Boomkat Product Review:
"When Merrill Garbus first committed her tUnE-yArDs persona to tape, she used a simple dictaphone to capture every part and then lovingly pieced it all together on GarageBand. A laborious process partly enforced by tight finances, the resulting album Bird-Brains (2009) was a sheer joy. A record so unique, it immediately set hearts racing; The Guardian in their five-star review went as far as to call her "the find of the year." At the same time, she enlisted Nate Brenner on bass to help her make tUnE-yArDs an unmissable live act. It worked. Word of mouth quickly spread, helping to fill every venue they played and to take the magic of Bird-Brains across the world. With a record deal also in the bag, she was able to now concentrate on being a musician full-time. Shortly after, Merrill relocated from Montreal to Oakland, California, a new home that would have a huge influence on the themes for her next record, the call to arms that was w h o k i l l (2011). Recording in a studio for the first time, it showed Bird-Brains to be no fluke. Where the second album saw her stepping in to a studio proper for the first time, her third album Nikki Nack sees her enlist producers to help her achieve new heights on some tracks; “To ask Malay (Frank Ocean, Alicia Keys, Big Boi) and John Hill (Rihanna, Shakira, M.I.A.) for input, I had to let go of tUnE-yArDs being rigidly my production. I have a very specific vision for the sound of the band and I don't think women producers get enough credit for doing their own stuff, so I was resistant – but we grew, Nate and I both, and the songs grew. And it turns out that's what's most important: the songs, not my ego.”. Experimentation is still key for tUnE-yArDs. Where the loop pedal and the saxophone were main components of the first and second record respectively, it’s the drum that takes centre stage here, augmented by greater use of synth and Nate’s growing prowess as a bassist."