Mute's Liberation Technologies make it funky with Mark Fell's infectious 'n-Dimensional Analysis 1-14'.
As with nearly all Fell's work, there's an innate swing to all 14 sections split over both sides, working a flex somewhere between his dance-honed Sensate Focus and more asymmetric experiments under his own name.
but aye, it's music for dancing, unravelling the knottiest syncopation between slicing claps, sprays of hi-hat and jabbing digital bass around mercurial chords which open out, contort and tesselate in mid-air. The effect is wholly gratifying for anyone with an ounce of bounce in their bones; a lushly prickly set of body coordinates ready to work your brain and booty to a precisely digitised lather.
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Mute's Liberation Technologies make it funky with Mark Fell's infectious 'n-Dimensional Analysis 1-14'.
As with nearly all Fell's work, there's an innate swing to all 14 sections split over both sides, working a flex somewhere between his dance-honed Sensate Focus and more asymmetric experiments under his own name.
but aye, it's music for dancing, unravelling the knottiest syncopation between slicing claps, sprays of hi-hat and jabbing digital bass around mercurial chords which open out, contort and tesselate in mid-air. The effect is wholly gratifying for anyone with an ounce of bounce in their bones; a lushly prickly set of body coordinates ready to work your brain and booty to a precisely digitised lather.
Mute's Liberation Technologies make it funky with Mark Fell's infectious 'n-Dimensional Analysis 1-14'.
As with nearly all Fell's work, there's an innate swing to all 14 sections split over both sides, working a flex somewhere between his dance-honed Sensate Focus and more asymmetric experiments under his own name.
but aye, it's music for dancing, unravelling the knottiest syncopation between slicing claps, sprays of hi-hat and jabbing digital bass around mercurial chords which open out, contort and tesselate in mid-air. The effect is wholly gratifying for anyone with an ounce of bounce in their bones; a lushly prickly set of body coordinates ready to work your brain and booty to a precisely digitised lather.
Mute's Liberation Technologies make it funky with Mark Fell's infectious 'n-Dimensional Analysis 1-14'.
As with nearly all Fell's work, there's an innate swing to all 14 sections split over both sides, working a flex somewhere between his dance-honed Sensate Focus and more asymmetric experiments under his own name.
but aye, it's music for dancing, unravelling the knottiest syncopation between slicing claps, sprays of hi-hat and jabbing digital bass around mercurial chords which open out, contort and tesselate in mid-air. The effect is wholly gratifying for anyone with an ounce of bounce in their bones; a lushly prickly set of body coordinates ready to work your brain and booty to a precisely digitised lather.
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Mute's Liberation Technologies make it funky with Mark Fell's infectious 'n-Dimensional Analysis 1-14'.
As with nearly all Fell's work, there's an innate swing to all 14 sections split over both sides, working a flex somewhere between his dance-honed Sensate Focus and more asymmetric experiments under his own name.
but aye, it's music for dancing, unravelling the knottiest syncopation between slicing claps, sprays of hi-hat and jabbing digital bass around mercurial chords which open out, contort and tesselate in mid-air. The effect is wholly gratifying for anyone with an ounce of bounce in their bones; a lushly prickly set of body coordinates ready to work your brain and booty to a precisely digitised lather.