With the gauzy bliss-out, No More Dreams, Sweden’s Axel Backman a.k.a. 1991 reminds us that his run of sublime releases for Opal Tapes and Astro:Dynamics in 2012 weren’t simply a figment of our lushest reveries.
Issued on the new and tributarily-named, No More Dreams label, 1991's first release in four years courses with similar levels of intangibly gorgeous harmonies and ferric noise, although his rhythmic structures now feel smudged farther into the background, or even barely there at all, leaving behind a salty-teared water stain of synthetic shimmer.
We’re guessing it must just be incredibly beautiful where he lives, or he’s just one of those helplessly melancholy souls, but either way, there’s something unquantifiable lurking behind his sound that we can return to over and again, and look forward to doing so with No More Dreams.
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With the gauzy bliss-out, No More Dreams, Sweden’s Axel Backman a.k.a. 1991 reminds us that his run of sublime releases for Opal Tapes and Astro:Dynamics in 2012 weren’t simply a figment of our lushest reveries.
Issued on the new and tributarily-named, No More Dreams label, 1991's first release in four years courses with similar levels of intangibly gorgeous harmonies and ferric noise, although his rhythmic structures now feel smudged farther into the background, or even barely there at all, leaving behind a salty-teared water stain of synthetic shimmer.
We’re guessing it must just be incredibly beautiful where he lives, or he’s just one of those helplessly melancholy souls, but either way, there’s something unquantifiable lurking behind his sound that we can return to over and again, and look forward to doing so with No More Dreams.
With the gauzy bliss-out, No More Dreams, Sweden’s Axel Backman a.k.a. 1991 reminds us that his run of sublime releases for Opal Tapes and Astro:Dynamics in 2012 weren’t simply a figment of our lushest reveries.
Issued on the new and tributarily-named, No More Dreams label, 1991's first release in four years courses with similar levels of intangibly gorgeous harmonies and ferric noise, although his rhythmic structures now feel smudged farther into the background, or even barely there at all, leaving behind a salty-teared water stain of synthetic shimmer.
We’re guessing it must just be incredibly beautiful where he lives, or he’s just one of those helplessly melancholy souls, but either way, there’s something unquantifiable lurking behind his sound that we can return to over and again, and look forward to doing so with No More Dreams.
With the gauzy bliss-out, No More Dreams, Sweden’s Axel Backman a.k.a. 1991 reminds us that his run of sublime releases for Opal Tapes and Astro:Dynamics in 2012 weren’t simply a figment of our lushest reveries.
Issued on the new and tributarily-named, No More Dreams label, 1991's first release in four years courses with similar levels of intangibly gorgeous harmonies and ferric noise, although his rhythmic structures now feel smudged farther into the background, or even barely there at all, leaving behind a salty-teared water stain of synthetic shimmer.
We’re guessing it must just be incredibly beautiful where he lives, or he’s just one of those helplessly melancholy souls, but either way, there’s something unquantifiable lurking behind his sound that we can return to over and again, and look forward to doing so with No More Dreams.
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With the gauzy bliss-out, No More Dreams, Sweden’s Axel Backman a.k.a. 1991 reminds us that his run of sublime releases for Opal Tapes and Astro:Dynamics in 2012 weren’t simply a figment of our lushest reveries.
Issued on the new and tributarily-named, No More Dreams label, 1991's first release in four years courses with similar levels of intangibly gorgeous harmonies and ferric noise, although his rhythmic structures now feel smudged farther into the background, or even barely there at all, leaving behind a salty-teared water stain of synthetic shimmer.
We’re guessing it must just be incredibly beautiful where he lives, or he’s just one of those helplessly melancholy souls, but either way, there’s something unquantifiable lurking behind his sound that we can return to over and again, and look forward to doing so with No More Dreams.
Out of Stock
With the gauzy bliss-out, No More Dreams, Sweden’s Axel Backman a.k.a. 1991 reminds us that his run of sublime releases for Opal Tapes and Astro:Dynamics in 2012 weren’t simply a figment of our lushest reveries.
Issued on the new and tributarily-named, No More Dreams label, 1991's first release in four years courses with similar levels of intangibly gorgeous harmonies and ferric noise, although his rhythmic structures now feel smudged farther into the background, or even barely there at all, leaving behind a salty-teared water stain of synthetic shimmer.
We’re guessing it must just be incredibly beautiful where he lives, or he’s just one of those helplessly melancholy souls, but either way, there’s something unquantifiable lurking behind his sound that we can return to over and again, and look forward to doing so with No More Dreams.