Paris-based Toma Kami turns up on Livity Sound for a 2nd round of nervously rolling rhythms wrapped up in deftly precise club arrangements
Produced with Livity Sound-standard minimal efficiency, ‘Negative Ecstasy’ plays out a timelessly fresh style with the tentative introduction of ‘E-Ache’ and the sozzled swang of ‘Aces’, before grabbing the waist with the sloshing rhythmic resolution of ‘negative Ecstasy’ in a style recalling Beatrice Dillon sparring with Batu, then stretching out with iridescent chords on a treacly shuffle reminding of Don’t DJ’s enchanted rhythms.
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Paris-based Toma Kami turns up on Livity Sound for a 2nd round of nervously rolling rhythms wrapped up in deftly precise club arrangements
Produced with Livity Sound-standard minimal efficiency, ‘Negative Ecstasy’ plays out a timelessly fresh style with the tentative introduction of ‘E-Ache’ and the sozzled swang of ‘Aces’, before grabbing the waist with the sloshing rhythmic resolution of ‘negative Ecstasy’ in a style recalling Beatrice Dillon sparring with Batu, then stretching out with iridescent chords on a treacly shuffle reminding of Don’t DJ’s enchanted rhythms.
Paris-based Toma Kami turns up on Livity Sound for a 2nd round of nervously rolling rhythms wrapped up in deftly precise club arrangements
Produced with Livity Sound-standard minimal efficiency, ‘Negative Ecstasy’ plays out a timelessly fresh style with the tentative introduction of ‘E-Ache’ and the sozzled swang of ‘Aces’, before grabbing the waist with the sloshing rhythmic resolution of ‘negative Ecstasy’ in a style recalling Beatrice Dillon sparring with Batu, then stretching out with iridescent chords on a treacly shuffle reminding of Don’t DJ’s enchanted rhythms.
Paris-based Toma Kami turns up on Livity Sound for a 2nd round of nervously rolling rhythms wrapped up in deftly precise club arrangements
Produced with Livity Sound-standard minimal efficiency, ‘Negative Ecstasy’ plays out a timelessly fresh style with the tentative introduction of ‘E-Ache’ and the sozzled swang of ‘Aces’, before grabbing the waist with the sloshing rhythmic resolution of ‘negative Ecstasy’ in a style recalling Beatrice Dillon sparring with Batu, then stretching out with iridescent chords on a treacly shuffle reminding of Don’t DJ’s enchanted rhythms.
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Paris-based Toma Kami turns up on Livity Sound for a 2nd round of nervously rolling rhythms wrapped up in deftly precise club arrangements
Produced with Livity Sound-standard minimal efficiency, ‘Negative Ecstasy’ plays out a timelessly fresh style with the tentative introduction of ‘E-Ache’ and the sozzled swang of ‘Aces’, before grabbing the waist with the sloshing rhythmic resolution of ‘negative Ecstasy’ in a style recalling Beatrice Dillon sparring with Batu, then stretching out with iridescent chords on a treacly shuffle reminding of Don’t DJ’s enchanted rhythms.