Mike Patton’s Ipecac cough up an expanded first vinyl reissue of Dälek’s 1998 debut EP, revolving newly augmented versions and bolstered with bonus instrumentals, demos and remixes for the hardcore backpack heads.
The original five-track EP would pitch the duo of mic man MC Dälek and producer Oktopus into the swelling fringes of late ‘90s hip hop, somewhere adjacent to Spectre’s illbient, El-P’s Company Flow and Cannibal Ox, DJ Shadow or RZA, and early Kevin Martin works. They were consciously weirder than prevailing, contemporaneous gangsta rap, and would expand hip hop’s vernacular with a darkside, tripped-out lean that arguably earned them a bigger following in UK & EU than the US, resulting later collaborations with Manchester’s Skam Records and Kareem’s Zhark in Berlin, where they ended up moving by 2010.
The original five tracks appear both intact and subtly tweaked out, still opening with the entrenched drama of ‘Swollen Tongue Burns’, smoked out noir of ‘Three Rocks Blessed’, and amorphous collage ‘The Untravelled Road’, but altered in the subtle expansion of ‘Images of .44’, and an hallucinatory ‘Praise the Man’, sweltering with noise and twisted Indian string and drums samples. Six bonus cuts now bring the EP up to LP length, with ‘And Hell is Coming with Us’ surely staking them out between JK Flesh and Deathgrips, beside lo-slung demo intstrumental ‘Pelt I’s to End’, the smoked out late ‘90s flavour of ‘Praise Be the Man (remix)’, and a murky standout ‘Sweetwood Sound Session’ resembling a submerged Graham Lambkin.
View more
Mike Patton’s Ipecac cough up an expanded first vinyl reissue of Dälek’s 1998 debut EP, revolving newly augmented versions and bolstered with bonus instrumentals, demos and remixes for the hardcore backpack heads.
The original five-track EP would pitch the duo of mic man MC Dälek and producer Oktopus into the swelling fringes of late ‘90s hip hop, somewhere adjacent to Spectre’s illbient, El-P’s Company Flow and Cannibal Ox, DJ Shadow or RZA, and early Kevin Martin works. They were consciously weirder than prevailing, contemporaneous gangsta rap, and would expand hip hop’s vernacular with a darkside, tripped-out lean that arguably earned them a bigger following in UK & EU than the US, resulting later collaborations with Manchester’s Skam Records and Kareem’s Zhark in Berlin, where they ended up moving by 2010.
The original five tracks appear both intact and subtly tweaked out, still opening with the entrenched drama of ‘Swollen Tongue Burns’, smoked out noir of ‘Three Rocks Blessed’, and amorphous collage ‘The Untravelled Road’, but altered in the subtle expansion of ‘Images of .44’, and an hallucinatory ‘Praise the Man’, sweltering with noise and twisted Indian string and drums samples. Six bonus cuts now bring the EP up to LP length, with ‘And Hell is Coming with Us’ surely staking them out between JK Flesh and Deathgrips, beside lo-slung demo intstrumental ‘Pelt I’s to End’, the smoked out late ‘90s flavour of ‘Praise Be the Man (remix)’, and a murky standout ‘Sweetwood Sound Session’ resembling a submerged Graham Lambkin.
Mike Patton’s Ipecac cough up an expanded first vinyl reissue of Dälek’s 1998 debut EP, revolving newly augmented versions and bolstered with bonus instrumentals, demos and remixes for the hardcore backpack heads.
The original five-track EP would pitch the duo of mic man MC Dälek and producer Oktopus into the swelling fringes of late ‘90s hip hop, somewhere adjacent to Spectre’s illbient, El-P’s Company Flow and Cannibal Ox, DJ Shadow or RZA, and early Kevin Martin works. They were consciously weirder than prevailing, contemporaneous gangsta rap, and would expand hip hop’s vernacular with a darkside, tripped-out lean that arguably earned them a bigger following in UK & EU than the US, resulting later collaborations with Manchester’s Skam Records and Kareem’s Zhark in Berlin, where they ended up moving by 2010.
