Boomkat Product Review:
Belgium’s Obsequies file in line with J.G. Biberkopf, d’Eon, v1984 and Jlin to present their captivating futurist visions on Kuedo’s Knives label.
Organn is Obsequies’ fully formed but suggestively sparse debut release. Taking cues from Isidore-Lucien Ducasse’s surrealist touchstone, Les Chants de Maldorer, the EP unfolds a sort of lucid dream infiltrated by noirish sci-fi voices and framed within extreme, morphing sound sphere that expands and contracts from vast, echoic space to visceral chromatic pinches in its 30 minute lifespan.
Grace lifts off with a freeform elegance, pirouetting between steepled chords, fragments of cafe conversation and glitching Raster-Noton electronics recalling Ryoji Ikeda, before swan-diving into the upended post-techno physics of Languish and something recalling TCF or Obsequies’ fellow belgian artist Hiele in the fast-fwd jungliest rushes of Cell.
Asthme is a proprioception-baffling display of dynamic sound design clashing minimalist classical keys and cyber-pop urges, while Consumed fulminates a kind of black metal candescence and noise intensity, leaving us spinning in air with the weightless majesty of But Beautiful, buffeted by emulated elements and glittering with starlight.