Optique / Perspective
Molten digital futurism here from prolific French extreme computer music explorer Lime68k - peak gear for anyone into latter-day AE, Pita, Hecker or John Wiese.
A skilled live coder, Lime68k uses software environments like Pure Data and Max/MSP to propel her sounds into off-world nooks; it's noise, of a sort, but tempered and sculpted into uncannily organic hissing, insectoid soundscapes. Unlike her earlier, beat-heavy abstractions, 'Optique/Perspective' is a nebulous gauze of smeared digital detritus and serrated noise. There are rhythmic remnants left in the psilocybin chewed ether that hangs around 'MÇtaxiale', but they've been crushed up and melted into elemental sludge, pulsing and whirring but never hitting, exactly. On 'Axe', Lime68k takes a more gaseous approach, subliming frittering chimes in a whirlpool of factory noise and glitches, while 'Faisceau' sounds like a colony of nanobots rebuilding a crashed alien drone, skittering and buzzing around its twisted exoskeleton.
There's a little more structure to 'Dioptrique', that comes off like something snatched from Autechre's deepest archives and remodeled with blasphemous alchemical technologies, but Lime68k gives us a breath of cleaner oxygen on closer 'Hyperpolaire', funneling florid drones into a tiny resonant metallic chamber and leaving us gasping for more.
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Molten digital futurism here from prolific French extreme computer music explorer Lime68k - peak gear for anyone into latter-day AE, Pita, Hecker or John Wiese.
A skilled live coder, Lime68k uses software environments like Pure Data and Max/MSP to propel her sounds into off-world nooks; it's noise, of a sort, but tempered and sculpted into uncannily organic hissing, insectoid soundscapes. Unlike her earlier, beat-heavy abstractions, 'Optique/Perspective' is a nebulous gauze of smeared digital detritus and serrated noise. There are rhythmic remnants left in the psilocybin chewed ether that hangs around 'MÇtaxiale', but they've been crushed up and melted into elemental sludge, pulsing and whirring but never hitting, exactly. On 'Axe', Lime68k takes a more gaseous approach, subliming frittering chimes in a whirlpool of factory noise and glitches, while 'Faisceau' sounds like a colony of nanobots rebuilding a crashed alien drone, skittering and buzzing around its twisted exoskeleton.
There's a little more structure to 'Dioptrique', that comes off like something snatched from Autechre's deepest archives and remodeled with blasphemous alchemical technologies, but Lime68k gives us a breath of cleaner oxygen on closer 'Hyperpolaire', funneling florid drones into a tiny resonant metallic chamber and leaving us gasping for more.
Molten digital futurism here from prolific French extreme computer music explorer Lime68k - peak gear for anyone into latter-day AE, Pita, Hecker or John Wiese.
A skilled live coder, Lime68k uses software environments like Pure Data and Max/MSP to propel her sounds into off-world nooks; it's noise, of a sort, but tempered and sculpted into uncannily organic hissing, insectoid soundscapes. Unlike her earlier, beat-heavy abstractions, 'Optique/Perspective' is a nebulous gauze of smeared digital detritus and serrated noise. There are rhythmic remnants left in the psilocybin chewed ether that hangs around 'MÇtaxiale', but they've been crushed up and melted into elemental sludge, pulsing and whirring but never hitting, exactly. On 'Axe', Lime68k takes a more gaseous approach, subliming frittering chimes in a whirlpool of factory noise and glitches, while 'Faisceau' sounds like a colony of nanobots rebuilding a crashed alien drone, skittering and buzzing around its twisted exoskeleton.
There's a little more structure to 'Dioptrique', that comes off like something snatched from Autechre's deepest archives and remodeled with blasphemous alchemical technologies, but Lime68k gives us a breath of cleaner oxygen on closer 'Hyperpolaire', funneling florid drones into a tiny resonant metallic chamber and leaving us gasping for more.
Molten digital futurism here from prolific French extreme computer music explorer Lime68k - peak gear for anyone into latter-day AE, Pita, Hecker or John Wiese.
A skilled live coder, Lime68k uses software environments like Pure Data and Max/MSP to propel her sounds into off-world nooks; it's noise, of a sort, but tempered and sculpted into uncannily organic hissing, insectoid soundscapes. Unlike her earlier, beat-heavy abstractions, 'Optique/Perspective' is a nebulous gauze of smeared digital detritus and serrated noise. There are rhythmic remnants left in the psilocybin chewed ether that hangs around 'MÇtaxiale', but they've been crushed up and melted into elemental sludge, pulsing and whirring but never hitting, exactly. On 'Axe', Lime68k takes a more gaseous approach, subliming frittering chimes in a whirlpool of factory noise and glitches, while 'Faisceau' sounds like a colony of nanobots rebuilding a crashed alien drone, skittering and buzzing around its twisted exoskeleton.
There's a little more structure to 'Dioptrique', that comes off like something snatched from Autechre's deepest archives and remodeled with blasphemous alchemical technologies, but Lime68k gives us a breath of cleaner oxygen on closer 'Hyperpolaire', funneling florid drones into a tiny resonant metallic chamber and leaving us gasping for more.