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Boomkat Product Review:
Minimalist hypnotists Ambarchi, Sprenger and Sollmann manipulate the dance with deeply trippy results for Ostgut's A-Ton sublabel
In two extended, kraut-y flights the trio place a wealth of multi-disciplinary, avant-garde experience at the service of dancefloor enlightenment, conjuring a lysergically timeless sound that richly exceeds the sum of its inputs.
With the 15 minute ‘Panama’ they hinge a lone clave around chipping guitar and synthlines in a sublimely tempered ascent thru microtonal increments and eye-fluttering arps, working out something like Robert Aiki Aubrey Lowe channelling ancient spirits.
On ’Suez (Version)’ they loosen up the groove with a rolling swing that accumulates strange, pitch-bent synth twang and grubbing electronics until we’re lost in a lush chromatic maelstrom by the half way mark, from which point they really take off, leaving the dancefloor hundreds of miles below, showered in electronic perseids.
Really feeling this!