Synth-pop duo Reymour sport a chocolate box of whimsical chanson synth ditties and coldwave pop delicacies on Amsterdam’s key home for this sort of lark, Knekelhuis - RIYL Oï Les Ox, Cindy Lee, Tryphème, The Cardigans.
Based between Fribourg, Switzerland and Brussels, Belgium, Lou Savery & Luc Bersier have been cooking timeless, retro-vintage, blends of classic chanson and synth-pop since the ‘Enigme’ tape in 2018. ‘NoLand’ now follows their ‘Leviosa’ album for Knekelhuis with a 14-course taster menu of their sugary pop refinements, elegantly oscillating library-like vignettes with more indulgent - yet never over-cooked - pop chops and moments of grungier groove spaced out with era-appropriate FX and offset by subtly deviant guile and misdirection.
Like choccies laced with mushies, the music secures and takes hold with fine mix of sugary immediacy and entheogenic nuance, firming up scuzzy takes of psych-soul spiced chanson in ‘he;s Changing’ and the spangled ‘90s indie-bops of ‘On a Pulse’, strewn with fractal artefacts, and the Streolab jangle of ‘Documentary’, thru more mannered waltz and organ air of ‘Dix mois’ and naïf finesse of a ‘Sans éveil’ recalling Oï les Ox on a hobby hoss.
They are equally adept at wordless dream-pop soudscaping a la Grouper in the ‘Interlude’, as louche skews of ‘90s trip hop via chanson with ‘A l’eternelle’, but their tales always lead back to moments of skilfully puckered and evocatively nostalgic songcraft, as with the psychedelic ditty ‘L’odeur du tabac froid’, the smutty lullaby of ‘2 Dreams in a night’, and a gem reminding us of Julee Cruise via Cindy Lee in ‘Sleepy Time’.
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Synth-pop duo Reymour sport a chocolate box of whimsical chanson synth ditties and coldwave pop delicacies on Amsterdam’s key home for this sort of lark, Knekelhuis - RIYL Oï Les Ox, Cindy Lee, Tryphème, The Cardigans.
Based between Fribourg, Switzerland and Brussels, Belgium, Lou Savery & Luc Bersier have been cooking timeless, retro-vintage, blends of classic chanson and synth-pop since the ‘Enigme’ tape in 2018. ‘NoLand’ now follows their ‘Leviosa’ album for Knekelhuis with a 14-course taster menu of their sugary pop refinements, elegantly oscillating library-like vignettes with more indulgent - yet never over-cooked - pop chops and moments of grungier groove spaced out with era-appropriate FX and offset by subtly deviant guile and misdirection.
Like choccies laced with mushies, the music secures and takes hold with fine mix of sugary immediacy and entheogenic nuance, firming up scuzzy takes of psych-soul spiced chanson in ‘he;s Changing’ and the spangled ‘90s indie-bops of ‘On a Pulse’, strewn with fractal artefacts, and the Streolab jangle of ‘Documentary’, thru more mannered waltz and organ air of ‘Dix mois’ and naïf finesse of a ‘Sans éveil’ recalling Oï les Ox on a hobby hoss.
They are equally adept at wordless dream-pop soudscaping a la Grouper in the ‘Interlude’, as louche skews of ‘90s trip hop via chanson with ‘A l’eternelle’, but their tales always lead back to moments of skilfully puckered and evocatively nostalgic songcraft, as with the psychedelic ditty ‘L’odeur du tabac froid’, the smutty lullaby of ‘2 Dreams in a night’, and a gem reminding us of Julee Cruise via Cindy Lee in ‘Sleepy Time’.
Synth-pop duo Reymour sport a chocolate box of whimsical chanson synth ditties and coldwave pop delicacies on Amsterdam’s key home for this sort of lark, Knekelhuis - RIYL Oï Les Ox, Cindy Lee, Tryphème, The Cardigans.
Based between Fribourg, Switzerland and Brussels, Belgium, Lou Savery & Luc Bersier have been cooking timeless, retro-vintage, blends of classic chanson and synth-pop since the ‘Enigme’ tape in 2018. ‘NoLand’ now follows their ‘Leviosa’ album for Knekelhuis with a 14-course taster menu of their sugary pop refinements, elegantly oscillating library-like vignettes with more indulgent - yet never over-cooked - pop chops and moments of grungier groove spaced out with era-appropriate FX and offset by subtly deviant guile and misdirection.
