The best producer in the world to be named after a food dye, Quinoline Yellow - James Williams to his mam - re-enters the fray with a solid new EP on Touchin’ Bass. Last time we heard from him was in the mid-2000s when he had a steady stream of releases coming out on Skam and his own Uchelfa imprint; this new material is hardly a huge leap on creative, but as Manc-flavoured IDM goes, it’s very respectable. The winsome, comedown-friendly melodies and balmy synth-pads that drive most of the tracks here will appeal to fans of BoC/Vibert/Jenkins at their most soppy, but things get more interesting when Williams adopts a tougher tack: T6 AX’s is a flexing, streamlined electro nocturne echoing abel boss Andrea Parker’s best, and 'Recital of Dolwen Fields' is impish, isolationist d’n’b inna Analord or Springheel Jack style.
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The best producer in the world to be named after a food dye, Quinoline Yellow - James Williams to his mam - re-enters the fray with a solid new EP on Touchin’ Bass. Last time we heard from him was in the mid-2000s when he had a steady stream of releases coming out on Skam and his own Uchelfa imprint; this new material is hardly a huge leap on creative, but as Manc-flavoured IDM goes, it’s very respectable. The winsome, comedown-friendly melodies and balmy synth-pads that drive most of the tracks here will appeal to fans of BoC/Vibert/Jenkins at their most soppy, but things get more interesting when Williams adopts a tougher tack: T6 AX’s is a flexing, streamlined electro nocturne echoing abel boss Andrea Parker’s best, and 'Recital of Dolwen Fields' is impish, isolationist d’n’b inna Analord or Springheel Jack style.
The best producer in the world to be named after a food dye, Quinoline Yellow - James Williams to his mam - re-enters the fray with a solid new EP on Touchin’ Bass. Last time we heard from him was in the mid-2000s when he had a steady stream of releases coming out on Skam and his own Uchelfa imprint; this new material is hardly a huge leap on creative, but as Manc-flavoured IDM goes, it’s very respectable. The winsome, comedown-friendly melodies and balmy synth-pads that drive most of the tracks here will appeal to fans of BoC/Vibert/Jenkins at their most soppy, but things get more interesting when Williams adopts a tougher tack: T6 AX’s is a flexing, streamlined electro nocturne echoing abel boss Andrea Parker’s best, and 'Recital of Dolwen Fields' is impish, isolationist d’n’b inna Analord or Springheel Jack style.
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The best producer in the world to be named after a food dye, Quinoline Yellow - James Williams to his mam - re-enters the fray with a solid new EP on Touchin’ Bass. Last time we heard from him was in the mid-2000s when he had a steady stream of releases coming out on Skam and his own Uchelfa imprint; this new material is hardly a huge leap on creative, but as Manc-flavoured IDM goes, it’s very respectable. The winsome, comedown-friendly melodies and balmy synth-pads that drive most of the tracks here will appeal to fans of BoC/Vibert/Jenkins at their most soppy, but things get more interesting when Williams adopts a tougher tack: T6 AX’s is a flexing, streamlined electro nocturne echoing abel boss Andrea Parker’s best, and 'Recital of Dolwen Fields' is impish, isolationist d’n’b inna Analord or Springheel Jack style.