Boomkat Product Review:
John Cage acolytes, Edition Wandelweiser Records, collect Guy Vandromme’s performance of three ‘Number’ pieces for piano from a body of late Cage works composed c.1987-1992
All entitled ‘One’, as the pieces were so named to denote how many players, and which variation they’d play, each piece is structured around Cage’s time bracket technique; providing only short fragments of score (often a single note, with or without dynamics) and indications, in minutes and seconds, during which the fragment can start andy what time it should end. The brackets can be fixed (e.g. from 1.15 to 2.00) or flexible (e.g. from anywhere between 1.15 and 1.45, and to anywhere between 2.00 and 2.30), allowing form myriad subtle variations on the same themes.
In the case of ‘One’ there are 10 time brackets, all flexible except for the ninth./ Each contains music written onto staves, but the content of one staff can be played in any relation with that of the other staff. Guy Vandromme offers two calmly spare 10 minute versions of ‘One’, which, if we’re honest, sound pretty much identical, but do actually differ from each other. There’s also a 20 minute version of ‘One5’ (his fifth work for one player) which has a more complex set of instructions including 21 time brackets for the left hand and 24 for the right. Each contains a single chord or a single note, and the performer is instructed to either hold the pedal throughout, or make as many overlappings as possible (again, using the pedal if necessary). The final piece is very quiet, often tending to the lowest registers of the keyboard and allowing the notes to spread out, smeared into a gently undulating late night panorama.