in a mazy mosaic with clear nods to Senni at his most effervescent in ‘Next Gen Barocco’, whereas ‘Beyond Indigo’ recalls Keith Fullerton Whitman’s recent-ish modular escapades, and also shares a certain piquant lushness with the 0PNisms of ‘Noble Cops Siren’ which sounds like it spiralled off the ‘Good Times’ score. ‘Think Less’ scoots off at more blunted angles of uon and Moscow’s noisy ambient dance sound into 22 minutes of bittersweet digital bubble-bathing with ’Nostalgic Melancholy, Pt. 2’.