The original five tracks appear both intact and subtly tweaked out, still opening with the entrenched drama of ‘Swollen Tongue Burns’, smoked out noir of ‘Three Rocks Blessed’, and amorphous collage ‘The Untravelled Road’, but altered in the subtle expansion of ‘Images of .44’, and an hallucinatory ‘Praise the Man’, sweltering with noise and twisted Indian string and drums samples. Six bonus cuts now bring the EP up to LP length, with ‘And Hell is Coming with Us’ surely staking them out between JK Flesh and Deathgrips, beside lo-slung demo intstrumental ‘Pelt I’s to End’, the smoked out late ‘90s flavour of ‘Praise Be the Man (remix)’, and a murky standout ‘Sweetwood Sound Session’ resembling a submerged Graham Lambkin.
Mike Patton’s Ipecac cough up an expanded first vinyl reissue of Dälek’s 1998 debut EP, revolving newly augmented versions and bolstered with bonus instrumentals, demos and remixes for the hardcore backpack heads.
The original five-track EP would pitch the duo of mic man MC Dälek and producer Oktopus into the swelling fringes of late ‘90s hip hop, somewhere adjacent to Spectre’s illbient, El-P’s Company Flow and Cannibal Ox, DJ Shadow or RZA, and early Kevin Martin works. They were consciously weirder than prevailing, contemporaneous gangsta rap, and would expand hip hop’s vernacular with a darkside, tripped-out lean that arguably earned them a bigger following in UK & EU than the US, resulting later collaborations with Manchester’s Skam Records and Kareem’s Zhark in Berlin, where they ended up moving by 2010.
The original five tracks appear both intact and subtly tweaked out, still opening with the entrenched drama of ‘Swollen Tongue Burns’, smoked out noir of ‘Three Rocks Blessed’, and amorphous collage ‘The Untravelled Road’, but altered in the subtle expansion of ‘Images of .44’, and an hallucinatory ‘Praise the Man’, sweltering with noise and twisted Indian string and drums samples. Six bonus cuts now bring the EP up to LP length, with ‘And Hell is Coming with Us’ surely staking them out between JK Flesh and Deathgrips, beside lo-slung demo intstrumental ‘Pelt I’s to End’, the smoked out late ‘90s flavour of ‘Praise Be the Man (remix)’, and a murky standout ‘Sweetwood Sound Session’ resembling a submerged Graham Lambkin.
2024 Reissue. Black 2LP comes with 12pg booklet with liner notes by John Morrison, and new art from Mikel Elam & Paul Romano.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Mike Patton’s Ipecac cough up an expanded first vinyl reissue of Dälek’s 1998 debut EP, revolving newly augmented versions and bolstered with bonus instrumentals, demos and remixes for the hardcore backpack heads.
The original five-track EP would pitch the duo of mic man MC Dälek and producer Oktopus into the swelling fringes of late ‘90s hip hop, somewhere adjacent to Spectre’s illbient, El-P’s Company Flow and Cannibal Ox, DJ Shadow or RZA, and early Kevin Martin works. They were consciously weirder than prevailing, contemporaneous gangsta rap, and would expand hip hop’s vernacular with a darkside, tripped-out lean that arguably earned them a bigger following in UK & EU than the US, resulting later collaborations with Manchester’s Skam Records and Kareem’s Zhark in Berlin, where they ended up moving by 2010.
The original five tracks appear both intact and subtly tweaked out, still opening with the entrenched drama of ‘Swollen Tongue Burns’, smoked out noir of ‘Three Rocks Blessed’, and amorphous collage ‘The Untravelled Road’, but altered in the subtle expansion of ‘Images of .44’, and an hallucinatory ‘Praise the Man’, sweltering with noise and twisted Indian string and drums samples. Six bonus cuts now bring the EP up to LP length, with ‘And Hell is Coming with Us’ surely staking them out between JK Flesh and Deathgrips, beside lo-slung demo intstrumental ‘Pelt I’s to End’, the smoked out late ‘90s flavour of ‘Praise Be the Man (remix)’, and a murky standout ‘Sweetwood Sound Session’ resembling a submerged Graham Lambkin.