Boomkat Product Review:
Beguiling digital composition from London/Berlin’s Adam Asnan, forming a “continuation of the ideas and methods developed in Mythcigc I: a collection of music utilising readymade FM synthesis and digital reverbs from he late ‘80s, mid-‘90s and the present day.” Basically a strong look for fans of Theo Burt, Dale Cornish, Ilpo Väisänen or even that ||| ||| record…
With the stark tang of his Rev Sets still resonating from 2016, Asnan explores more fleshed out soundfields in Mythcigc - II, filling the cold spaces found between the notes of Rev Sets with a recursive moiré lattice of colourfully reactive rhythms and more expressive tonal cadence - the sort of stuff that can light up the grey matter between your ears like an electrical grid control board.
It all lends the album a much more humanistic, emotive touch than what we’ve previously heard from Asnan, which admittedly isn’t a lot, but enough to highlight the contrasting touch which bely Mythcigc - II’s (ostensibly) brutalist structures. There’s a certain chamber-like elegance to the pinched tones that teeter around the pickled chromatic plongs of II.1 and right thru to the more somnambulant, SAW-like tone of II.7 at its close, finding him working with a pizzicato balletic lightness in II.2 or like Hecker imitating the flight of a bumblebee in II.3, whereas ii.4 firms up as a pulsating adjunct to EVOL’s mentasm orgies and II.6 seems to split the difference between dancehall and gamelan practice with an intent appreciation of their shimmering commonalities and fluid punctuation.