HOME/ wasted on a waterbed
Bonkers and brilliant green-hued and red-eyed beat tape material from Anticon co-founder, cLOUDDEAD hero and hard-working genre hopper Odd Nosdam. In the vein of Dilla or Madlib, but further out into a psychedelic cassete-o-sphere.
Odd Nosdam's been at it for over two decades at this point, approaching a spectrum of divergent genres with a crate digger's enthusiasm and a hip-hop head's knuckle-cracking sonic alchemy. This epic double header smashes together two albums, "HOME" and "wasted on a waterbed", both recorded in Berkeley between 2018 and 2020. "Home" is the more straightforward release - a set of brief, juggled loops and scratched beats pulled from across the musical map. But 'wasted in the waterbed' is where it gets more crucial.
With a thank you to weed in the liner notes, it's a thematically more hazed experience: environmental recordings, movie samples, bass and drum jams, skewed electronics, beatbox loops, and mangled splices of who knows what are forced together and rolled up into a musical megablunt. Incoherent? Nah. It makes perfect sense if you're in the right mindset. Anyone who's into Madlib's most star-gazing material will get a kick out of this one.
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Bonkers and brilliant green-hued and red-eyed beat tape material from Anticon co-founder, cLOUDDEAD hero and hard-working genre hopper Odd Nosdam. In the vein of Dilla or Madlib, but further out into a psychedelic cassete-o-sphere.
Odd Nosdam's been at it for over two decades at this point, approaching a spectrum of divergent genres with a crate digger's enthusiasm and a hip-hop head's knuckle-cracking sonic alchemy. This epic double header smashes together two albums, "HOME" and "wasted on a waterbed", both recorded in Berkeley between 2018 and 2020. "Home" is the more straightforward release - a set of brief, juggled loops and scratched beats pulled from across the musical map. But 'wasted in the waterbed' is where it gets more crucial.
With a thank you to weed in the liner notes, it's a thematically more hazed experience: environmental recordings, movie samples, bass and drum jams, skewed electronics, beatbox loops, and mangled splices of who knows what are forced together and rolled up into a musical megablunt. Incoherent? Nah. It makes perfect sense if you're in the right mindset. Anyone who's into Madlib's most star-gazing material will get a kick out of this one.
Bonkers and brilliant green-hued and red-eyed beat tape material from Anticon co-founder, cLOUDDEAD hero and hard-working genre hopper Odd Nosdam. In the vein of Dilla or Madlib, but further out into a psychedelic cassete-o-sphere.
Odd Nosdam's been at it for over two decades at this point, approaching a spectrum of divergent genres with a crate digger's enthusiasm and a hip-hop head's knuckle-cracking sonic alchemy. This epic double header smashes together two albums, "HOME" and "wasted on a waterbed", both recorded in Berkeley between 2018 and 2020. "Home" is the more straightforward release - a set of brief, juggled loops and scratched beats pulled from across the musical map. But 'wasted in the waterbed' is where it gets more crucial.
With a thank you to weed in the liner notes, it's a thematically more hazed experience: environmental recordings, movie samples, bass and drum jams, skewed electronics, beatbox loops, and mangled splices of who knows what are forced together and rolled up into a musical megablunt. Incoherent? Nah. It makes perfect sense if you're in the right mindset. Anyone who's into Madlib's most star-gazing material will get a kick out of this one.
Bonkers and brilliant green-hued and red-eyed beat tape material from Anticon co-founder, cLOUDDEAD hero and hard-working genre hopper Odd Nosdam. In the vein of Dilla or Madlib, but further out into a psychedelic cassete-o-sphere.
Odd Nosdam's been at it for over two decades at this point, approaching a spectrum of divergent genres with a crate digger's enthusiasm and a hip-hop head's knuckle-cracking sonic alchemy. This epic double header smashes together two albums, "HOME" and "wasted on a waterbed", both recorded in Berkeley between 2018 and 2020. "Home" is the more straightforward release - a set of brief, juggled loops and scratched beats pulled from across the musical map. But 'wasted in the waterbed' is where it gets more crucial.
With a thank you to weed in the liner notes, it's a thematically more hazed experience: environmental recordings, movie samples, bass and drum jams, skewed electronics, beatbox loops, and mangled splices of who knows what are forced together and rolled up into a musical megablunt. Incoherent? Nah. It makes perfect sense if you're in the right mindset. Anyone who's into Madlib's most star-gazing material will get a kick out of this one.