Melbourne-based anomaly Kloke trades in cranky, tribal drums and gutter-surge noise - backed with a slamming Hieroglyphic Being remix - on his 2nd outing for NYC's Styles Upon Styles.
In a marked difference from his previous, Kloke's tracks swap synth melody for gritty percussive cadence - call it texturhythm or rhythmelody - and concrète abstraction, sounding something like you're trapped in the jungle at midnight with an aggy, dreadlocked Predator on your back.
Coincidentally there is a dreadlocked don on the B-side, but he ain't aggy or a predator; Hieroglyphic Being resets 'P.H.O.N.E.' to a kicking warehouse coda laced with wriggling acid and corkscrewing FX; more rave in the jungle rather than chase.
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Melbourne-based anomaly Kloke trades in cranky, tribal drums and gutter-surge noise - backed with a slamming Hieroglyphic Being remix - on his 2nd outing for NYC's Styles Upon Styles.
In a marked difference from his previous, Kloke's tracks swap synth melody for gritty percussive cadence - call it texturhythm or rhythmelody - and concrète abstraction, sounding something like you're trapped in the jungle at midnight with an aggy, dreadlocked Predator on your back.
Coincidentally there is a dreadlocked don on the B-side, but he ain't aggy or a predator; Hieroglyphic Being resets 'P.H.O.N.E.' to a kicking warehouse coda laced with wriggling acid and corkscrewing FX; more rave in the jungle rather than chase.
Melbourne-based anomaly Kloke trades in cranky, tribal drums and gutter-surge noise - backed with a slamming Hieroglyphic Being remix - on his 2nd outing for NYC's Styles Upon Styles.
In a marked difference from his previous, Kloke's tracks swap synth melody for gritty percussive cadence - call it texturhythm or rhythmelody - and concrète abstraction, sounding something like you're trapped in the jungle at midnight with an aggy, dreadlocked Predator on your back.
Coincidentally there is a dreadlocked don on the B-side, but he ain't aggy or a predator; Hieroglyphic Being resets 'P.H.O.N.E.' to a kicking warehouse coda laced with wriggling acid and corkscrewing FX; more rave in the jungle rather than chase.
Melbourne-based anomaly Kloke trades in cranky, tribal drums and gutter-surge noise - backed with a slamming Hieroglyphic Being remix - on his 2nd outing for NYC's Styles Upon Styles.
In a marked difference from his previous, Kloke's tracks swap synth melody for gritty percussive cadence - call it texturhythm or rhythmelody - and concrète abstraction, sounding something like you're trapped in the jungle at midnight with an aggy, dreadlocked Predator on your back.
Coincidentally there is a dreadlocked don on the B-side, but he ain't aggy or a predator; Hieroglyphic Being resets 'P.H.O.N.E.' to a kicking warehouse coda laced with wriggling acid and corkscrewing FX; more rave in the jungle rather than chase.
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Melbourne-based anomaly Kloke trades in cranky, tribal drums and gutter-surge noise - backed with a slamming Hieroglyphic Being remix - on his 2nd outing for NYC's Styles Upon Styles.
In a marked difference from his previous, Kloke's tracks swap synth melody for gritty percussive cadence - call it texturhythm or rhythmelody - and concrète abstraction, sounding something like you're trapped in the jungle at midnight with an aggy, dreadlocked Predator on your back.
Coincidentally there is a dreadlocked don on the B-side, but he ain't aggy or a predator; Hieroglyphic Being resets 'P.H.O.N.E.' to a kicking warehouse coda laced with wriggling acid and corkscrewing FX; more rave in the jungle rather than chase.