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Boomkat Product Review:
A big Metroplex highlight comes back around with Mike Grant’s powerful 1997 turn as Black Noise
Both sides are some of the purest examples of Detroit techno you can hope for, working within a sort of double refraction of ideas between Detroit and Berlin and placing a deadly, inimitable 313 spin on the stripped down, high-velocity iterations of BC’s style - itself literally built on the machines and styles of Detroit - and injecting it back into the dance.
They don’t make them like this anymore. Unmissable!