Boomkat Product Review:
Deaf Center's second album Owl Splinters from 2011 gets a lavish re-packaging as a gatefold 2LP. It includes a Svarte Greiner re-interpretation album ‘Twin' as well as new cover-art with photos by cinematographer Joshua Zucker-Pluda.
Erik Skodvin and Otto Totland quietly honed their art via the nightmarish catharsis of the Svarte Greiner and Nest projects respectively, arriving at their 2nd album together ‘Owl Splinters’ back in 2011 in deeply solemn and contemplative mood. For this chapter of their story, mysterious imagery was rendered even sharper, as though someone on the inside wiped a palm on the window of their cabin in the woods.
This is largely attributable to the fact it was recorded at Nils Frahms' Durton studio, where the lo-fi graininess and techniques of their early work was brought to life with hi-end engineering and analogue equipment, allowing the duo to articulate their supernatural stories with more evocative detailing and widescreen atmospherics.
Opening to the bowed strings and seismic bass shudder of 'Divided', we're ushered straight to a world where Totland's piano adorns centrepiece 'The Day I Would Never Have' with ethereal pensiveness and Skodvin's cello expands like a dense, blackened cloud of smoke. Through the smaller vingettes like 'Fiction Dawn', this forested gloom colours the album through to the slow, vacuous pressure system of 'Close Forever Watching', its surge of cold black air almost brutally resolving the atmospheric tension.
The accompanying LP ‘Twin' is a 40 minute interpretation of Owl Splinters by Erik K Skodvin under his Svarte Greiner alias. The record takes the long-form, ghostly sections of it's parent album and expands them into crushing drone epics. The two parts are cut into four sections, pieced together by used and unused material from the recording session. It first appeared in form of an accompaniement CD that came with the initial 100 LPs of Owl Splinters. This is the first time ‘Twin' appears on vinyl.