Passing Shades
One of the most distinctive artists to arise from the last decade’s fixation with post-punk/new wave returns with a tight new spin on her mercurial synth-pop style
Making her 2nd mark on Dark Entries after a respectable lack of singles - just 3 solid solo albums for them, NNF, and Night School - Mara Barenbaum’s Group Rhoda exerts an ever finer control over her machines with needlepoint drum programming and wiry synths complemented by ethereal vocals that lurk in the space between light and dark..
It’s a real pleasure to hear Group Rhoda find ever refined nuance and sensuality in her sound here, demonstrating a deeper intuition and advancement of craft with her machines in each part, from the serpentine rhythms of opener ‘Flow,’ to the perfectly poised mixing, helping bring out the sleek curves of her cyberpunk bullet ‘The Beauty’s in the Waste,’ and chiselled Chris Carter-esque stepper ‘Alibi,’ along with the New Order-like pulse of ‘Twin Flame’, and the dissonant lustre of her absolute gem, ‘Earthly Ark.’
Recommended!
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One of the most distinctive artists to arise from the last decade’s fixation with post-punk/new wave returns with a tight new spin on her mercurial synth-pop style
Making her 2nd mark on Dark Entries after a respectable lack of singles - just 3 solid solo albums for them, NNF, and Night School - Mara Barenbaum’s Group Rhoda exerts an ever finer control over her machines with needlepoint drum programming and wiry synths complemented by ethereal vocals that lurk in the space between light and dark..
It’s a real pleasure to hear Group Rhoda find ever refined nuance and sensuality in her sound here, demonstrating a deeper intuition and advancement of craft with her machines in each part, from the serpentine rhythms of opener ‘Flow,’ to the perfectly poised mixing, helping bring out the sleek curves of her cyberpunk bullet ‘The Beauty’s in the Waste,’ and chiselled Chris Carter-esque stepper ‘Alibi,’ along with the New Order-like pulse of ‘Twin Flame’, and the dissonant lustre of her absolute gem, ‘Earthly Ark.’
Recommended!
One of the most distinctive artists to arise from the last decade’s fixation with post-punk/new wave returns with a tight new spin on her mercurial synth-pop style
Making her 2nd mark on Dark Entries after a respectable lack of singles - just 3 solid solo albums for them, NNF, and Night School - Mara Barenbaum’s Group Rhoda exerts an ever finer control over her machines with needlepoint drum programming and wiry synths complemented by ethereal vocals that lurk in the space between light and dark..
It’s a real pleasure to hear Group Rhoda find ever refined nuance and sensuality in her sound here, demonstrating a deeper intuition and advancement of craft with her machines in each part, from the serpentine rhythms of opener ‘Flow,’ to the perfectly poised mixing, helping bring out the sleek curves of her cyberpunk bullet ‘The Beauty’s in the Waste,’ and chiselled Chris Carter-esque stepper ‘Alibi,’ along with the New Order-like pulse of ‘Twin Flame’, and the dissonant lustre of her absolute gem, ‘Earthly Ark.’
Recommended!
One of the most distinctive artists to arise from the last decade’s fixation with post-punk/new wave returns with a tight new spin on her mercurial synth-pop style
Making her 2nd mark on Dark Entries after a respectable lack of singles - just 3 solid solo albums for them, NNF, and Night School - Mara Barenbaum’s Group Rhoda exerts an ever finer control over her machines with needlepoint drum programming and wiry synths complemented by ethereal vocals that lurk in the space between light and dark..
It’s a real pleasure to hear Group Rhoda find ever refined nuance and sensuality in her sound here, demonstrating a deeper intuition and advancement of craft with her machines in each part, from the serpentine rhythms of opener ‘Flow,’ to the perfectly poised mixing, helping bring out the sleek curves of her cyberpunk bullet ‘The Beauty’s in the Waste,’ and chiselled Chris Carter-esque stepper ‘Alibi,’ along with the New Order-like pulse of ‘Twin Flame’, and the dissonant lustre of her absolute gem, ‘Earthly Ark.’
Recommended!
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One of the most distinctive artists to arise from the last decade’s fixation with post-punk/new wave returns with a tight new spin on her mercurial synth-pop style
Making her 2nd mark on Dark Entries after a respectable lack of singles - just 3 solid solo albums for them, NNF, and Night School - Mara Barenbaum’s Group Rhoda exerts an ever finer control over her machines with needlepoint drum programming and wiry synths complemented by ethereal vocals that lurk in the space between light and dark..
It’s a real pleasure to hear Group Rhoda find ever refined nuance and sensuality in her sound here, demonstrating a deeper intuition and advancement of craft with her machines in each part, from the serpentine rhythms of opener ‘Flow,’ to the perfectly poised mixing, helping bring out the sleek curves of her cyberpunk bullet ‘The Beauty’s in the Waste,’ and chiselled Chris Carter-esque stepper ‘Alibi,’ along with the New Order-like pulse of ‘Twin Flame’, and the dissonant lustre of her absolute gem, ‘Earthly Ark.’
Recommended!