NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD
Godspeed You! Black Emperor
NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD
Boomkat Product Review:
GY!BE mark 30 years since their formation with a monumental new LP expressing feelings on the increasing horrors of Israel’s war on Gaza, as they know best - expansive instrumental post-rock with a torn heart and resonant pathos.
Flocking once again around original member Efrim Menuck (electric guitar and tape loops), Montreal’s pioneering post-rock ensemble catalyse feelings of anger, frustration, love and hope, spurred by the unceasing atrocity of Israel’s Gazan genocide during the winter of bombs 2024. That is mostly inferred from the album’s name, ‘No Title As Of 13 February 2024 28,340 Dead’, which, when taken in context of the band’s ongoing focus on anti-war themes, and the palpable passion and emotional cadence of the music from soaring to bleak, is a fair conclusion to make. Like almost anyone, GY!BE are understandably distraught at the news cycle’s daily carousel of hell, received, like most, from a distance. Unlike many, however, they at least attempt to grasp that nettle in a music that transmutes and transmits their feelings on the matter in a form of emotional catharsis as care.
Typically taking their cues from a syncretic blend of kosmiche krautrock, drone and avant rock, and also taking Hebrew klezmer folk as their rock touchstone as much the blues, the 9 piece band move as one in sweeping formations from the bleeding heart electric guitar solo and tense drone bed of ‘Sun Is a Hole Sun Is Vapors’ to a hopeful, in title and tone, quiet-loud-quiet climax and resolution of ‘Grey Rubble - Green Shoots’. Song titles poetically imply their inspiration while the music does the talking on the album’s meat, dialling it right down to wasted scapes that give wings to the strings in ‘Babies In a Thundercloud’ and driven by motorik thrum thru the peaks and exhaustive collapses of ‘Raindrops Cast In Lead’, with a brief, sorrowful lament ‘Broken Spires At Dead Kapital’ paving the way to album highlight ‘Pale Spectator Takes Photographs’ - significant for its clenched consolidation of the elements and heartrending turn of phrase led by Sophie Trudeau’s soaring violin into skin-prickling klezmer melody.
View more
Boomkat Product Review:
GY!BE mark 30 years since their formation with a monumental new LP expressing feelings on the increasing horrors of Israel’s war on Gaza, as they know best - expansive instrumental post-rock with a torn heart and resonant pathos.
Flocking once again around original member Efrim Menuck (electric guitar and tape loops), Montreal’s pioneering post-rock ensemble catalyse feelings of anger, frustration, love and hope, spurred by the unceasing atrocity of Israel’s Gazan genocide during the winter of bombs 2024. That is mostly inferred from the album’s name, ‘No Title As Of 13 February 2024 28,340 Dead’, which, when taken in context of the band’s ongoing focus on anti-war themes, and the palpable passion and emotional cadence of the music from soaring to bleak, is a fair conclusion to make. Like almost anyone, GY!BE are understandably distraught at the news cycle’s daily carousel of hell, received, like most, from a distance. Unlike many, however, they at least attempt to grasp that nettle in a music that transmutes and transmits their feelings on the matter in a form of emotional catharsis as care.
Typically taking their cues from a syncretic blend of kosmiche krautrock, drone and avant rock, and also taking Hebrew klezmer folk as their rock touchstone as much the blues, the 9 piece band move as one in sweeping formations from the bleeding heart electric guitar solo and tense drone bed of ‘Sun Is a Hole Sun Is Vapors’ to a hopeful, in title and tone, quiet-loud-quiet climax and resolution of ‘Grey Rubble - Green Shoots’. Song titles poetically imply their inspiration while the music does the talking on the album’s meat, dialling it right down to wasted scapes that give wings to the strings in ‘Babies In a Thundercloud’ and driven by motorik thrum thru the peaks and exhaustive collapses of ‘Raindrops Cast In Lead’, with a brief, sorrowful lament ‘Broken Spires At Dead Kapital’ paving the way to album highlight ‘Pale Spectator Takes Photographs’ - significant for its clenched consolidation of the elements and heartrending turn of phrase led by Sophie Trudeau’s soaring violin into skin-prickling klezmer melody.
Boomkat Product Review:
GY!BE mark 30 years since their formation with a monumental new LP expressing feelings on the increasing horrors of Israel’s war on Gaza, as they know best - expansive instrumental post-rock with a torn heart and resonant pathos.
Flocking once again around original member Efrim Menuck (electric guitar and tape loops), Montreal’s pioneering post-rock ensemble catalyse feelings of anger, frustration, love and hope, spurred by the unceasing atrocity of Israel’s Gazan genocide during the winter of bombs 2024. That is mostly inferred from the album’s name, ‘No Title As Of 13 February 2024 28,340 Dead’, which, when taken in context of the band’s ongoing focus on anti-war themes, and the palpable passion and emotional cadence of the music from soaring to bleak, is a fair conclusion to make. Like almost anyone, GY!BE are understandably distraught at the news cycle’s daily carousel of hell, received, like most, from a distance. Unlike many, however, they at least attempt to grasp that nettle in a music that transmutes and transmits their feelings on the matter in a form of emotional catharsis as care.
