Benedikt Frey & Nadia D’Alo’s cyber-darkwave duo INIT mount their 3rd album and debut for Optimo
Distilling fine traces of ‘90s cyber noir dance music to contemporary taste, INIT yield a craftily chiselled, unchronic fantasy of sleazier ‘90s darkroom styles in the dark red vein of their albums on Hivern Discs. On ‘Holes in my CV’, singer D’Alo drizzles Lolina-like vox over Frey’s blunted subvocalisation and coiled electro groove, while ‘Time’ locks off a sort of EBM breakbeat fusion that aligns inspiration from Wax Trax! and Torsten Fenslau. ’Snowglobe’ screws their dark energies to a killer ketty crawl underlined with swollen Reese bass, and title tune sustains the slo-mo pressure for fogged out basement times. ‘Module’ is the pack’s most up-for-it and regular sort of EBM charge, next to the slompy sleaze of ’N.O.D.’.
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Benedikt Frey & Nadia D’Alo’s cyber-darkwave duo INIT mount their 3rd album and debut for Optimo
Distilling fine traces of ‘90s cyber noir dance music to contemporary taste, INIT yield a craftily chiselled, unchronic fantasy of sleazier ‘90s darkroom styles in the dark red vein of their albums on Hivern Discs. On ‘Holes in my CV’, singer D’Alo drizzles Lolina-like vox over Frey’s blunted subvocalisation and coiled electro groove, while ‘Time’ locks off a sort of EBM breakbeat fusion that aligns inspiration from Wax Trax! and Torsten Fenslau. ’Snowglobe’ screws their dark energies to a killer ketty crawl underlined with swollen Reese bass, and title tune sustains the slo-mo pressure for fogged out basement times. ‘Module’ is the pack’s most up-for-it and regular sort of EBM charge, next to the slompy sleaze of ’N.O.D.’.
Benedikt Frey & Nadia D’Alo’s cyber-darkwave duo INIT mount their 3rd album and debut for Optimo
Distilling fine traces of ‘90s cyber noir dance music to contemporary taste, INIT yield a craftily chiselled, unchronic fantasy of sleazier ‘90s darkroom styles in the dark red vein of their albums on Hivern Discs. On ‘Holes in my CV’, singer D’Alo drizzles Lolina-like vox over Frey’s blunted subvocalisation and coiled electro groove, while ‘Time’ locks off a sort of EBM breakbeat fusion that aligns inspiration from Wax Trax! and Torsten Fenslau. ’Snowglobe’ screws their dark energies to a killer ketty crawl underlined with swollen Reese bass, and title tune sustains the slo-mo pressure for fogged out basement times. ‘Module’ is the pack’s most up-for-it and regular sort of EBM charge, next to the slompy sleaze of ’N.O.D.’.
Benedikt Frey & Nadia D’Alo’s cyber-darkwave duo INIT mount their 3rd album and debut for Optimo
Distilling fine traces of ‘90s cyber noir dance music to contemporary taste, INIT yield a craftily chiselled, unchronic fantasy of sleazier ‘90s darkroom styles in the dark red vein of their albums on Hivern Discs. On ‘Holes in my CV’, singer D’Alo drizzles Lolina-like vox over Frey’s blunted subvocalisation and coiled electro groove, while ‘Time’ locks off a sort of EBM breakbeat fusion that aligns inspiration from Wax Trax! and Torsten Fenslau. ’Snowglobe’ screws their dark energies to a killer ketty crawl underlined with swollen Reese bass, and title tune sustains the slo-mo pressure for fogged out basement times. ‘Module’ is the pack’s most up-for-it and regular sort of EBM charge, next to the slompy sleaze of ’N.O.D.’.
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Benedikt Frey & Nadia D’Alo’s cyber-darkwave duo INIT mount their 3rd album and debut for Optimo
Distilling fine traces of ‘90s cyber noir dance music to contemporary taste, INIT yield a craftily chiselled, unchronic fantasy of sleazier ‘90s darkroom styles in the dark red vein of their albums on Hivern Discs. On ‘Holes in my CV’, singer D’Alo drizzles Lolina-like vox over Frey’s blunted subvocalisation and coiled electro groove, while ‘Time’ locks off a sort of EBM breakbeat fusion that aligns inspiration from Wax Trax! and Torsten Fenslau. ’Snowglobe’ screws their dark energies to a killer ketty crawl underlined with swollen Reese bass, and title tune sustains the slo-mo pressure for fogged out basement times. ‘Module’ is the pack’s most up-for-it and regular sort of EBM charge, next to the slompy sleaze of ’N.O.D.’.