Nolk
Estonian house ambassadors Ajukaja & Mart Avi brim over with lysergic good vibes on a special one channelling strains of David Byrne via Aaron-Carl, Junior Boys and AGCG
Central to Porridge Bullet’s output over the past 10 years, Ajukaja & Avi now arrive at some of their most impressive gear here, packing ample amounts of blue-eyed soul with an effortless, ‘floor working funk that’s hard to shake.
These are their lushest creations, bar none, feeling out carousel melodies and rude disco-not-disco budge on ‘Horse Eats Hat,’ beside the patently Detroit-inspired electrosoul swang and hair-kissing vocals on ‘Journey Into Fear.’ There’s no mistaking the resemblance of ‘Crack’ to classic A Guy Called Gerald, especially in its spidery breakbeat web and heart-lifting chords, but the flyaway vocals are all theirs, while the pizzicato harpsichord of ‘Happy End’ puts a sort of gallic or Italo smooch on it with dreamiest effect.
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Estonian house ambassadors Ajukaja & Mart Avi brim over with lysergic good vibes on a special one channelling strains of David Byrne via Aaron-Carl, Junior Boys and AGCG
Central to Porridge Bullet’s output over the past 10 years, Ajukaja & Avi now arrive at some of their most impressive gear here, packing ample amounts of blue-eyed soul with an effortless, ‘floor working funk that’s hard to shake.
These are their lushest creations, bar none, feeling out carousel melodies and rude disco-not-disco budge on ‘Horse Eats Hat,’ beside the patently Detroit-inspired electrosoul swang and hair-kissing vocals on ‘Journey Into Fear.’ There’s no mistaking the resemblance of ‘Crack’ to classic A Guy Called Gerald, especially in its spidery breakbeat web and heart-lifting chords, but the flyaway vocals are all theirs, while the pizzicato harpsichord of ‘Happy End’ puts a sort of gallic or Italo smooch on it with dreamiest effect.
Estonian house ambassadors Ajukaja & Mart Avi brim over with lysergic good vibes on a special one channelling strains of David Byrne via Aaron-Carl, Junior Boys and AGCG
Central to Porridge Bullet’s output over the past 10 years, Ajukaja & Avi now arrive at some of their most impressive gear here, packing ample amounts of blue-eyed soul with an effortless, ‘floor working funk that’s hard to shake.
These are their lushest creations, bar none, feeling out carousel melodies and rude disco-not-disco budge on ‘Horse Eats Hat,’ beside the patently Detroit-inspired electrosoul swang and hair-kissing vocals on ‘Journey Into Fear.’ There’s no mistaking the resemblance of ‘Crack’ to classic A Guy Called Gerald, especially in its spidery breakbeat web and heart-lifting chords, but the flyaway vocals are all theirs, while the pizzicato harpsichord of ‘Happy End’ puts a sort of gallic or Italo smooch on it with dreamiest effect.
Estonian house ambassadors Ajukaja & Mart Avi brim over with lysergic good vibes on a special one channelling strains of David Byrne via Aaron-Carl, Junior Boys and AGCG
Central to Porridge Bullet’s output over the past 10 years, Ajukaja & Avi now arrive at some of their most impressive gear here, packing ample amounts of blue-eyed soul with an effortless, ‘floor working funk that’s hard to shake.
These are their lushest creations, bar none, feeling out carousel melodies and rude disco-not-disco budge on ‘Horse Eats Hat,’ beside the patently Detroit-inspired electrosoul swang and hair-kissing vocals on ‘Journey Into Fear.’ There’s no mistaking the resemblance of ‘Crack’ to classic A Guy Called Gerald, especially in its spidery breakbeat web and heart-lifting chords, but the flyaway vocals are all theirs, while the pizzicato harpsichord of ‘Happy End’ puts a sort of gallic or Italo smooch on it with dreamiest effect.