Typically taking their cues from a syncretic blend of kosmiche krautrock, drone and avant rock, and also taking Hebrew klezmer folk as their rock touchstone as much the blues, the 9 piece band move as one in sweeping formations from the bleeding heart electric guitar solo and tense drone bed of ‘Sun Is a Hole Sun Is Vapors’ to a hopeful, in title and tone, quiet-loud-quiet climax and resolution of ‘Grey Rubble - Green Shoots’. Song titles poetically imply their inspiration while the music does the talking on the album’s meat, dialling it right down to wasted scapes that give wings to the strings in ‘Babies In a Thundercloud’ and driven by motorik thrum thru the peaks and exhaustive collapses of ‘Raindrops Cast In Lead’, with a brief, sorrowful lament ‘Broken Spires At Dead Kapital’ paving the way to album highlight ‘Pale Spectator Takes Photographs’ - significant for its clenched consolidation of the elements and heartrending turn of phrase led by Sophie Trudeau’s soaring violin into skin-prickling klezmer melody.
Boomkat Product Review:
GY!BE mark 30 years since their formation with a monumental new LP expressing feelings on the increasing horrors of Israel’s war on Gaza, as they know best - expansive instrumental post-rock with a torn heart and resonant pathos.
Flocking once again around original member Efrim Menuck (electric guitar and tape loops), Montreal’s pioneering post-rock ensemble catalyse feelings of anger, frustration, love and hope, spurred by the unceasing atrocity of Israel’s Gazan genocide during the winter of bombs 2024. That is mostly inferred from the album’s name, ‘No Title As Of 13 February 2024 28,340 Dead’, which, when taken in context of the band’s ongoing focus on anti-war themes, and the palpable passion and emotional cadence of the music from soaring to bleak, is a fair conclusion to make. Like almost anyone, GY!BE are understandably distraught at the news cycle’s daily carousel of hell, received, like most, from a distance. Unlike many, however, they at least attempt to grasp that nettle in a music that transmutes and transmits their feelings on the matter in a form of emotional catharsis as care.
Typically taking their cues from a syncretic blend of kosmiche krautrock, drone and avant rock, and also taking Hebrew klezmer folk as their rock touchstone as much the blues, the 9 piece band move as one in sweeping formations from the bleeding heart electric guitar solo and tense drone bed of ‘Sun Is a Hole Sun Is Vapors’ to a hopeful, in title and tone, quiet-loud-quiet climax and resolution of ‘Grey Rubble - Green Shoots’. Song titles poetically imply their inspiration while the music does the talking on the album’s meat, dialling it right down to wasted scapes that give wings to the strings in ‘Babies In a Thundercloud’ and driven by motorik thrum thru the peaks and exhaustive collapses of ‘Raindrops Cast In Lead’, with a brief, sorrowful lament ‘Broken Spires At Dead Kapital’ paving the way to album highlight ‘Pale Spectator Takes Photographs’ - significant for its clenched consolidation of the elements and heartrending turn of phrase led by Sophie Trudeau’s soaring violin into skin-prickling klezmer melody.
2x180gLP pressed at Optimal (DE) in 350gsm gatefold jacket + 300gsm inners printed LE-UV on uncoated Alaska artboards + DL card.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
GY!BE mark 30 years since their formation with a monumental new LP expressing feelings on the increasing horrors of Israel’s war on Gaza, as they know best - expansive instrumental post-rock with a torn heart and resonant pathos.
Flocking once again around original member Efrim Menuck (electric guitar and tape loops), Montreal’s pioneering post-rock ensemble catalyse feelings of anger, frustration, love and hope, spurred by the unceasing atrocity of Israel’s Gazan genocide during the winter of bombs 2024. That is mostly inferred from the album’s name, ‘No Title As Of 13 February 2024 28,340 Dead’, which, when taken in context of the band’s ongoing focus on anti-war themes, and the palpable passion and emotional cadence of the music from soaring to bleak, is a fair conclusion to make. Like almost anyone, GY!BE are understandably distraught at the news cycle’s daily carousel of hell, received, like most, from a distance. Unlike many, however, they at least attempt to grasp that nettle in a music that transmutes and transmits their feelings on the matter in a form of emotional catharsis as care.
Typically taking their cues from a syncretic blend of kosmiche krautrock, drone and avant rock, and also taking Hebrew klezmer folk as their rock touchstone as much the blues, the 9 piece band move as one in sweeping formations from the bleeding heart electric guitar solo and tense drone bed of ‘Sun Is a Hole Sun Is Vapors’ to a hopeful, in title and tone, quiet-loud-quiet climax and resolution of ‘Grey Rubble - Green Shoots’. Song titles poetically imply their inspiration while the music does the talking on the album’s meat, dialling it right down to wasted scapes that give wings to the strings in ‘Babies In a Thundercloud’ and driven by motorik thrum thru the peaks and exhaustive collapses of ‘Raindrops Cast In Lead’, with a brief, sorrowful lament ‘Broken Spires At Dead Kapital’ paving the way to album highlight ‘Pale Spectator Takes Photographs’ - significant for its clenched consolidation of the elements and heartrending turn of phrase led by Sophie Trudeau’s soaring violin into skin-prickling klezmer melody.
