No-Input Miniatures
Akira Sileas
No-Input Miniatures
Boomkat Product Review:
Noisy mixing desk chug from void-minded experimental composer Akira Sileas - another belter for the Superpang imprint.
Who needs instruments anyway? Akira Sileas impresses here with nowt but a hotwired mixer, harnessing it to eke out sounds you'd usually expect to blurt from a homemade oscillator box or drum machine. They don't let things get too gnarrr or too fatiguing either, as most of the tracks aren't even a minute long - some are only a few seconds. Sileas is more concerned with dissecting the machine's texture, tone and rhythm than play with duration or extremity, and forms their vignettes as if they're working with modeling clay.
If you've come across Sileas's work before you might be surprised, there's none of the usual doomed Pure Data experimentation, acid techno deconstructionism or post-AFX ambience you might find on releases like "Melting", "Acid-Base" or last Feburary's excellent "Ito". There's little discernible rhythm and absolutely no harmony at all - it's more comparable to 2020's modular flex "Jump Skiff" (also released on Superpang), so if you enjoyed that one, this one will be fit. Play loud!
View more
Boomkat Product Review:
Noisy mixing desk chug from void-minded experimental composer Akira Sileas - another belter for the Superpang imprint.
Who needs instruments anyway? Akira Sileas impresses here with nowt but a hotwired mixer, harnessing it to eke out sounds you'd usually expect to blurt from a homemade oscillator box or drum machine. They don't let things get too gnarrr or too fatiguing either, as most of the tracks aren't even a minute long - some are only a few seconds. Sileas is more concerned with dissecting the machine's texture, tone and rhythm than play with duration or extremity, and forms their vignettes as if they're working with modeling clay.
If you've come across Sileas's work before you might be surprised, there's none of the usual doomed Pure Data experimentation, acid techno deconstructionism or post-AFX ambience you might find on releases like "Melting", "Acid-Base" or last Feburary's excellent "Ito". There's little discernible rhythm and absolutely no harmony at all - it's more comparable to 2020's modular flex "Jump Skiff" (also released on Superpang), so if you enjoyed that one, this one will be fit. Play loud!
Boomkat Product Review:
Noisy mixing desk chug from void-minded experimental composer Akira Sileas - another belter for the Superpang imprint.
Who needs instruments anyway? Akira Sileas impresses here with nowt but a hotwired mixer, harnessing it to eke out sounds you'd usually expect to blurt from a homemade oscillator box or drum machine. They don't let things get too gnarrr or too fatiguing either, as most of the tracks aren't even a minute long - some are only a few seconds. Sileas is more concerned with dissecting the machine's texture, tone and rhythm than play with duration or extremity, and forms their vignettes as if they're working with modeling clay.
If you've come across Sileas's work before you might be surprised, there's none of the usual doomed Pure Data experimentation, acid techno deconstructionism or post-AFX ambience you might find on releases like "Melting", "Acid-Base" or last Feburary's excellent "Ito". There's little discernible rhythm and absolutely no harmony at all - it's more comparable to 2020's modular flex "Jump Skiff" (also released on Superpang), so if you enjoyed that one, this one will be fit. Play loud!
Boomkat Product Review:
Noisy mixing desk chug from void-minded experimental composer Akira Sileas - another belter for the Superpang imprint.
Who needs instruments anyway? Akira Sileas impresses here with nowt but a hotwired mixer, harnessing it to eke out sounds you'd usually expect to blurt from a homemade oscillator box or drum machine. They don't let things get too gnarrr or too fatiguing either, as most of the tracks aren't even a minute long - some are only a few seconds. Sileas is more concerned with dissecting the machine's texture, tone and rhythm than play with duration or extremity, and forms their vignettes as if they're working with modeling clay.
If you've come across Sileas's work before you might be surprised, there's none of the usual doomed Pure Data experimentation, acid techno deconstructionism or post-AFX ambience you might find on releases like "Melting", "Acid-Base" or last Feburary's excellent "Ito". There's little discernible rhythm and absolutely no harmony at all - it's more comparable to 2020's modular flex "Jump Skiff" (also released on Superpang), so if you enjoyed that one, this one will be fit. Play loud!
More from Akira Sileas:
-
Akira Sileas Jump Skiff Superpang Modern Classical / Ambient- MP3
- FLAC
- WAV
More from Superpang:
-
Chanbara Prego! Superpang Extreme / Noise / Computer Music
- MP3
- FLAC
- WAV
-
Luke Lund Kuriton Liha (Unruly Flesh) Superpang Extreme / Noise / Computer Music
- MP3
- FLAC
- WAV
-
Sigtryggur Berg Sigmarsson Into The Second Half Superpang Modern Classical / Ambient
- MP3
- FLAC
- WAV
-
Mick Sussman Preludes and Postludes Superpang Electronic
- MP3
- FLAC
- WAV
-
BLOOD MUSIC Ping Murmur Superpang Dark Ambient / Drone / Metal
- MP3
- FLAC
- WAV