Parisian artist Shcaa comes off like Jamie Lidell or Jimi Tenor for 2021 with a toned mix of late night electronica and wistful jazz notes for his debut full length with Apollo
Over the course of 11 cuts he nimbly oscillates between puckered songcraft and limber tech-house minimalism, with his vocals sparingly used as connective ligature between the likes of his moonlit opener ‘Faroh’s Birds’ and the slow hustle of ‘Auguries’, and the elegantly loping Villalobos styles of ‘Moralia’, while ‘Fantasia’ recalls classic Luomo, and trades in a fine piece of bedsitter blues in ‘When Eternity.’
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Parisian artist Shcaa comes off like Jamie Lidell or Jimi Tenor for 2021 with a toned mix of late night electronica and wistful jazz notes for his debut full length with Apollo
Over the course of 11 cuts he nimbly oscillates between puckered songcraft and limber tech-house minimalism, with his vocals sparingly used as connective ligature between the likes of his moonlit opener ‘Faroh’s Birds’ and the slow hustle of ‘Auguries’, and the elegantly loping Villalobos styles of ‘Moralia’, while ‘Fantasia’ recalls classic Luomo, and trades in a fine piece of bedsitter blues in ‘When Eternity.’
Parisian artist Shcaa comes off like Jamie Lidell or Jimi Tenor for 2021 with a toned mix of late night electronica and wistful jazz notes for his debut full length with Apollo
Over the course of 11 cuts he nimbly oscillates between puckered songcraft and limber tech-house minimalism, with his vocals sparingly used as connective ligature between the likes of his moonlit opener ‘Faroh’s Birds’ and the slow hustle of ‘Auguries’, and the elegantly loping Villalobos styles of ‘Moralia’, while ‘Fantasia’ recalls classic Luomo, and trades in a fine piece of bedsitter blues in ‘When Eternity.’
Parisian artist Shcaa comes off like Jamie Lidell or Jimi Tenor for 2021 with a toned mix of late night electronica and wistful jazz notes for his debut full length with Apollo
Over the course of 11 cuts he nimbly oscillates between puckered songcraft and limber tech-house minimalism, with his vocals sparingly used as connective ligature between the likes of his moonlit opener ‘Faroh’s Birds’ and the slow hustle of ‘Auguries’, and the elegantly loping Villalobos styles of ‘Moralia’, while ‘Fantasia’ recalls classic Luomo, and trades in a fine piece of bedsitter blues in ‘When Eternity.’
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Parisian artist Shcaa comes off like Jamie Lidell or Jimi Tenor for 2021 with a toned mix of late night electronica and wistful jazz notes for his debut full length with Apollo
Over the course of 11 cuts he nimbly oscillates between puckered songcraft and limber tech-house minimalism, with his vocals sparingly used as connective ligature between the likes of his moonlit opener ‘Faroh’s Birds’ and the slow hustle of ‘Auguries’, and the elegantly loping Villalobos styles of ‘Moralia’, while ‘Fantasia’ recalls classic Luomo, and trades in a fine piece of bedsitter blues in ‘When Eternity.’