CD in custom paperboard mini-gatefold jacket + printed inner sleeve.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
GY!BE mark 30 years since their formation with a monumental new LP expressing feelings on the increasing horrors of Israel’s war on Gaza, as they know best - expansive instrumental post-rock with a torn heart and resonant pathos.
Flocking once again around original member Efrim Menuck (electric guitar and tape loops), Montreal’s pioneering post-rock ensemble catalyse feelings of anger, frustration, love and hope, spurred by the unceasing atrocity of Israel’s Gazan genocide during the winter of bombs 2024. That is mostly inferred from the album’s name, ‘No Title As Of 13 February 2024 28,340 Dead’, which, when taken in context of the band’s ongoing focus on anti-war themes, and the palpable passion and emotional cadence of the music from soaring to bleak, is a fair conclusion to make. Like almost anyone, GY!BE are understandably distraught at the news cycle’s daily carousel of hell, received, like most, from a distance. Unlike many, however, they at least attempt to grasp that nettle in a music that transmutes and transmits their feelings on the matter in a form of emotional catharsis as care.
Typically taking their cues from a syncretic blend of kosmiche krautrock, drone and avant rock, and also taking Hebrew klezmer folk as their rock touchstone as much the blues, the 9 piece band move as one in sweeping formations from the bleeding heart electric guitar solo and tense drone bed of ‘Sun Is a Hole Sun Is Vapors’ to a hopeful, in title and tone, quiet-loud-quiet climax and resolution of ‘Grey Rubble - Green Shoots’. Song titles poetically imply their inspiration while the music does the talking on the album’s meat, dialling it right down to wasted scapes that give wings to the strings in ‘Babies In a Thundercloud’ and driven by motorik thrum thru the peaks and exhaustive collapses of ‘Raindrops Cast In Lead’, with a brief, sorrowful lament ‘Broken Spires At Dead Kapital’ paving the way to album highlight ‘Pale Spectator Takes Photographs’ - significant for its clenched consolidation of the elements and heartrending turn of phrase led by Sophie Trudeau’s soaring violin into skin-prickling klezmer melody.
More from Godspeed You! Black Emperor:
-
Godspeed You! Black Emperor GREY RUBBLE – GREEN SHOOTS Constellation Indie / Alternative- MP3
- FLAC
- WAV
-
Godspeed You! Black Emperor F# A# Constellation Indie / Alternative
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLGodspeed You! Black Emperor G_d’s Pee AT STATE’S END! Constellation Dark Ambient / Drone / Metal
- MP3
- FLAC
- WAV
- LP + 10" in Gatefold Sleeve
- CD
-
FREE MP3 WITH VINYLGodspeed You! Black Emperor Luciferian Towers Constellation Indie / Alternative
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD
-
Godspeed You! Black Emperor Asunder, Sweet and Other Distress Constellation Indie / Alternative
- MP3
- FLAC
- LP (Black Vinyl)
- CD
More from Constellation:
-
FREE MP3 WITH VINYLWE ARE WINTER’S BLUE AND RADIANT CHILDREN "NO MORE APOCALYPSE FATHER" Constellation Indie / Alternative
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD
-
Godspeed You! Black Emperor GREY RUBBLE – GREEN SHOOTS Constellation Indie / Alternative
- MP3
- FLAC
- WAV
-
WE ARE WINTER’S BLUE AND RADIANT CHILDREN feat. Efrim Manuel Menuck, Mat Ball, Patch One & Jonathan Downs Uncloudy Days Constellation Indie / Alternative
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLEric Chenaux Trio Delights Of My Life Constellation Jazz / Fusion
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD
-
Eric Chenaux Trio These Things Constellation Folk / Roots
- MP3
- FLAC
- WAV
People who bought this also bought:
-
Godspeed You! Black Emperor ALLELUJAH! DON'T BEND! ASCEND! Constellation Indie / Alternative
- MP3
- FLAC
- LP + 7"
- CD
-
BARK PSYCHOSIS Hex Fire Records Indie / Alternative
- 2LP (Black Vinyl)
-
FREE MP3 WITH VINYLStill House Plants If I don't make it, I love u Bison Records Indie / Alternative
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD
-
Cassandra Jenkins My Light, My Destroyer Dead Oceans Indie / Alternative
- MP3
- FLAC
- WAV
- Colour LP
- LP (Black Vinyl)
- CD
-
DIRTY THREE Love Changes Everything Drag City / Bella Union Indie / Alternative
- LP (Black Vinyl)
- CD
-
FREE MP3 WITH VINYLBELONG Realistic IX Kranky Indie / Alternative
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD
-
The Smile Cutouts XL Recordings Indie / Alternative
- LP (Black Vinyl)
- Colour LP
- CD
- Tape
-
NITZER EBB That Total Age Mute Industrial / Wave / Electro
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLRoedelius Wie das Wispern des Windes Bureau B Electronic
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD
-
FAD GADGET The Fad Gadget Singles Mute Industrial / Wave / Electro
- MP3
- FLAC
- WAV