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Venerable minimalist Éliane Radigue continues her ‘Occam Ocean’ adventures at the threshold of perception on a third volume in collaboration with string trio Julia Eckhardt, Silvia Tarozzi and Deborah Walker
Performed and recorded in September, 2019 at the Abbazia di Santa Maria Assunta, Bologna, Italy, the 3rd volume of ‘Occam Ocean’ features the pioneering French composer’s radical thoughts on time, tone and timbre carefully manifest thru the trio’s fingers and strings in the model of preceding volumes, also for France’s Shiiin label. Incredibly patient in its sustained drones and incremental developments, the results return an experience that really only comes with Radigue’s work, among a few others, holding the ability to generate moments of revelatory epiphany from the subtlest alterations.
Where previous ‘Occam Ocean’ instalments fielded a mix of solo and duo works (Occam Ocean 1) and a broad orchestra (Occam Ocean 2), this one is perhaps most focussed in its triumvirate of works written for solo, duo and trio configurations of Julia Eckhardt (Viola), Silvia Tarozzi (Violin) and Deborah Walker (Violoncello). The first, for Tarozzi and Walker resonates with an intense immanence as the Violin’s icy high register is underlined by glyding lower end Violoncello contours, creating a unique weather system of mid-air dissonance, which makes Walker’s lone performance on ‘Occam VIII’ only appear hauntingly nude by contrast.
When all three players converge at ‘Occam Delta III’ they create a more sublime tension, adhering the composer’s instructions to follow a razor fine line between microtonal frequencies and making the piece’s technical challenges feel effortlessly natural, really honing in on tones that resonate the pharynx and get up in your head quite unlike anything else.