My Greatest Revenge: Flamenco Recordings, 1904-1938
Time travellers Death Is Not The End visit earliest flamenco recordings with an absorbing showcase of its haunting vocals and intricate guitar accompaniments, 1904-1938.
Famenco’s roots lie in the folkloric traditions of Andalusia, southern Spain, originating in gating or gypsy cultures, and developed by a mix of gitano and non-gitano Spaniards. ‘My Greatest Revenge: Flamenco Recordings, 1904-1938’ holds a precious clutch of the earliest flamenco tunes cut to vinyl, preserved for posterity and sequenced to reveal the range of its brooding splendour by the awesome heads at Death Is Not The End.
The fidelity of the recordings is understandably lo-fi but no doubt conveys the passion and bloozy compulsion of the sound between the ghostly croon and rattling castanets of ‘I Remember You Frequently’ by El Mochuelo, thru the anguished cry and lyrical guitar flourishes of ‘tender Whining I Heard’ from La Andalucita, to the timeless rhetroic and melancholy of the message in ‘I’m Tired of Living’ by Niño de Cabra, and striking wail of Juan Breva on ’They Take Away My Love For You’.
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Time travellers Death Is Not The End visit earliest flamenco recordings with an absorbing showcase of its haunting vocals and intricate guitar accompaniments, 1904-1938.
Famenco’s roots lie in the folkloric traditions of Andalusia, southern Spain, originating in gating or gypsy cultures, and developed by a mix of gitano and non-gitano Spaniards. ‘My Greatest Revenge: Flamenco Recordings, 1904-1938’ holds a precious clutch of the earliest flamenco tunes cut to vinyl, preserved for posterity and sequenced to reveal the range of its brooding splendour by the awesome heads at Death Is Not The End.
The fidelity of the recordings is understandably lo-fi but no doubt conveys the passion and bloozy compulsion of the sound between the ghostly croon and rattling castanets of ‘I Remember You Frequently’ by El Mochuelo, thru the anguished cry and lyrical guitar flourishes of ‘tender Whining I Heard’ from La Andalucita, to the timeless rhetroic and melancholy of the message in ‘I’m Tired of Living’ by Niño de Cabra, and striking wail of Juan Breva on ’They Take Away My Love For You’.
Time travellers Death Is Not The End visit earliest flamenco recordings with an absorbing showcase of its haunting vocals and intricate guitar accompaniments, 1904-1938.
Famenco’s roots lie in the folkloric traditions of Andalusia, southern Spain, originating in gating or gypsy cultures, and developed by a mix of gitano and non-gitano Spaniards. ‘My Greatest Revenge: Flamenco Recordings, 1904-1938’ holds a precious clutch of the earliest flamenco tunes cut to vinyl, preserved for posterity and sequenced to reveal the range of its brooding splendour by the awesome heads at Death Is Not The End.
The fidelity of the recordings is understandably lo-fi but no doubt conveys the passion and bloozy compulsion of the sound between the ghostly croon and rattling castanets of ‘I Remember You Frequently’ by El Mochuelo, thru the anguished cry and lyrical guitar flourishes of ‘tender Whining I Heard’ from La Andalucita, to the timeless rhetroic and melancholy of the message in ‘I’m Tired of Living’ by Niño de Cabra, and striking wail of Juan Breva on ’They Take Away My Love For You’.
Time travellers Death Is Not The End visit earliest flamenco recordings with an absorbing showcase of its haunting vocals and intricate guitar accompaniments, 1904-1938.
Famenco’s roots lie in the folkloric traditions of Andalusia, southern Spain, originating in gating or gypsy cultures, and developed by a mix of gitano and non-gitano Spaniards. ‘My Greatest Revenge: Flamenco Recordings, 1904-1938’ holds a precious clutch of the earliest flamenco tunes cut to vinyl, preserved for posterity and sequenced to reveal the range of its brooding splendour by the awesome heads at Death Is Not The End.
The fidelity of the recordings is understandably lo-fi but no doubt conveys the passion and bloozy compulsion of the sound between the ghostly croon and rattling castanets of ‘I Remember You Frequently’ by El Mochuelo, thru the anguished cry and lyrical guitar flourishes of ‘tender Whining I Heard’ from La Andalucita, to the timeless rhetroic and melancholy of the message in ‘I’m Tired of Living’ by Niño de Cabra, and striking wail of Juan Breva on ’They Take Away My Love For You’.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Time travellers Death Is Not The End visit earliest flamenco recordings with an absorbing showcase of its haunting vocals and intricate guitar accompaniments, 1904-1938.
Famenco’s roots lie in the folkloric traditions of Andalusia, southern Spain, originating in gating or gypsy cultures, and developed by a mix of gitano and non-gitano Spaniards. ‘My Greatest Revenge: Flamenco Recordings, 1904-1938’ holds a precious clutch of the earliest flamenco tunes cut to vinyl, preserved for posterity and sequenced to reveal the range of its brooding splendour by the awesome heads at Death Is Not The End.
The fidelity of the recordings is understandably lo-fi but no doubt conveys the passion and bloozy compulsion of the sound between the ghostly croon and rattling castanets of ‘I Remember You Frequently’ by El Mochuelo, thru the anguished cry and lyrical guitar flourishes of ‘tender Whining I Heard’ from La Andalucita, to the timeless rhetroic and melancholy of the message in ‘I’m Tired of Living’ by Niño de Cabra, and striking wail of Juan Breva on ’They Take Away My Love For You’.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Time travellers Death Is Not The End visit earliest flamenco recordings with an absorbing showcase of its haunting vocals and intricate guitar accompaniments, 1904-1938.
Famenco’s roots lie in the folkloric traditions of Andalusia, southern Spain, originating in gating or gypsy cultures, and developed by a mix of gitano and non-gitano Spaniards. ‘My Greatest Revenge: Flamenco Recordings, 1904-1938’ holds a precious clutch of the earliest flamenco tunes cut to vinyl, preserved for posterity and sequenced to reveal the range of its brooding splendour by the awesome heads at Death Is Not The End.
The fidelity of the recordings is understandably lo-fi but no doubt conveys the passion and bloozy compulsion of the sound between the ghostly croon and rattling castanets of ‘I Remember You Frequently’ by El Mochuelo, thru the anguished cry and lyrical guitar flourishes of ‘tender Whining I Heard’ from La Andalucita, to the timeless rhetroic and melancholy of the message in ‘I’m Tired of Living’ by Niño de Cabra, and striking wail of Juan Breva on ’They Take Away My Love For You’.