Lady Neptune
New Gorbals Gabber
Boomkat Product Review:
Lo-fi gabber-pop from Glasgow/London’s Moe Moede - think PC Music’s rambunctous wee sister
“New Gorbals Gabber is monstrous and glorious. Informed by goblinzed cave dwelling nu metal aesthetics, cheap ‘n’ nasty instrumentation but above all, peeking like an elvin proboscis around the corner of your mind, is an unstoppable knack for hooks that elevates these compositions to channels for new planes of ecstasy.
Mostly performed live using an Electribe sampler/sequencer with synths, New Gorbals Gabber feels like a live recording at the rave in the final circle of Dante’s Inferno. How much fun does that sound? We’re talking Lucifer’s Manumission, Hanger 666. Meade-as-Neptune is an impish presence, Jekyll and Hyding from dirt-eating goblin to glacial pop supernova Number 1 Angel. Revolution’s bass riff and obscure crowd samples build with a arpeggiated bass synth that swirls around the Hardcore beat, threatening a Bloody Fist-style production yet staying within a dub sound world, heavy delays fading out into the first Pop moment. Twizt introduces Lady Neptune’s vocal processing technique and an unashamed, massive trance synth riff that reeks of foam parties and festivals no one pays into. It falls into Number 1, which borrows from PC Music tropes for a breakneck treatise on self-confidence. It feels deceptively simple, but the music is so intuitive and perfectly executed – mostly honed by playing parties and raves around Glasgow, the drops tease and fall off, it’s just so relentless. Relentlessly, unstoppably, powerfully fun.”
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Boomkat Product Review:
Lo-fi gabber-pop from Glasgow/London’s Moe Moede - think PC Music’s rambunctous wee sister
“New Gorbals Gabber is monstrous and glorious. Informed by goblinzed cave dwelling nu metal aesthetics, cheap ‘n’ nasty instrumentation but above all, peeking like an elvin proboscis around the corner of your mind, is an unstoppable knack for hooks that elevates these compositions to channels for new planes of ecstasy.
Mostly performed live using an Electribe sampler/sequencer with synths, New Gorbals Gabber feels like a live recording at the rave in the final circle of Dante’s Inferno. How much fun does that sound? We’re talking Lucifer’s Manumission, Hanger 666. Meade-as-Neptune is an impish presence, Jekyll and Hyding from dirt-eating goblin to glacial pop supernova Number 1 Angel. Revolution’s bass riff and obscure crowd samples build with a arpeggiated bass synth that swirls around the Hardcore beat, threatening a Bloody Fist-style production yet staying within a dub sound world, heavy delays fading out into the first Pop moment. Twizt introduces Lady Neptune’s vocal processing technique and an unashamed, massive trance synth riff that reeks of foam parties and festivals no one pays into. It falls into Number 1, which borrows from PC Music tropes for a breakneck treatise on self-confidence. It feels deceptively simple, but the music is so intuitive and perfectly executed – mostly honed by playing parties and raves around Glasgow, the drops tease and fall off, it’s just so relentless. Relentlessly, unstoppably, powerfully fun.”
24 bit audio
Boomkat Product Review:
Lo-fi gabber-pop from Glasgow/London’s Moe Moede - think PC Music’s rambunctous wee sister
“New Gorbals Gabber is monstrous and glorious. Informed by goblinzed cave dwelling nu metal aesthetics, cheap ‘n’ nasty instrumentation but above all, peeking like an elvin proboscis around the corner of your mind, is an unstoppable knack for hooks that elevates these compositions to channels for new planes of ecstasy.
Mostly performed live using an Electribe sampler/sequencer with synths, New Gorbals Gabber feels like a live recording at the rave in the final circle of Dante’s Inferno. How much fun does that sound? We’re talking Lucifer’s Manumission, Hanger 666. Meade-as-Neptune is an impish presence, Jekyll and Hyding from dirt-eating goblin to glacial pop supernova Number 1 Angel. Revolution’s bass riff and obscure crowd samples build with a arpeggiated bass synth that swirls around the Hardcore beat, threatening a Bloody Fist-style production yet staying within a dub sound world, heavy delays fading out into the first Pop moment. Twizt introduces Lady Neptune’s vocal processing technique and an unashamed, massive trance synth riff that reeks of foam parties and festivals no one pays into. It falls into Number 1, which borrows from PC Music tropes for a breakneck treatise on self-confidence. It feels deceptively simple, but the music is so intuitive and perfectly executed – mostly honed by playing parties and raves around Glasgow, the drops tease and fall off, it’s just so relentless. Relentlessly, unstoppably, powerfully fun.”
24 bit audio
Boomkat Product Review:
Lo-fi gabber-pop from Glasgow/London’s Moe Moede - think PC Music’s rambunctous wee sister
“New Gorbals Gabber is monstrous and glorious. Informed by goblinzed cave dwelling nu metal aesthetics, cheap ‘n’ nasty instrumentation but above all, peeking like an elvin proboscis around the corner of your mind, is an unstoppable knack for hooks that elevates these compositions to channels for new planes of ecstasy.
Mostly performed live using an Electribe sampler/sequencer with synths, New Gorbals Gabber feels like a live recording at the rave in the final circle of Dante’s Inferno. How much fun does that sound? We’re talking Lucifer’s Manumission, Hanger 666. Meade-as-Neptune is an impish presence, Jekyll and Hyding from dirt-eating goblin to glacial pop supernova Number 1 Angel. Revolution’s bass riff and obscure crowd samples build with a arpeggiated bass synth that swirls around the Hardcore beat, threatening a Bloody Fist-style production yet staying within a dub sound world, heavy delays fading out into the first Pop moment. Twizt introduces Lady Neptune’s vocal processing technique and an unashamed, massive trance synth riff that reeks of foam parties and festivals no one pays into. It falls into Number 1, which borrows from PC Music tropes for a breakneck treatise on self-confidence. It feels deceptively simple, but the music is so intuitive and perfectly executed – mostly honed by playing parties and raves around Glasgow, the drops tease and fall off, it’s just so relentless. Relentlessly, unstoppably, powerfully fun.”
Out of Stock
Boomkat Product Review:
Lo-fi gabber-pop from Glasgow/London’s Moe Moede - think PC Music’s rambunctous wee sister
“New Gorbals Gabber is monstrous and glorious. Informed by goblinzed cave dwelling nu metal aesthetics, cheap ‘n’ nasty instrumentation but above all, peeking like an elvin proboscis around the corner of your mind, is an unstoppable knack for hooks that elevates these compositions to channels for new planes of ecstasy.
Mostly performed live using an Electribe sampler/sequencer with synths, New Gorbals Gabber feels like a live recording at the rave in the final circle of Dante’s Inferno. How much fun does that sound? We’re talking Lucifer’s Manumission, Hanger 666. Meade-as-Neptune is an impish presence, Jekyll and Hyding from dirt-eating goblin to glacial pop supernova Number 1 Angel. Revolution’s bass riff and obscure crowd samples build with a arpeggiated bass synth that swirls around the Hardcore beat, threatening a Bloody Fist-style production yet staying within a dub sound world, heavy delays fading out into the first Pop moment. Twizt introduces Lady Neptune’s vocal processing technique and an unashamed, massive trance synth riff that reeks of foam parties and festivals no one pays into. It falls into Number 1, which borrows from PC Music tropes for a breakneck treatise on self-confidence. It feels deceptively simple, but the music is so intuitive and perfectly executed – mostly honed by playing parties and raves around Glasgow, the drops tease and fall off, it’s just so relentless. Relentlessly, unstoppably, powerfully fun.”
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