Papua New Guinea
The tune that floated a million gurns returns on a 32 year anniversary reissue.
Little introduction is surely needed for FSOL’s 1991 rave calling card. It is one of UK dance music’s most instantly recognisable anthems, adored for its magpie-picked collage of vocal samples from Dead Can Dance and Circuit, alloyed to rolling breaks, dub bass and pill-belly synth surges whose effect endures to this day. Even ubiquitous use in synch for film and TV and elsewhere has done nothing to dull the tune’s shine over the decades, and this reissue may well stoke the rush of a new generation.
The original (and best) 12” mix is fully here and ready for duty, along with its nipped 7” edit, while those looking to extend the impact should look to FSOL’s own, spaced-out mix as Dumb Child of Q, or the dub miniature. Honestly don’t ask us about passable and tedious Weatherall mix, but Graham Massey’s take is worthwhile for its kinkier reshuffle, and Hamish McDonald pushes it deeper along the Goa proto-trance dub axis.
Don’t fight the feeling!
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The tune that floated a million gurns returns on a 32 year anniversary reissue.
Little introduction is surely needed for FSOL’s 1991 rave calling card. It is one of UK dance music’s most instantly recognisable anthems, adored for its magpie-picked collage of vocal samples from Dead Can Dance and Circuit, alloyed to rolling breaks, dub bass and pill-belly synth surges whose effect endures to this day. Even ubiquitous use in synch for film and TV and elsewhere has done nothing to dull the tune’s shine over the decades, and this reissue may well stoke the rush of a new generation.
The original (and best) 12” mix is fully here and ready for duty, along with its nipped 7” edit, while those looking to extend the impact should look to FSOL’s own, spaced-out mix as Dumb Child of Q, or the dub miniature. Honestly don’t ask us about passable and tedious Weatherall mix, but Graham Massey’s take is worthwhile for its kinkier reshuffle, and Hamish McDonald pushes it deeper along the Goa proto-trance dub axis.
Don’t fight the feeling!
The tune that floated a million gurns returns on a 32 year anniversary reissue.
Little introduction is surely needed for FSOL’s 1991 rave calling card. It is one of UK dance music’s most instantly recognisable anthems, adored for its magpie-picked collage of vocal samples from Dead Can Dance and Circuit, alloyed to rolling breaks, dub bass and pill-belly synth surges whose effect endures to this day. Even ubiquitous use in synch for film and TV and elsewhere has done nothing to dull the tune’s shine over the decades, and this reissue may well stoke the rush of a new generation.
The original (and best) 12” mix is fully here and ready for duty, along with its nipped 7” edit, while those looking to extend the impact should look to FSOL’s own, spaced-out mix as Dumb Child of Q, or the dub miniature. Honestly don’t ask us about passable and tedious Weatherall mix, but Graham Massey’s take is worthwhile for its kinkier reshuffle, and Hamish McDonald pushes it deeper along the Goa proto-trance dub axis.
Don’t fight the feeling!
The tune that floated a million gurns returns on a 32 year anniversary reissue.
Little introduction is surely needed for FSOL’s 1991 rave calling card. It is one of UK dance music’s most instantly recognisable anthems, adored for its magpie-picked collage of vocal samples from Dead Can Dance and Circuit, alloyed to rolling breaks, dub bass and pill-belly synth surges whose effect endures to this day. Even ubiquitous use in synch for film and TV and elsewhere has done nothing to dull the tune’s shine over the decades, and this reissue may well stoke the rush of a new generation.
The original (and best) 12” mix is fully here and ready for duty, along with its nipped 7” edit, while those looking to extend the impact should look to FSOL’s own, spaced-out mix as Dumb Child of Q, or the dub miniature. Honestly don’t ask us about passable and tedious Weatherall mix, but Graham Massey’s take is worthwhile for its kinkier reshuffle, and Hamish McDonald pushes it deeper along the Goa proto-trance dub axis.
Don’t fight the feeling!
Back in stock. 2023 Limited edition re-issue.
Out of Stock
The tune that floated a million gurns returns on a 32 year anniversary reissue.
Little introduction is surely needed for FSOL’s 1991 rave calling card. It is one of UK dance music’s most instantly recognisable anthems, adored for its magpie-picked collage of vocal samples from Dead Can Dance and Circuit, alloyed to rolling breaks, dub bass and pill-belly synth surges whose effect endures to this day. Even ubiquitous use in synch for film and TV and elsewhere has done nothing to dull the tune’s shine over the decades, and this reissue may well stoke the rush of a new generation.
The original (and best) 12” mix is fully here and ready for duty, along with its nipped 7” edit, while those looking to extend the impact should look to FSOL’s own, spaced-out mix as Dumb Child of Q, or the dub miniature. Honestly don’t ask us about passable and tedious Weatherall mix, but Graham Massey’s take is worthwhile for its kinkier reshuffle, and Hamish McDonald pushes it deeper along the Goa proto-trance dub axis.
Don’t fight the feeling!