Oren Ambarchi / Konrad Sprenger / Phillip Sollmann
Panama / Suez
Oren Ambarchi / Konrad Sprenger / Phillip Sollmann
Panama / Suez
Boomkat Product Review:
Minimalist hypnotists Ambarchi, Sprenger and Sollmann manipulate the dance with deeply trippy results for Ostgut's A-Ton sublabel
In two extended, kraut-y flights the trio place a wealth of multi-disciplinary, avant-garde experience at the service of dancefloor enlightenment, conjuring a lysergically timeless sound that richly exceeds the sum of its inputs.
With the 15 minute ‘Panama’ they hinge a lone clave around chipping guitar and synthlines in a sublimely tempered ascent thru microtonal increments and eye-fluttering arps, working out something like Robert Aiki Aubrey Lowe channelling ancient spirits.
On ’Suez (Version)’ they loosen up the groove with a rolling swing that accumulates strange, pitch-bent synth twang and grubbing electronics until we’re lost in a lush chromatic maelstrom by the half way mark, from which point they really take off, leaving the dancefloor hundreds of miles below, showered in electronic perseids.
Really feeling this!
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Boomkat Product Review:
Minimalist hypnotists Ambarchi, Sprenger and Sollmann manipulate the dance with deeply trippy results for Ostgut's A-Ton sublabel
In two extended, kraut-y flights the trio place a wealth of multi-disciplinary, avant-garde experience at the service of dancefloor enlightenment, conjuring a lysergically timeless sound that richly exceeds the sum of its inputs.
With the 15 minute ‘Panama’ they hinge a lone clave around chipping guitar and synthlines in a sublimely tempered ascent thru microtonal increments and eye-fluttering arps, working out something like Robert Aiki Aubrey Lowe channelling ancient spirits.
On ’Suez (Version)’ they loosen up the groove with a rolling swing that accumulates strange, pitch-bent synth twang and grubbing electronics until we’re lost in a lush chromatic maelstrom by the half way mark, from which point they really take off, leaving the dancefloor hundreds of miles below, showered in electronic perseids.
Really feeling this!
Boomkat Product Review:
Minimalist hypnotists Ambarchi, Sprenger and Sollmann manipulate the dance with deeply trippy results for Ostgut's A-Ton sublabel
In two extended, kraut-y flights the trio place a wealth of multi-disciplinary, avant-garde experience at the service of dancefloor enlightenment, conjuring a lysergically timeless sound that richly exceeds the sum of its inputs.
With the 15 minute ‘Panama’ they hinge a lone clave around chipping guitar and synthlines in a sublimely tempered ascent thru microtonal increments and eye-fluttering arps, working out something like Robert Aiki Aubrey Lowe channelling ancient spirits.
On ’Suez (Version)’ they loosen up the groove with a rolling swing that accumulates strange, pitch-bent synth twang and grubbing electronics until we’re lost in a lush chromatic maelstrom by the half way mark, from which point they really take off, leaving the dancefloor hundreds of miles below, showered in electronic perseids.
Really feeling this!
Boomkat Product Review:
Minimalist hypnotists Ambarchi, Sprenger and Sollmann manipulate the dance with deeply trippy results for Ostgut's A-Ton sublabel
In two extended, kraut-y flights the trio place a wealth of multi-disciplinary, avant-garde experience at the service of dancefloor enlightenment, conjuring a lysergically timeless sound that richly exceeds the sum of its inputs.
With the 15 minute ‘Panama’ they hinge a lone clave around chipping guitar and synthlines in a sublimely tempered ascent thru microtonal increments and eye-fluttering arps, working out something like Robert Aiki Aubrey Lowe channelling ancient spirits.
On ’Suez (Version)’ they loosen up the groove with a rolling swing that accumulates strange, pitch-bent synth twang and grubbing electronics until we’re lost in a lush chromatic maelstrom by the half way mark, from which point they really take off, leaving the dancefloor hundreds of miles below, showered in electronic perseids.
Really feeling this!
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