Boomkat Product Review:
Includes fold-out A3 liner notes of an interview among Celli, Niblock, and Susan Stenger, plus original recording notes. Housed in tip-on style jacket
Phill Niblock’s riveting and rare work for Joseph Celli sees necessary and long-awaited reissue on the amazing Superior Viaduct, who continue to carefully and studiously unfold the history of avant-garde and experimental music before your ears. ‘Niblick For Celli’ is nothing short of stunning and life-affirming music, extremely transfixing and powerfully meditative. Play loud - it really comes alive with amplification!
“Composer, filmmaker and photographer Phill Niblock is a true pillar of the New York avant-garde. In the past 50 years, he has curated over 1,000 performances at his Centre Street loft and steadfastly built a massive, multidisciplinary body of work. While his earliest musical compositions date back to 1968, Niblock waited until the early '80s to release any recordings. Notion To Look At Just A Record, a powerful debut with densely layered trombones, would be the first to unfurl his unique approach to sound.
The second album and perhaps the most rare in Niblock's vast catalogue, 1984's Niblock For Celli / Celli Plays Niblock is a meeting of two great minds. Working with reed player Joseph Celli (a composer in his own right, who has collaborated with John Cage, Pauline Oliveros and Ornette Coleman), Niblock nimbly removes the breathing pauses from Celli's oboe and English horn to create seamless, enchanting drones.
Niblock insists that his music be played loud: only in this way can one experience the visceral ringing of these long instrumental tones through the speakers and their natural overtones generated by the room. Niblock For Celli remains deeply absorbing.
This first-time reissue is recommended for fans of Alvin Lucier, Yoshi Wada and Dome.”