Lena Willikens highlights original material from three female Japanese artists, Kopy, Tentenko, and Miki Yui, in a diversely groove-driven plate including her own ‘Megamix’
The ‘Paredo’ EP is a result of Lena’s 2017 trip to Japan at the behest of the Goethe Institut, where she and her artist partner Sarah Szcesny developed their Phantom Kino Ballet at a residency in Kyoto. While there, they also caught live performances by Kopy and Tentenko which lead to their appearance here.
Kopy supplies the punchy kicks and dry but gunky electronics of ‘2NP’, and Tentenko swaggers on some bolshy triplets, while Düsseldorf-based Japanese artists Miki Yui follows her Realistic Monk collab with Carl Stone and last year’s LP for Salford’s Cusp Editions with the weightless trickle of ‘Tromb’. Combined by Lena’s mitts, the ‘Megamix’ consolidates all three pieces in deftly swingeing form, cannily dancing in between their patterns to come up with something like a rogue Batu number.
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Lena Willikens highlights original material from three female Japanese artists, Kopy, Tentenko, and Miki Yui, in a diversely groove-driven plate including her own ‘Megamix’
The ‘Paredo’ EP is a result of Lena’s 2017 trip to Japan at the behest of the Goethe Institut, where she and her artist partner Sarah Szcesny developed their Phantom Kino Ballet at a residency in Kyoto. While there, they also caught live performances by Kopy and Tentenko which lead to their appearance here.
Kopy supplies the punchy kicks and dry but gunky electronics of ‘2NP’, and Tentenko swaggers on some bolshy triplets, while Düsseldorf-based Japanese artists Miki Yui follows her Realistic Monk collab with Carl Stone and last year’s LP for Salford’s Cusp Editions with the weightless trickle of ‘Tromb’. Combined by Lena’s mitts, the ‘Megamix’ consolidates all three pieces in deftly swingeing form, cannily dancing in between their patterns to come up with something like a rogue Batu number.
Lena Willikens highlights original material from three female Japanese artists, Kopy, Tentenko, and Miki Yui, in a diversely groove-driven plate including her own ‘Megamix’
The ‘Paredo’ EP is a result of Lena’s 2017 trip to Japan at the behest of the Goethe Institut, where she and her artist partner Sarah Szcesny developed their Phantom Kino Ballet at a residency in Kyoto. While there, they also caught live performances by Kopy and Tentenko which lead to their appearance here.
Kopy supplies the punchy kicks and dry but gunky electronics of ‘2NP’, and Tentenko swaggers on some bolshy triplets, while Düsseldorf-based Japanese artists Miki Yui follows her Realistic Monk collab with Carl Stone and last year’s LP for Salford’s Cusp Editions with the weightless trickle of ‘Tromb’. Combined by Lena’s mitts, the ‘Megamix’ consolidates all three pieces in deftly swingeing form, cannily dancing in between their patterns to come up with something like a rogue Batu number.
Lena Willikens highlights original material from three female Japanese artists, Kopy, Tentenko, and Miki Yui, in a diversely groove-driven plate including her own ‘Megamix’
The ‘Paredo’ EP is a result of Lena’s 2017 trip to Japan at the behest of the Goethe Institut, where she and her artist partner Sarah Szcesny developed their Phantom Kino Ballet at a residency in Kyoto. While there, they also caught live performances by Kopy and Tentenko which lead to their appearance here.
Kopy supplies the punchy kicks and dry but gunky electronics of ‘2NP’, and Tentenko swaggers on some bolshy triplets, while Düsseldorf-based Japanese artists Miki Yui follows her Realistic Monk collab with Carl Stone and last year’s LP for Salford’s Cusp Editions with the weightless trickle of ‘Tromb’. Combined by Lena’s mitts, the ‘Megamix’ consolidates all three pieces in deftly swingeing form, cannily dancing in between their patterns to come up with something like a rogue Batu number.
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Lena Willikens highlights original material from three female Japanese artists, Kopy, Tentenko, and Miki Yui, in a diversely groove-driven plate including her own ‘Megamix’
The ‘Paredo’ EP is a result of Lena’s 2017 trip to Japan at the behest of the Goethe Institut, where she and her artist partner Sarah Szcesny developed their Phantom Kino Ballet at a residency in Kyoto. While there, they also caught live performances by Kopy and Tentenko which lead to their appearance here.
Kopy supplies the punchy kicks and dry but gunky electronics of ‘2NP’, and Tentenko swaggers on some bolshy triplets, while Düsseldorf-based Japanese artists Miki Yui follows her Realistic Monk collab with Carl Stone and last year’s LP for Salford’s Cusp Editions with the weightless trickle of ‘Tromb’. Combined by Lena’s mitts, the ‘Megamix’ consolidates all three pieces in deftly swingeing form, cannily dancing in between their patterns to come up with something like a rogue Batu number.