Boomkat Product Review:
Yamaneko, aka Talbot Fade, bravely tackles a most painful subject in the best way he knows how: the emotional, metaphysical transcendence of organised electronic sound.
Written in the year following the death of his mother, and mantled in reference to Meiro Koizumi’s succinct and quietly traumatising video installation, My Voice Would Reach You can be taken as a bardo or form of keening music, rendering a beautifully elegiac lament for a beloved soul, described in diaphanous ambient chorales, textured field recordings and oceanic drones with often gut-wrenching effect.
Broaching a subject that still, unusually, prompts uncomfortable reactions in the western world, My Voice Would Reach You conversely seeks to offer comfort and solace through an abstract exploration of “grief, acceptance, dreams, maternal influence and communication across astral planes.” Drawing on the titular installation, as well as his mother’s record collection and the immersive depths of RPG computer games - specifically FromSoftware’s range of Souls and Bloodborne titles - Talbot Fade suggests space for reflective mediation. But, like those games and the album’s subject matter, don’t expect it to be an easy experience.
In its four movements, My Voice Would Reach You occupies wide-open yet elusive ambient terrain with Gas, Tim Hecker and The Sight Below, yet when taken with the album’s themes of loss and nightmarish conditions, its isolationist detachment adopts a sincere gravity of meaning in the plangent pall and cinematic strings of Red Jeweled Brooch and chokingly so by the time you catch windswept tears in Forgiven by the Light of Spring, whilst the entire B-side’s is spent on the arcing consolation of Depths of Spring, “ushering lost souls into a new childhood”.