Mick “Mongoose” Harris plays the devil on a fresh batch of brokebeat industrial techno tramplers with his patrons at L.I.E.S.
Paying up on the promise of his two L.I.E.S. 12”s since rebooting the project in 2018, the erstwhile Napalm Death drummer can’t help but thrash the kit to bits again on ‘Because of the Weak’. Kicking everything into the red with ruthless abandon, the Brummie beast is more restless than ever on 10 tracks of no nonsense tackle built to leave the floor in a tizz.
He sounds fucking ravenous on this one, recoiling between the stampeding kicks and bestial stabs of ‘Rhino Patch’ to seething dubwise rolige in ‘Gripper’, hot-wired Caustic Window-isms on ‘Three Foot Twitch’, and the rottie bark of ‘Shut That Dog Up’. There’s pure industrial fury in ‘See Them Anymore’ and possessed warehouse voodoo in ‘Care’, beside gnashing frenchtek levels of overdriven madness on ‘Voodle Launch Attack’ before he tosses your bodies to the fishes in ‘One Hour after Sunset’ with its limb-severing antifunk.
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Mick “Mongoose” Harris plays the devil on a fresh batch of brokebeat industrial techno tramplers with his patrons at L.I.E.S.
Paying up on the promise of his two L.I.E.S. 12”s since rebooting the project in 2018, the erstwhile Napalm Death drummer can’t help but thrash the kit to bits again on ‘Because of the Weak’. Kicking everything into the red with ruthless abandon, the Brummie beast is more restless than ever on 10 tracks of no nonsense tackle built to leave the floor in a tizz.
He sounds fucking ravenous on this one, recoiling between the stampeding kicks and bestial stabs of ‘Rhino Patch’ to seething dubwise rolige in ‘Gripper’, hot-wired Caustic Window-isms on ‘Three Foot Twitch’, and the rottie bark of ‘Shut That Dog Up’. There’s pure industrial fury in ‘See Them Anymore’ and possessed warehouse voodoo in ‘Care’, beside gnashing frenchtek levels of overdriven madness on ‘Voodle Launch Attack’ before he tosses your bodies to the fishes in ‘One Hour after Sunset’ with its limb-severing antifunk.
Mick “Mongoose” Harris plays the devil on a fresh batch of brokebeat industrial techno tramplers with his patrons at L.I.E.S.
Paying up on the promise of his two L.I.E.S. 12”s since rebooting the project in 2018, the erstwhile Napalm Death drummer can’t help but thrash the kit to bits again on ‘Because of the Weak’. Kicking everything into the red with ruthless abandon, the Brummie beast is more restless than ever on 10 tracks of no nonsense tackle built to leave the floor in a tizz.
He sounds fucking ravenous on this one, recoiling between the stampeding kicks and bestial stabs of ‘Rhino Patch’ to seething dubwise rolige in ‘Gripper’, hot-wired Caustic Window-isms on ‘Three Foot Twitch’, and the rottie bark of ‘Shut That Dog Up’. There’s pure industrial fury in ‘See Them Anymore’ and possessed warehouse voodoo in ‘Care’, beside gnashing frenchtek levels of overdriven madness on ‘Voodle Launch Attack’ before he tosses your bodies to the fishes in ‘One Hour after Sunset’ with its limb-severing antifunk.
Mick “Mongoose” Harris plays the devil on a fresh batch of brokebeat industrial techno tramplers with his patrons at L.I.E.S.
Paying up on the promise of his two L.I.E.S. 12”s since rebooting the project in 2018, the erstwhile Napalm Death drummer can’t help but thrash the kit to bits again on ‘Because of the Weak’. Kicking everything into the red with ruthless abandon, the Brummie beast is more restless than ever on 10 tracks of no nonsense tackle built to leave the floor in a tizz.
He sounds fucking ravenous on this one, recoiling between the stampeding kicks and bestial stabs of ‘Rhino Patch’ to seething dubwise rolige in ‘Gripper’, hot-wired Caustic Window-isms on ‘Three Foot Twitch’, and the rottie bark of ‘Shut That Dog Up’. There’s pure industrial fury in ‘See Them Anymore’ and possessed warehouse voodoo in ‘Care’, beside gnashing frenchtek levels of overdriven madness on ‘Voodle Launch Attack’ before he tosses your bodies to the fishes in ‘One Hour after Sunset’ with its limb-severing antifunk.
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Mick “Mongoose” Harris plays the devil on a fresh batch of brokebeat industrial techno tramplers with his patrons at L.I.E.S.
Paying up on the promise of his two L.I.E.S. 12”s since rebooting the project in 2018, the erstwhile Napalm Death drummer can’t help but thrash the kit to bits again on ‘Because of the Weak’. Kicking everything into the red with ruthless abandon, the Brummie beast is more restless than ever on 10 tracks of no nonsense tackle built to leave the floor in a tizz.
He sounds fucking ravenous on this one, recoiling between the stampeding kicks and bestial stabs of ‘Rhino Patch’ to seething dubwise rolige in ‘Gripper’, hot-wired Caustic Window-isms on ‘Three Foot Twitch’, and the rottie bark of ‘Shut That Dog Up’. There’s pure industrial fury in ‘See Them Anymore’ and possessed warehouse voodoo in ‘Care’, beside gnashing frenchtek levels of overdriven madness on ‘Voodle Launch Attack’ before he tosses your bodies to the fishes in ‘One Hour after Sunset’ with its limb-severing antifunk.