Boomkat Product Review:
Chicago Ghetto House staple Jana Rush delivers a properly rugged debut album of footwork on Lara-Rix Martin’s Objects Limited.
Notably entering the world of DJing at age 10, and making her first productions only 3 years later - some of which ended up on Dance Mania alongside DJ Deeon - Jana’s recent tilt into footwork, documented on the warped, febrile designs of her MPC 7635 EP as JARu in 2016, places her not only as one of the scene’s few female operators, but also one of its rudest and most idiosyncratic.
Pariah is Jana’s first longform statement and it bangs from every angle. percolating stammering vocals on lip-bitingly tight typewriter beats, Midline Shift gets it going with a style comparable to the headier oddness of Jlin and the stripped fundamentals of RP Boo in a mutable aesthetic which informs each part of the album, variously flipping from hardass pressure in the slicing tessellations of Beat Maze to floating, chords-driven lushness in Divine and the levitating structure of Chill Mode, but also tending to Chicago’s jazz and spiritual music roots with the hyperventilating flute chops of ??? ??? and the soul-infused belter Old Skool.
However, the big highlights for us appear in the super tuff clench of Break It and Rapid Fire, where she’s not afraid to strip it right to the bone, and likewise the two freaky af 303 turns, namely No Fuks Given and Acid Tek 2, before it all comes together in staggering, lush form with the jungle/juke throw down Frenetic Snare at the LP’s close.