Like choccies laced with mushies, the music secures and takes hold with fine mix of sugary immediacy and entheogenic nuance, firming up scuzzy takes of psych-soul spiced chanson in ‘he;s Changing’ and the spangled ‘90s indie-bops of ‘On a Pulse’, strewn with fractal artefacts, and the Streolab jangle of ‘Documentary’, thru more mannered waltz and organ air of ‘Dix mois’ and naïf finesse of a ‘Sans éveil’ recalling Oï les Ox on a hobby hoss.
They are equally adept at wordless dream-pop soudscaping a la Grouper in the ‘Interlude’, as louche skews of ‘90s trip hop via chanson with ‘A l’eternelle’, but their tales always lead back to moments of skilfully puckered and evocatively nostalgic songcraft, as with the psychedelic ditty ‘L’odeur du tabac froid’, the smutty lullaby of ‘2 Dreams in a night’, and a gem reminding us of Julee Cruise via Cindy Lee in ‘Sleepy Time’.
Synth-pop duo Reymour sport a chocolate box of whimsical chanson synth ditties and coldwave pop delicacies on Amsterdam’s key home for this sort of lark, Knekelhuis - RIYL Oï Les Ox, Cindy Lee, Tryphème, The Cardigans.
Based between Fribourg, Switzerland and Brussels, Belgium, Lou Savery & Luc Bersier have been cooking timeless, retro-vintage, blends of classic chanson and synth-pop since the ‘Enigme’ tape in 2018. ‘NoLand’ now follows their ‘Leviosa’ album for Knekelhuis with a 14-course taster menu of their sugary pop refinements, elegantly oscillating library-like vignettes with more indulgent - yet never over-cooked - pop chops and moments of grungier groove spaced out with era-appropriate FX and offset by subtly deviant guile and misdirection.
Like choccies laced with mushies, the music secures and takes hold with fine mix of sugary immediacy and entheogenic nuance, firming up scuzzy takes of psych-soul spiced chanson in ‘he;s Changing’ and the spangled ‘90s indie-bops of ‘On a Pulse’, strewn with fractal artefacts, and the Streolab jangle of ‘Documentary’, thru more mannered waltz and organ air of ‘Dix mois’ and naïf finesse of a ‘Sans éveil’ recalling Oï les Ox on a hobby hoss.
They are equally adept at wordless dream-pop soudscaping a la Grouper in the ‘Interlude’, as louche skews of ‘90s trip hop via chanson with ‘A l’eternelle’, but their tales always lead back to moments of skilfully puckered and evocatively nostalgic songcraft, as with the psychedelic ditty ‘L’odeur du tabac froid’, the smutty lullaby of ‘2 Dreams in a night’, and a gem reminding us of Julee Cruise via Cindy Lee in ‘Sleepy Time’.
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Synth-pop duo Reymour sport a chocolate box of whimsical chanson synth ditties and coldwave pop delicacies on Amsterdam’s key home for this sort of lark, Knekelhuis - RIYL Oï Les Ox, Cindy Lee, Tryphème, The Cardigans.
Based between Fribourg, Switzerland and Brussels, Belgium, Lou Savery & Luc Bersier have been cooking timeless, retro-vintage, blends of classic chanson and synth-pop since the ‘Enigme’ tape in 2018. ‘NoLand’ now follows their ‘Leviosa’ album for Knekelhuis with a 14-course taster menu of their sugary pop refinements, elegantly oscillating library-like vignettes with more indulgent - yet never over-cooked - pop chops and moments of grungier groove spaced out with era-appropriate FX and offset by subtly deviant guile and misdirection.
Like choccies laced with mushies, the music secures and takes hold with fine mix of sugary immediacy and entheogenic nuance, firming up scuzzy takes of psych-soul spiced chanson in ‘he;s Changing’ and the spangled ‘90s indie-bops of ‘On a Pulse’, strewn with fractal artefacts, and the Streolab jangle of ‘Documentary’, thru more mannered waltz and organ air of ‘Dix mois’ and naïf finesse of a ‘Sans éveil’ recalling Oï les Ox on a hobby hoss.
They are equally adept at wordless dream-pop soudscaping a la Grouper in the ‘Interlude’, as louche skews of ‘90s trip hop via chanson with ‘A l’eternelle’, but their tales always lead back to moments of skilfully puckered and evocatively nostalgic songcraft, as with the psychedelic ditty ‘L’odeur du tabac froid’, the smutty lullaby of ‘2 Dreams in a night’, and a gem reminding us of Julee Cruise via Cindy Lee in ‘Sleepy Time’.