On his first single in five years, Objekt messes with dembow-dancehall templates with typically obsessive attention to detail.
Arriving in a vein of streamlined, technofied reductions of the dancehall meter explored by likes of Livity Sound, Rhyw, Simo Cell and more, ‘Objekt #5’ sees Objekt keep abreast of prevailing currents after everyone, including him, got a bit bored of the same electro and gap yah garage beats prior to the pandemic.
As with everything he touches, from production to DJing, the results are effective, twirling signature shiny FX around a grinding, rocked-up bassline and edits of ‘Bad Apples’, before going on like a cartoonish answer to The Bug in the acid dancehall frolics of ‘Ballast’.
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On his first single in five years, Objekt messes with dembow-dancehall templates with typically obsessive attention to detail.
Arriving in a vein of streamlined, technofied reductions of the dancehall meter explored by likes of Livity Sound, Rhyw, Simo Cell and more, ‘Objekt #5’ sees Objekt keep abreast of prevailing currents after everyone, including him, got a bit bored of the same electro and gap yah garage beats prior to the pandemic.
As with everything he touches, from production to DJing, the results are effective, twirling signature shiny FX around a grinding, rocked-up bassline and edits of ‘Bad Apples’, before going on like a cartoonish answer to The Bug in the acid dancehall frolics of ‘Ballast’.
On his first single in five years, Objekt messes with dembow-dancehall templates with typically obsessive attention to detail.
Arriving in a vein of streamlined, technofied reductions of the dancehall meter explored by likes of Livity Sound, Rhyw, Simo Cell and more, ‘Objekt #5’ sees Objekt keep abreast of prevailing currents after everyone, including him, got a bit bored of the same electro and gap yah garage beats prior to the pandemic.
As with everything he touches, from production to DJing, the results are effective, twirling signature shiny FX around a grinding, rocked-up bassline and edits of ‘Bad Apples’, before going on like a cartoonish answer to The Bug in the acid dancehall frolics of ‘Ballast’.
On his first single in five years, Objekt messes with dembow-dancehall templates with typically obsessive attention to detail.
Arriving in a vein of streamlined, technofied reductions of the dancehall meter explored by likes of Livity Sound, Rhyw, Simo Cell and more, ‘Objekt #5’ sees Objekt keep abreast of prevailing currents after everyone, including him, got a bit bored of the same electro and gap yah garage beats prior to the pandemic.
As with everything he touches, from production to DJing, the results are effective, twirling signature shiny FX around a grinding, rocked-up bassline and edits of ‘Bad Apples’, before going on like a cartoonish answer to The Bug in the acid dancehall frolics of ‘Ballast’.
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On his first single in five years, Objekt messes with dembow-dancehall templates with typically obsessive attention to detail.
Arriving in a vein of streamlined, technofied reductions of the dancehall meter explored by likes of Livity Sound, Rhyw, Simo Cell and more, ‘Objekt #5’ sees Objekt keep abreast of prevailing currents after everyone, including him, got a bit bored of the same electro and gap yah garage beats prior to the pandemic.
As with everything he touches, from production to DJing, the results are effective, twirling signature shiny FX around a grinding, rocked-up bassline and edits of ‘Bad Apples’, before going on like a cartoonish answer to The Bug in the acid dancehall frolics of ‘Ballast’.