Moiré
No Future
Boomkat Product Review:
Moiré responds to the current state of sh*t affairs on a second album of ‘London techno’ for the Ghostly crew.
Aligning with Ghostly Intl after a 12” salvo on their Spectral division last year, the pre-eminent, perennially hat clad exponent of ‘London techno’ Moiré delivers his second album. Referring to the Orwellian nightmare currently unfolding in front of us both sides of the Atlantic, as well as the perennially-troubled nature of London’s nightlife, No Future doesn’t necessarily offer any answers. It does expand on the producer’s palette of well-crafted, robust techno and ambient leaning house previously shown on Rush Hour, Werk Discs and R&S.
Moiré reveals his junglist roots in linking up with Good Looking vet MC DRS for two tracks; Delroy Pottinger’s trademark delivery adding a new dimension to the twilit house slink of Bootleg. South London poet James Massiah also features, intoning the stuttering glide of Façade with his unique cadence. Otherwise, this is Moiré on a solo flex, delivering on the potential displayed on that Werkdiscs debut LP back in 2014 for a rewarding document of house and techno that mixes foggy tones with highly-realised rhythms.
RIYL early Kassem Mosse on Workshop, NWAQ, Terrence Dixon.
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Boomkat Product Review:
Moiré responds to the current state of sh*t affairs on a second album of ‘London techno’ for the Ghostly crew.
Aligning with Ghostly Intl after a 12” salvo on their Spectral division last year, the pre-eminent, perennially hat clad exponent of ‘London techno’ Moiré delivers his second album. Referring to the Orwellian nightmare currently unfolding in front of us both sides of the Atlantic, as well as the perennially-troubled nature of London’s nightlife, No Future doesn’t necessarily offer any answers. It does expand on the producer’s palette of well-crafted, robust techno and ambient leaning house previously shown on Rush Hour, Werk Discs and R&S.
Moiré reveals his junglist roots in linking up with Good Looking vet MC DRS for two tracks; Delroy Pottinger’s trademark delivery adding a new dimension to the twilit house slink of Bootleg. South London poet James Massiah also features, intoning the stuttering glide of Façade with his unique cadence. Otherwise, this is Moiré on a solo flex, delivering on the potential displayed on that Werkdiscs debut LP back in 2014 for a rewarding document of house and techno that mixes foggy tones with highly-realised rhythms.
RIYL early Kassem Mosse on Workshop, NWAQ, Terrence Dixon.
Boomkat Product Review:
Moiré responds to the current state of sh*t affairs on a second album of ‘London techno’ for the Ghostly crew.
Aligning with Ghostly Intl after a 12” salvo on their Spectral division last year, the pre-eminent, perennially hat clad exponent of ‘London techno’ Moiré delivers his second album. Referring to the Orwellian nightmare currently unfolding in front of us both sides of the Atlantic, as well as the perennially-troubled nature of London’s nightlife, No Future doesn’t necessarily offer any answers. It does expand on the producer’s palette of well-crafted, robust techno and ambient leaning house previously shown on Rush Hour, Werk Discs and R&S.
Moiré reveals his junglist roots in linking up with Good Looking vet MC DRS for two tracks; Delroy Pottinger’s trademark delivery adding a new dimension to the twilit house slink of Bootleg. South London poet James Massiah also features, intoning the stuttering glide of Façade with his unique cadence. Otherwise, this is Moiré on a solo flex, delivering on the potential displayed on that Werkdiscs debut LP back in 2014 for a rewarding document of house and techno that mixes foggy tones with highly-realised rhythms.
RIYL early Kassem Mosse on Workshop, NWAQ, Terrence Dixon.
Boomkat Product Review:
Moiré responds to the current state of sh*t affairs on a second album of ‘London techno’ for the Ghostly crew.
Aligning with Ghostly Intl after a 12” salvo on their Spectral division last year, the pre-eminent, perennially hat clad exponent of ‘London techno’ Moiré delivers his second album. Referring to the Orwellian nightmare currently unfolding in front of us both sides of the Atlantic, as well as the perennially-troubled nature of London’s nightlife, No Future doesn’t necessarily offer any answers. It does expand on the producer’s palette of well-crafted, robust techno and ambient leaning house previously shown on Rush Hour, Werk Discs and R&S.
Moiré reveals his junglist roots in linking up with Good Looking vet MC DRS for two tracks; Delroy Pottinger’s trademark delivery adding a new dimension to the twilit house slink of Bootleg. South London poet James Massiah also features, intoning the stuttering glide of Façade with his unique cadence. Otherwise, this is Moiré on a solo flex, delivering on the potential displayed on that Werkdiscs debut LP back in 2014 for a rewarding document of house and techno that mixes foggy tones with highly-realised rhythms.
RIYL early Kassem Mosse on Workshop, NWAQ, Terrence Dixon.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Moiré responds to the current state of sh*t affairs on a second album of ‘London techno’ for the Ghostly crew.
Aligning with Ghostly Intl after a 12” salvo on their Spectral division last year, the pre-eminent, perennially hat clad exponent of ‘London techno’ Moiré delivers his second album. Referring to the Orwellian nightmare currently unfolding in front of us both sides of the Atlantic, as well as the perennially-troubled nature of London’s nightlife, No Future doesn’t necessarily offer any answers. It does expand on the producer’s palette of well-crafted, robust techno and ambient leaning house previously shown on Rush Hour, Werk Discs and R&S.
Moiré reveals his junglist roots in linking up with Good Looking vet MC DRS for two tracks; Delroy Pottinger’s trademark delivery adding a new dimension to the twilit house slink of Bootleg. South London poet James Massiah also features, intoning the stuttering glide of Façade with his unique cadence. Otherwise, this is Moiré on a solo flex, delivering on the potential displayed on that Werkdiscs debut LP back in 2014 for a rewarding document of house and techno that mixes foggy tones with highly-realised rhythms.
RIYL early Kassem Mosse on Workshop, NWAQ, Terrence Dixon.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Moiré responds to the current state of sh*t affairs on a second album of ‘London techno’ for the Ghostly crew.
Aligning with Ghostly Intl after a 12” salvo on their Spectral division last year, the pre-eminent, perennially hat clad exponent of ‘London techno’ Moiré delivers his second album. Referring to the Orwellian nightmare currently unfolding in front of us both sides of the Atlantic, as well as the perennially-troubled nature of London’s nightlife, No Future doesn’t necessarily offer any answers. It does expand on the producer’s palette of well-crafted, robust techno and ambient leaning house previously shown on Rush Hour, Werk Discs and R&S.
Moiré reveals his junglist roots in linking up with Good Looking vet MC DRS for two tracks; Delroy Pottinger’s trademark delivery adding a new dimension to the twilit house slink of Bootleg. South London poet James Massiah also features, intoning the stuttering glide of Façade with his unique cadence. Otherwise, this is Moiré on a solo flex, delivering on the potential displayed on that Werkdiscs debut LP back in 2014 for a rewarding document of house and techno that mixes foggy tones with highly-realised rhythms.
RIYL early Kassem Mosse on Workshop, NWAQ, Terrence Dixon.
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