NYC’s Alien D suffuses his crisp electro and Jersey/B-more breaks and beatdown swivel with inspiration from William Henry Fox Talbot’s early, titular text on photography .
Also known as Sweat Equity and half of Dekalb Works with Austin Peru (Vision Fortune), Daniel Creahan adopts his Alien D mode for four trax defined by a breezy but rugged flow and nuanced, harmonic play of light.
The pumping electro subs and effervescent sound design of ‘Switchbreaker’ tees off a varied EP that dips to dubbed-out mutations of B-more breaks ringing with soundsystem FX on ‘Judith’s Roof’, and a more rolling hip-house variant of that sound galvanised with electro bass in ‘World Impact’, whereas ‘Swamp Thing’ swings off the beat into gentler ambient breaks peppered with keys and given to a nocturnal atmosphere reminding of early Terre Thaemlitz.
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NYC’s Alien D suffuses his crisp electro and Jersey/B-more breaks and beatdown swivel with inspiration from William Henry Fox Talbot’s early, titular text on photography .
Also known as Sweat Equity and half of Dekalb Works with Austin Peru (Vision Fortune), Daniel Creahan adopts his Alien D mode for four trax defined by a breezy but rugged flow and nuanced, harmonic play of light.
The pumping electro subs and effervescent sound design of ‘Switchbreaker’ tees off a varied EP that dips to dubbed-out mutations of B-more breaks ringing with soundsystem FX on ‘Judith’s Roof’, and a more rolling hip-house variant of that sound galvanised with electro bass in ‘World Impact’, whereas ‘Swamp Thing’ swings off the beat into gentler ambient breaks peppered with keys and given to a nocturnal atmosphere reminding of early Terre Thaemlitz.
NYC’s Alien D suffuses his crisp electro and Jersey/B-more breaks and beatdown swivel with inspiration from William Henry Fox Talbot’s early, titular text on photography .
Also known as Sweat Equity and half of Dekalb Works with Austin Peru (Vision Fortune), Daniel Creahan adopts his Alien D mode for four trax defined by a breezy but rugged flow and nuanced, harmonic play of light.
The pumping electro subs and effervescent sound design of ‘Switchbreaker’ tees off a varied EP that dips to dubbed-out mutations of B-more breaks ringing with soundsystem FX on ‘Judith’s Roof’, and a more rolling hip-house variant of that sound galvanised with electro bass in ‘World Impact’, whereas ‘Swamp Thing’ swings off the beat into gentler ambient breaks peppered with keys and given to a nocturnal atmosphere reminding of early Terre Thaemlitz.
NYC’s Alien D suffuses his crisp electro and Jersey/B-more breaks and beatdown swivel with inspiration from William Henry Fox Talbot’s early, titular text on photography .
Also known as Sweat Equity and half of Dekalb Works with Austin Peru (Vision Fortune), Daniel Creahan adopts his Alien D mode for four trax defined by a breezy but rugged flow and nuanced, harmonic play of light.
The pumping electro subs and effervescent sound design of ‘Switchbreaker’ tees off a varied EP that dips to dubbed-out mutations of B-more breaks ringing with soundsystem FX on ‘Judith’s Roof’, and a more rolling hip-house variant of that sound galvanised with electro bass in ‘World Impact’, whereas ‘Swamp Thing’ swings off the beat into gentler ambient breaks peppered with keys and given to a nocturnal atmosphere reminding of early Terre Thaemlitz.