Matthew Herbert rekindles his house passions in collaboration with lovely vox, drums and production by Momoko Gill, who has worked with Tirzah, Coby Sey and Alabaster de Plume, a.o.
Back in the mode that brought him to acclaim for his dare-to-differ dance music in the mid ‘90s, Herbert keeps it sweetly offbeat and unique with ‘Part 9’, foreshadowing a ‘Part 10’ and full album in this style on the horizon.
Momoko Gill (aka Metta Shiba) reliably takes up the role formerly filled by Dani Siciliano on Herbert’s early classics, soulfully lighting up the spacious and effortlessly infectious ‘Fallen’ on its stealth build, and lending hiccups and whoops to the sturdier deep house strut and dreamy absent inclinations of ‘Find Me (Instrumental)’, before Herbert puts the kicks now four square on a type of wiggly jackers bumper ‘Curt’ that sounds bit like a punk funk echo of kwaito.
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Matthew Herbert rekindles his house passions in collaboration with lovely vox, drums and production by Momoko Gill, who has worked with Tirzah, Coby Sey and Alabaster de Plume, a.o.
Back in the mode that brought him to acclaim for his dare-to-differ dance music in the mid ‘90s, Herbert keeps it sweetly offbeat and unique with ‘Part 9’, foreshadowing a ‘Part 10’ and full album in this style on the horizon.
Momoko Gill (aka Metta Shiba) reliably takes up the role formerly filled by Dani Siciliano on Herbert’s early classics, soulfully lighting up the spacious and effortlessly infectious ‘Fallen’ on its stealth build, and lending hiccups and whoops to the sturdier deep house strut and dreamy absent inclinations of ‘Find Me (Instrumental)’, before Herbert puts the kicks now four square on a type of wiggly jackers bumper ‘Curt’ that sounds bit like a punk funk echo of kwaito.
Matthew Herbert rekindles his house passions in collaboration with lovely vox, drums and production by Momoko Gill, who has worked with Tirzah, Coby Sey and Alabaster de Plume, a.o.
Back in the mode that brought him to acclaim for his dare-to-differ dance music in the mid ‘90s, Herbert keeps it sweetly offbeat and unique with ‘Part 9’, foreshadowing a ‘Part 10’ and full album in this style on the horizon.
Momoko Gill (aka Metta Shiba) reliably takes up the role formerly filled by Dani Siciliano on Herbert’s early classics, soulfully lighting up the spacious and effortlessly infectious ‘Fallen’ on its stealth build, and lending hiccups and whoops to the sturdier deep house strut and dreamy absent inclinations of ‘Find Me (Instrumental)’, before Herbert puts the kicks now four square on a type of wiggly jackers bumper ‘Curt’ that sounds bit like a punk funk echo of kwaito.
Matthew Herbert rekindles his house passions in collaboration with lovely vox, drums and production by Momoko Gill, who has worked with Tirzah, Coby Sey and Alabaster de Plume, a.o.
Back in the mode that brought him to acclaim for his dare-to-differ dance music in the mid ‘90s, Herbert keeps it sweetly offbeat and unique with ‘Part 9’, foreshadowing a ‘Part 10’ and full album in this style on the horizon.
Momoko Gill (aka Metta Shiba) reliably takes up the role formerly filled by Dani Siciliano on Herbert’s early classics, soulfully lighting up the spacious and effortlessly infectious ‘Fallen’ on its stealth build, and lending hiccups and whoops to the sturdier deep house strut and dreamy absent inclinations of ‘Find Me (Instrumental)’, before Herbert puts the kicks now four square on a type of wiggly jackers bumper ‘Curt’ that sounds bit like a punk funk echo of kwaito.
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Matthew Herbert rekindles his house passions in collaboration with lovely vox, drums and production by Momoko Gill, who has worked with Tirzah, Coby Sey and Alabaster de Plume, a.o.
Back in the mode that brought him to acclaim for his dare-to-differ dance music in the mid ‘90s, Herbert keeps it sweetly offbeat and unique with ‘Part 9’, foreshadowing a ‘Part 10’ and full album in this style on the horizon.
Momoko Gill (aka Metta Shiba) reliably takes up the role formerly filled by Dani Siciliano on Herbert’s early classics, soulfully lighting up the spacious and effortlessly infectious ‘Fallen’ on its stealth build, and lending hiccups and whoops to the sturdier deep house strut and dreamy absent inclinations of ‘Find Me (Instrumental)’, before Herbert puts the kicks now four square on a type of wiggly jackers bumper ‘Curt’ that sounds bit like a punk funk echo of kwaito.